Sundial Font Download
Arvilla Hardan
Webfonts can be used on a single domain. Agencies responsible for multiple websites, for example web design agencies or hosting providers, may not share a single webfont license across multiple websites.
Every time the webpage using the webfont kit is loaded (i.e, the webfont kit CSS which holds the @font-face rule is called) the counting system counts a single pageview for each webfont within the webfont kit.
We'll supply a kit containing webfonts that can be used within digital ads, such as banner ads. This kit may be shared with third parties who are working on your behalf to produce the ad creatives, however you are wholly responsible for it.
An Electronic Doc license is based on the number of publications in which the font is used. Each issue counts as a separate publication. Regional or format variations don't count as separate publications.
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BONUS: Do you use RPG Maker MV? Well, good news! If you use Victor's SFont plugin in addition to my font, the spritesheet that is labeled "SweetSunset_bitmap_x3" is already formatted to work with it! Just follow the instructions included!
There will be FREE updates for accented letters as well as some missing symbols, currencies, and some extra colors in the next coming weeks. There may be a few differences in between the .ttf and the spritesheets, including but not limited to a star and heart symbol and some accented letters. I just really wanted to give it to people who want to use it in the meantime.
Can be used in both personal and commercial projects. The sprites themselves can be edited to fit your game's needs, have extra colors, or whatever have you.
Credits would be appreciated!! Just please don't redistribute my font, edited or not.
Please show me how you use it in your games! I'd love to see!
If I am unclear about something, please let me know. Thank you!
PDF Files are our preferred format as this file format is complete and self-contained. All graphics, text and fonts are part of the PDF making it simple and reliable to proof and print.
For most print output please save all files at 300 dpi and embed all fonts. The only exception to this is for wide format printing (i.e. posters, banners, signage etc.) where 100-150 dpi is acceptable. Alternatively, vector artwork, which is resolution independent, can be provided.
No artwork marks, crop marks or color bars are needed, so please ensure these are not included in your files.
Adobe Photoshop CS5 or below: TIF, EPS, JPG or PSD at 300 dpi resolution or greater. Please flatten your Photoshop document prior to sending to avoid any font substitutions.
Adobe Illustrator CS5 or below: EPS or AI file format (please provide any linked images) All fonts must be converted to outlines to avoid font substitutions. Vector artwork is acceptable for standard or wide format output but please ensure any placed graphics contained within the file are of sufficient resolution.
Microsoft Publisher 2010 or below: Please put all images and fonts related to your job in one folder. Make sure to use high resolution (300 dpi) images, not images downloaded form the internet as they are typically not of sufficient resolution. ZIP or SIT compress the entire folder and send the compressed file.
Microsoft Office Programs 2010 or below: Make sure to use high resolution (300 dpi) images, not images downloaded form the internet as they are typically not of sufficient resolution. Please put all images and fonts related to your job in one folder. ZIP or SIT compress the entire folder and send the compressed file.
Font Usage
All fonts must be converted to outlines whenever possible to avoid font substitutions, for PDF files make sure to include all fonts in the file. Please include font files if these alternatives are not possible.
Bleeds and Crop Marks
In order to get colour to the edges of your printed item, you need to have bleed area. All sizes require a 1/8" or a 0.125" extra of colour that will be cut off during trimming.
To make sure none of your information is cut off during trimming please keep all text and non-bleed images, 1/8" or .125" in from the edge for safety. If you intend for an image to extend beyond the edge of the item please be aware that trimming may vary and do not place images in such a way that slight variations will greatly impact the desired look.
File Preparation Fees
If your files are not provided in a suitable, print-ready format our designers may be able to work with them to prepare them for you. This is not always possible, but with your consent, we will make every effort to print as close to the intended appearance as possible. This service will be billed at $54 per hour and you will be informed if there are file issues prior to any billable work beginning.
If your artwork was designed by our staff you will not incur any file preparation fees.
For centuries sundials have been the silent timekeepers in gardens around the world. Enjoy the peace and tranquility of the slow passage of time with one of our high quality precision made brass sundials. All are made to commission only and whether your requirements are traditional or contemporary we guarantee you an enchanting sundial to enhance and enrich any garden.
Proprietor Keith Bunting designs and makes the sundials himself and works mainly in brass. His aim is to provide you with workmanship of the finest quality, designed specifically for you. He designs, calculates and engineers each and every sundial so that you end up with exactly what you want - a unique handmade timepiece to mark the passing hours.
* The bottom side of the compass can be engraved.
* We can fit up to 130 characters including spaces.
