Tales From The Crypt Comics Download Cbr Files
Indira Rossetto
Each episode begins with a tracking shot leading to the front door of the decrepit mansion of the Cryptkeeper, the show's host. Once inside, the camera tilts down from the foyer to the hallways and stairways, finally descending into the basement. The Cryptkeeper then comes out from his coffin, cackling wildly; green slime pours down over the screen as the main title appears. The Cryptkeeper is depicted as an animated corpse, as opposed to the original comics in which he was a living human being. The wisecracking Cryptkeeper (performed by a team of puppeteers such as Van Snowden,[2] Mike Elizalde, Frank Charles Lutkus, Patty Maloney, David Arthur Nelson, Anton Rupprecht, Shaun Smith, David Stinnent, Mike Trcic, and Brock Winkless, and voiced by John Kassir) would then introduce the episode with intentionally stereotyped jokes and mostly puns, e.g., his frequent greeting to viewers: "Hello, Boils and Ghouls" or "Hello, Kiddies". Each episode was self-contained, and was bookended by an outro sequence, again involving the Cryptkeeper. Comic book cover art was created by Mike Vosburg and Shawn McManus.
In 2000, several Tales from the Crypt "radio shows" were recorded for Seeing Ear Theatre, an online subsidiary of The Sci-Fi Channel, and were offered free as streaming RealAudio files on their website,[5] as well as for sale on Audible.com. Although 13 episodes were planned (with forthcoming episodes listed as "TBA"), only eight stories were recorded.[6] Seven of the eight shows were released on CD in 2002 by Highbridge Audio[7] ("This Trick'll Kill You" was omitted from the CD set[6]).
In 1991, the Fox television network aired a pilot for Two-Fisted Tales, a spin-off based on the 1950s EC action comics. When Fox passed on the pilot, Cryptkeeper segments were put down onto the three stories ("Yellow", "Showdown", and "King of the Road"), and HBO ran them as Tales from the Crypt episodes.
In 1950, EC publisher Gaines and his editor Al Feldstein discovered they shared similar tastes in horror and began experimenting with horror tales in their crime titles. Tales from the Crypt traces its origin to a Feldstein story, "Return from the Grave!", in EC's Crime Patrol (#15, December 1949/January 1950) with the Crypt-Keeper making his debut as host. Issue #16 featured more horror tales than crime stories, and, with issue #17, the title changed from Crime Patrol to The Crypt of Terror.[2] Due to an attempt to save money on second-class postage permits, the numbering did not change with the title and continued as The Crypt of Terror for the next two issues.
In 2007, Papercutz, an independent comics publisher managed by former Marvel Comics editor Jim Salicrup, began running a new series of original Tales from the Crypt comics. The new version was announced at the year's New York Comic Con. The first issue was published in June 2007, with a cover drawn by Kyle Baker. All three of EC Comics' horror hosts (The GhouLunatics) appear in the issue, drawn by Rick Parker (artist of Marvel/MTV's Beavis and Butt-Head Comic Book). Contributors to subsequent issues have included well-known horror talents Joe R. Lansdale and his brother John L. Lansdale, Don McGregor, husband and wife team James Romberger and Marguerite Van Cook, Mort Todd, and Chris Noeth. The new version has a smaller digest size with a graphic novel style book binding. Controversy erupted in 2008 when vice presidential candidate Sarah Palin was featured on a cover attacking the horror hosts with a hockey stick, published with a letter from William Gaines' daughter Cathy Gaines Mifsud commenting on censorship.[4]
As with the other EC comics edited by Feldstein, the stories in this comic were primarily based on Gaines using existing horror stories and films to develop "springboards" from which he and Feldstein could launch new stories. Specific story influences that have been identified include the following:
The Crypt-Keeper was the primary host of Tales from the Crypt. He was introduced to the public in Crime Patrol #15, and he continued with that magazine through its changes in title and format. He was a frightening presence in those early issues, a sinister hermit sitting framed in the lightless crypt's half-open door, his face all but hidden by the double curtain of his long white hair. But he soon evolved into a more comedic horror host, delivering an irreverent and pun-filled commentary to lighten the horrific tone of the stories he introduced.
The 1972 film from Amicus Productions features five stories from various EC comics. "Reflection of Death" (#23) and "Blind Alleys" (#46) were adapted for the film, the others were adapted from The Haunt of Fear and The Vault of Horror. A second Amicus film, The Vault of Horror, also used stories from Tales from the Crypt and Shock SuspenStories (despite its title, it did not use any stories published in the Vault of Horror comic). An homage film entitled Creepshow followed, paying tribute to the tone, look, and feel of Tales from the Crypt and other EC comics, without directly adapting any of the stories.
