Microphone Cambodia

0 views
Skip to first unread message

Billie Kjergaard

unread,
Aug 5, 2024, 4:45:59 AM8/5/24
to estrusviesym
Ifan image is displaying, you can download it yourself. (Some images display only as thumbnails outside the Library of Congress because of rights considerations, but you have access to larger size images on site.)

If only black-and-white ("b&w") sources are listed and you desire a copy showing color or tint (assuming the original has any), you can generally purchase a quality copy of the original in color by citing the Call Number listed above and including the catalog record ("About This Item") with your request.


Please use the following steps to determine whether you need to fill out a call slip in the Prints and Photographs Reading Room to view the original item(s). In some cases, a surrogate (substitute image) is available, often in the form of a digital image, a copy print, or microfilm.


Trikosko, Marion S, photographer. Women U.S. representatives, members of a congressional delegation that visited Cambodia, seated at a table, behind microphones / MST. United States, 1979. [11/14/ 14 November] Photograph.


Trikosko, M. S., photographer. (1979) Women U.S. representatives, members of a congressional delegation that visited Cambodia, seated at a table, behind microphones / MST. United States, 1979. [11/14/ 14 November] [Photograph] Retrieved from the Library of Congress,


Trikosko, Marion S, photographer. Women U.S. representatives, members of a congressional delegation that visited Cambodia, seated at a table, behind microphones / MST. [11/14/ 14 November] Photograph. Retrieved from the Library of Congress, .


Engineered and manufactured in Austria, its high sensitivity and low self-noise means it can handle everything from a whisper, to extreme SPLs without distortion, making it the perfect choice for studio, live and broadcast applications. The unique ceramic capsule design is so consistent, the OC18 can be match-paired with any other OC18 or paired with any OC818 set in cardioid mode.


We bring passion to everything we do, and nobody brings more than our engineering team. Every CKR6 ceramic capsule is handmade in-house at our facility in Vienna and now we are developing the next generation of transducer and microphone builders to serve our expanding customer-base.


Just remember to speak clearly and slowly. The microphone is voice activated so a little tip is to begin your speech with a vocal noise (eg. like clearing your throat) and then begin to speak immediately.


Helistar Cambodia operates under its own Air Operators Certificate (AOC). Helistar Cambodia undergoes stringent compliance audits with the State Secretariat of Civil Aviation and has a Director of Flight Operation onsite overseeing all flying operations.


Helistar Cambodia strives to deliver the highest levels of customer service in the tourism and aviation industry. With dedicated staff for operations, road transfers and flying roles we are always available to provide a smooth and memorable experience from start to finish.


A frequent contributor to these pages, the author retired to Florida after a long career as a Foreign Service spouse. She has written extensively on various of her experiences abroad and is particularly adept at catching the feeling and mood of a post.—Ed.


The sun was hot that early afternoon in 1963 as my husband and I drove out from Phnom Penh on the Saigon road. A career Foreign Service officer, Alf had recently taken up his post as head of the political section in the American embassy in the Cambodian capital. Although we had only arrived six weeks earlier, we had enjoyed getting acquainted with the charming city with its French colonial overtones such as the popular Cercle Sportif, and taking sightseeing drives along the excellent roads in the peaceful Southeast Asian countryside.The road we took that afternoon was familiar because we had already driven it on a sightseeing tour on our first weekend. At that time, the watery landscape it ran through impressed us vividly: the entire countryside seemed inundated. Wooden houses, the local basha huts, were raised above water by stilts; treetops stood out in full leaf although the trunks were wholly submerged; gleaming rice paddies reflected light like mirrors; and, in every direction, we saw local men fishing from boats, in the paddies, and even from the porches of their houses.


This time the water level looked lower. Tree trunks were partly exposed and mud filled many paddies. Mud flats surrounded many houses. As it was supposed to, the three months' rainy season brought by the southwest monsoon was ending. At least, so we understood.


With our two children, Alf and I were driving to a Buddhist festival, Bon Kathen, which was to take place at the village of Churi Dang, some forty kilometers southeast of the capital. Although it was the first we were invited to attend, similar ceremonies were held throughout Cambodia. They celebrated the end of the monks' period of isolation in the monasteries, or wats, during the rainy season. At these yearly festivals, the monks were given clothing and other necessities, and general festivities followed the religious ceremonies.