* Any font can be used from the reference fonts in the picture. If you need another font to be used, kindly convey the name.
* We can also fit Logo or Picture ( Contact us first to see if your item is eligible )
When thought needs a muse, it claims an evocative object. Long ago, love found hearts; secrets found keys; discovery found light; change found rivers. For many centuries this list would have had to include time finding sundials. Even the earliest sundials were inscribed with text, suggesting that a sundial was always both a way of telling time and a focal point for reflecting on its nature. Time has no voice, but sundial inscriptions pretend otherwise.
A sundial with divisions of time called Tides. Translation: Orm Gamal's son bought St Gregory's Minster when it was all broken down and made it new from the ground, for Christ and St Gregory. In Edward's day king, in Tosti's day Earl. This is the days sun marker at each tide. Howard wrought me and Brand (priest).
Librarians, historians, gardeners, the city arborist and a host of others around Portland have been involved in a nearly year-long search for a sundial, that ancient timepiece supplanted by the clock several hundred years ago.
Robert Kellogg, in town this week for the North American Sundial Society convention, will talk about sundial principles and how to make one on a 3-D printer. Reservations, which can be made at the library or by calling 871-1700 x708, are suggested.
Most of the talks and events during the North American Sundial Society convention will be for registered attendees only. But members will be visiting several local sundials of interest while in Maine. Here are some to visit to see local incarnations of this ancient time-telling device:
Society members reached out to Portlanders last August, hoping that if they put the word out early, the vaunted Crehore sundial might be found before the clock metaphorically struck midnight. So far, emails, record searches and phone calls have not cast any light on the sundial mystery. No one seems to know where it was, or is, in Portland.
When Aubert wanted to get people in Portland looking for the Crehore sundial, he began last August by reaching out to the Portland Public Library. He was connected with Samantha Duckworth, a reference librarian who specializes in science and technology questions.
Though most us think of sundials as garden decorations, society members see them as a fascinating way to tell time using the most basic materials, along with a strong understanding and appreciation of how the solar system works.Advertisement
In Europe, you can still find public sundials set up to tell time, not as memorials to a civic hero, Aubert said. Even when clocks became common, lots of people felt the only way to accurately set their clock was to check it against a sundial. That practice continued into the 1800s, he said.
Featuring work by Albrecht Durer, Hans Holbein, Hendrick Goltzius, Jacques de Gheyn and others, the exhibition was organized by the Harvard Art Museums, Cambridge, Mass., in collaboration with the Block Museum. Digital displays, videos, an audio guide, an iPad/iPhone app and interactive replicas of sundials, globes and other tools add exciting hands-on components. An illustrated exhibition catalogue is available for $60.
"From Stargazers to Starships" is meant as an introduction to space, both for the inquisitive non-scientist and for students and teachers in schools. It is best viewed in a large font, e.g. 14 point size (or even 18 point size). In "Netscape" v.3, use "General Preferences" in the "Option" menu to select size; in v.4, use "Preferences" in the "Edit" menu.
A high-school course also needs problems. Some of these are included in the lesson plans and include solutions, others can be found in theproblems file. No solutions are given there, but (as already noted) teachers who send a written request under their school letterhead to the author, Dr. David P. Stern, Code 695, Goddard Space Flight Center, Greenbelt, MD 20771, USA, will be sent solutions. The mathematics section has an algebra proficiency drill and other math excercises may be added later.What is covered(1) Astronomy
- The celestial sphere, its apparent rotation and its relation to the rotation of the Earth.
- The annual path of the Sun around the ecliptic.
- The daily path of the Sun in different seasons,
and the consequent variation of its heating ability. - The principle of the sundial, with instructions for a paper model.
- Different calendars--Julian, Gregorian, Metonic and Muslim.
- The precession of the equinoxes.
- Variations of the Earth-Sun distance and the Milankovich theory of ice ages.
- The size and shape of the Earth, and the Columbus controversy.
- The distance to the horizon.
- The calculation by Aristarchus of the distance to the Moon, using an eclipse of the Moon. Also, his estimate of the distance of the Sun, the probable motivation of his heliocentric theory.
- The calculation by Hipparchus of the distance to the Moon, using an eclipse of the Sun.
- The notion of parallax, and its use in estimating distances to the stars.
- The theories of planetary motion by Ptolemy and Copernicus.
- The work of Tycho Brahe and Kepler, and Kepler's laws, with illustrations and explanations.
- An optional section on the way orbits are calculated,including orbital elements and Kepler's equation.
- Aberration of starlight and of the solar wind, due to the Earth's motion.
- Comet tails of dust and of ions, and their directions.