The following tales were used in HBO's Tales from the Crypt television series: "The Man Who Was Death" (issue #17), "Mute Witness to Murder" (#18), "Fatal Caper" (#20), "The Thing From The Grave" (#22), "Last Respects" (#23), "Judy, You're Not Yourself Today" (#25), "Loved to Death" (#25), "Well Cooked Hams" (#27), "The Ventriloquist's Dummy" (#28), "Korman's Kalamity" (re-titling of "Kamen's Kalamity", issue #31), "Cutting Cards" (#32), "Lower Berth" (#33), "None But The Lonely Heart" (#33), "Oil's Well That Ends Well" (#34), "Curiosity Killed" (#36), "Only Skin Deep" (#38), "Mournin' Mess" (#38), "Undertaking Palor" (#39), "Food For Thought" (#40), "Operation Friendship" (#41), "Cold War" (#43), "Forever Ambergris" (#44), "The Switch" (#45) and "Blind Alleys" (#46). Other episodes were based on other entries in the EC Comics line: The Vault of Horror, The Haunt of Fear, Crime SuspenStories, Shock SuspenStories and Two-Fisted Tales.
Two films by Universal Studios, Demon Knight (1995) and Bordello of Blood (1996), were based on the series, neither of which was particularly successful with critics. A third film, Ritual, was slated for theatrical release in 2001, but was only distributed internationally (without the Tales from the Crypt connection) until 2006 when it was released on DVD in the United States, with the Cryptkeeper segments restored. Unlike the 1970s-era Amicus films, these films were not based on stories from any of the EC comics. The Frighteners was intended to be another film in the series, but executive producer Robert Zemeckis decided to release it as a standalone film.
Hold your entire collection of Tales from the Crypt comics, or simply display as the intricately detailed statues they are, and return to your first experiences of terrifying reading with your favorite hosts of horror.
Turns out EC Comics horror comics were relatively short-lived, and the center of a broader political campaign culminating in the US Senate Subcommittee on Juvenile Delinquency. The subcommittee targeted violent comics like Tales from the Crypt, arguing they contributed to the juvenile delinquency crisis in America. As a result, the self-regulating Comics Code Authority was founded and introduced censorship that seemed to target EC Comics horror magazines:
The rise of EC Comics and horror comics in the early 1950s marked a significantcultural phenomenon in the comic book industry. EC Comics, led by publisherWilliam Gaines, gained prominence for its edgy and innovative storytelling,particularly in genres such as horror, crime and science fiction. Titles such as"Tales from the Crypt" and "The Vault of Horror" captivated readers with theirgruesome and suspenseful tales, pushing the boundaries of what was consideredacceptable in comic books at the time.
As with the other EC comics edited by Feldstein, the stories in this comic were primarily based on Gaines reading a large number of horror stories and using them to develop "springboards" from which he and Feldstein could launch new stories. Specific story influences that have been identified include the following:
The 1972 film from Amicus Productions features five stories from various EC comics. "Reflection of Death" (#23) and "Blind Alleys" (#46) were adapted for the film, the others were adapted from Haunt of Fear and Vault of Horror. A second Amicus film, The Vault of Horror, also used stories from Tales from the Crypt and Shock SuspenStories (despite its title, it didn't use any stories published in the *Vault of Horror* comic). A homage film entitled Creepshow followed, paying tribute to the tone, look, and feel of Tales from the Crypt and other EC comics, without directly adapting any of the stories.
The following tales were used in HBO's Tales From The Crypt television series: "The Man Who Was Death" (issue #17), "Mute Witness to Murder" (#18), "Fatal Caper" (#20), "The Thing From The Grave" (#22), "Last Respects" (#23), "Judy, You're Not Yourself Today" (#25), "Loved to Death" (#25), "Well Cooked Hams" (#27), "The Ventriloquist's Dummy" (#28), "Korman's Kalamity" (re-titling of "Kamen's Calamity", issue #31), "Cutting Cards" (#32), "Lower Berth" (#33), "None But The Lonely Heart" (#33), "Oil's Well That Ends Well" (#34), "Curiosity Killed" (#36), "Only Skin Deep" (#38), "Mournin' Mess" (#38), "Undertaking Palor" (#39), "Food For Thought" (#40), "Operation Friendship" (#41), "Cold War" (#43), "Forever Ambergris" (#44), "The Switch" (#45) and "Blind Alleys" (#46). Other episodes were based on the two sister comics as well as Crime SuspenStories and Shock SuspenStories. At least one episode was even based on Two-Fisted Tales (another EC Comic).
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