American guests at the Churi Dang festival were to meet at Martin's house. A blond young American, he was an International Voluntary Services (IVS) technician who had lived and worked in the village a year. By the time we arrived, nineteen gifts, previously prepared by the village people for their monks, had already been presented and were neatly laid out in the wat. The gifts, wrapped in brightly colored cellophane, included the saffron yellow cloth worn by Buddhist monks, a big package of incense sticks, sugar, tea, ceremonial candles, and cigarettes. We had already noticed most Cambodians were heavy smokers.


Except for the monks, who watched from the pagoda, everyone in the village seemed to be gathered around a volleyball court where a group of Americans, mostly IVS teachers, were to play the teachers of Churi Dang. Along with other late arrivals, we were shown to a platform where chairs were set up overlooking the court. A temporary roof of translucent, flexible plastic sheets stretched over a bamboo framework entirely covered this platform. Behind it, at a slightly lower level, was another platform covered by a similar roof.


Soon after we sat down, the volleyball game began. By the third set, enthusiasm ran high. Noisy cheering marked points scored by both sides. But for some time, the sky had been darkening, and a light rain began to fall. Under our plastic roof, an occasional umbrella bloomed as rain began to blow through the unprotected sides of the platform. When a real downpour started, the game abruptly ended, and people took shelter in or under the wat (which was on stilts), and on the platform. Rain drummed on our roof. Several Americans hurriedly brought up their cars, loaded in their families and drove off. Thunder crashed as the rest of us huddled in a corner of the platform.


Other guests had previously gone to the wat porch to line up for an elephant ride, one of the main attractions. Now the elephant was pressing his side against the wat. His head was bent as though he was trying to hide it under the porch, and his pink-sponed gray ears hung forlornly while rain poured down his glistening flanks.


In my corner, everyone unsuccessfully tried to stay dry. At the first raindrops, I tied a small square of silk chiffon over my head, assuming this would see me through. Rain began to fall so heavily, however, that our roof began to sag ominously in places. Weighty pockets of water hung visibly poised over our heads.


Quickly noting these signs of impending calamity, villagers and guests alike clambered on the platform chairs. They pushed at the plastic overhead, they poked with their hands, with planks and with bamboo staffs, trying to roll the water to the outer edges of the plastic, where it could fall in cascades over the platform sides. "It's like catching jellyfish," shouted one worker as he vainly manipulated the plastic. Our ten-year old son, Chris, was soon drenched as he dashed about, efflciently moving chairs out of one stream of water into another. Splashing back to my platform with progress reports, he said to a soaking fellow laborer, "Well, you can't win 'em all!"


Inevitably, nature drew ahead. Holes appeared unexpectedly in our roof, through which torrents gushed, dousing hapless victims. Loud crack-ing noises burst through the general noise level as poles in the bamboo framework gave way. As the roof sagged further, men held the remaining poles in place like Atlas shouldering the sky. It was like being in a storm at sea, except that instead of staring down at tossing waves, we gazed anxiously upward at the heaving roof.


Swaying slightly, I was standing bemused when Martin sloshed over and said, "We'd better get over to the wat. It's going to get worse and the roof isn't going to last much longer." Suddenly, I realized that we were among a very few still on board. The roof was flapping like a luffmg sail. "Can you take off your shoes?" he asked.


"Yes, indeed," I said, and leaning down, I quickly took off my sandals. With his help, I jumped off the platform into deep mud and ran squashing over to the wat, twenty feet away. Feeling my way up its stairs, hair and shoulders streaming water, I stood confused a moment on the porch, staring through the doorway at the quiet scene inside. Sitting circumspectly on woven mats scattered on the planked fiooring of the large open room were groups of families chatting calmly. Clumps of children stood watching the few Americans talking amiably among themselves. Candles gleamed peaceably among the statues of Buddha, and heavy paper decorations hung unmoving from the rafters. Two American boys had devised a game; they poked their fingers down narrow cracks in the floor, and now and then a finger poked back at them from below. Squealing and laughter resulted, especially if the finger happened to poke a sitting bystander.


It was nearing five in the afternoon. Martin and various local officials stood by the wat doorway smoking. News filtered through the crowd. No more volleyball; the court was flooded. Would the rest of the program be held in the wat? A microphone was brought in. Four damp IVS teachers, the girls' wet hair slickly combed, accompanied by a guitar, sang folk songs. "Twist!" a Cambodian shouted, clapping his hands and laughing, but his request was ignored, possibly because there was no room.

3a8082e126
Reply all
Reply to author
Forward
0 new messages