Afro Cuban Rhythms For Drum Set By Frank Malabe Pdf 13

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Afro Cuban Rhythms For Drum Set By Frank Malabe Pdf 13

If you are a drum set player who wants to learn more about the rich and diverse musical traditions of Afro-Cuban rhythms, you might be interested in the book Afro-Cuban Rhythms for Drumset by Frank Malabe and Bob Weiner. This book is an introduction to Afro-Cuban rhythms, including the history, traditional instruments, and basic styles of Afro-Cuban music. The book explores the complexities of these various styles in a simple, understandable way. The companion audio is invaluable to anyone interested in adapting these rhythms to the drum set.

Afro Cuban Rhythms For Drum Set By Frank Malabe Pdf 13

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In this article, we will give you a brief overview of the book and its contents, as well as some reasons why you should check it out.

Who are Frank Malabe and Bob Weiner?

Frank Malabe was a master percussionist, composer, and educator who was born in Puerto Rico and moved to New York City at the age of 13. He studied with legendary drummers such as Max Roach, Art Blakey, and Elvin Jones. He performed and recorded with many artists, such as Dizzy Gillespie, Tito Puente, Eddie Palmieri, Mongo Santamaria, and Jaco Pastorius. He was also a faculty member at the Drummers Collective in New York City, where he taught Afro-Cuban percussion.

Bob Weiner is a drummer and percussionist who has performed and recorded with many artists, such as Harry Belafonte, Robert Palmer, Herbie Mann, Grover Washington Jr., and Spyro Gyra. He is also a co-founder of the Drummers Collective in New York City, where he teaches drum set and Afro-Cuban percussion.

What is Afro-Cuban music?

Afro-Cuban music is a term that refers to the musical styles that originated from the fusion of African and Spanish influences in Cuba. Afro-Cuban music includes genres such as son, rumba, mambo, cha-cha-cha, salsa, timba, and many others. Afro-Cuban music is characterized by its complex rhythmic patterns, polyrhythms, syncopation, clave (a two-bar rhythmic motif that serves as the foundation for most Afro-Cuban styles), and call-and-response vocals.

What does the book cover?

The book consists of 64 pages and is divided into six chapters. Each chapter covers a different aspect of Afro-Cuban rhythms for drum set. The chapters are as follows:

Chapter 1: Introduction. This chapter gives a brief overview of the history and development of Afro-Cuban music, as well as some basic concepts such as clave, tumbao (a bass pattern that accompanies the clave), cascara (a shell pattern played on the side of the timbales or cowbell), and montuno (a repeated melodic and harmonic phrase that creates tension and release).

Chapter 2: Basic Coordination Exercises. This chapter provides some exercises to develop coordination and independence between the limbs when playing Afro-Cuban rhythms on the drum set.

Chapter 3: Son Montuno. This chapter focuses on the son montuno style, which is one of the most important and influential styles in Afro-Cuban music. The chapter explains how to play the basic son montuno groove on the drum set, as well as some variations and embellishments.

Chapter 4: Nanigo 6/8. This chapter introduces the nanigo 6/8 style, which is derived from the sacred music of the Yoruba people of West Africa. The chapter explains how to play the basic nanigo 6/8 groove on the drum set, as well as some variations and embellishments.

Chapter 5: Guaguanco. This chapter covers the guaguanco style, which is a type of rumba that features a fast tempo and a complex interplay between the conga drums. The chapter explains how to play the basic guaguanco groove on the drum set, as well as some variations and embellishments.

Chapter 6: Mozambique. This chapter explores the mozambique style, which is a modern style that was created by the Cuban percussionist Pello el Afrokan in the 1960s. The chapter explains how to play the basic mozambique groove on the drum set, as well as some variations and embellishments.

The book also includes a glossary of terms, a bibliography, and an index. The companion audio contains 79 tracks that demonstrate the examples and exercises in the book. The audio is available online for download or streaming.

Why should you read this book?

If you are a drum set player who wants to expand your musical vocabulary and repertoire, this book is a great resource for you. You will learn how to play some of the most popular and influential Afro-Cuban rhythms on the drum set, as well as how to adapt them to different musical situations. You will also gain a deeper understanding of the history and culture of Afro-Cuban music, and how it has influenced many other genres of music, such as jazz, rock, funk, and pop. By studying this book, you will improve your rhythmic skills, coordination, creativity, and musicality.

Conclusion

Afro-Cuban Rhythms for Drumset by Frank Malabe and Bob Weiner is a classic book that has been used by many drummers around the world. It is a comprehensive and practical guide to playing Afro-Cuban rhythms on the drum set, with clear explanations, examples, exercises, and audio tracks. Whether you are a beginner or an advanced player, this book will help you master the art of Afro-Cuban drumming.