Declamation Piece I Hate It

[Katariina Washuk]

Doyou know who i am? are you not attracted to my beauty? Many lover shave come and gone through my life. but a lot of people hate me. They say i am an adulterous woman. They say i have seven demons in my body. I hate this kind of life, you know. Nobody really loves me, and the burden of my sin is heavy upon me. I am Mary of Magdala. Just call me Mary Magdalene. I am in search of true love and acceptance. But who will ever love a sinner such as I? Jesus...I heard that a certain Jesus has come to our town. He was healing the sick ones, and calling the sinners repentance. Who is this man that He would even proclaim forgiveness for the sins of many? I must see Jesus! He must have answers to my questions! One day, a Pharisee named Simon hosted a feast and Jesus was one of the invited guests. Iwill not miss the chance to meet Jesus. I will prepare myself for the feast. With this alabaster flask of perfume, I will anoint Jesus' feet. Oh! Thereis a big crowd in Simon's house. How could I possibly get inside? Oh, I'll wait until Jesus enters. By then, the crowd at the gate wil be ushered in. There is Jesus sitting near the host Simon. I tried to inch my way through the crowd until I finally knelt down at His feet. I wasted no time to pour the ointment on His feet and I wipe His feet with my hair. Then with a gentle voice he said to me, "Woman, your sins are forgiven, your faith has saved you, go in peace." My heart rejoiced as I went away. The burden of my sins rolled away. Now I'm free to obey Him. The next time I saw Jesus, He was hanging on the cross, crucified between two thieves. My heart was crushed with grief. Who has done this crime?Who killed my Jesus? Can anybody tell me? Who killed Jesus? Was it the Hebrew children? A while ago, they were shouting: "Crucify Hiim, crucify Him,crucify Him!" Was it Pontius Pilate? he was the Governor who gave permission for His crucifixion. Was it the Roman soldiers? Torture of criminals is part of their profession. But Jesus wasn't a criminal! He was a sinless man. Who killed Jesus? Now it's plain to see. It was really me! My sins! He died

One possible declamation piece about Mary Magdalene could focus on her transformation from a sinner to a devoted follower of Jesus. You can highlight her unwavering faith, courage, and loyalty, portraying her as a symbol of forgiveness, redemption, and the power of love. Emphasize how her encounter with Jesus changed her life and inspired her to spread his teachings with passion and conviction.

Let us all together thank God for this beautiful occasion where we can all together proclaim the joy of spreading peace, the joy of loving one another and the joy acknowledging that the poorest of the poor are our brothers and sisters.

God loved the world so much that he gave his son and he gave him to a virgin, the blessed virgin Mary, and she, the moment he came in her life, went in haste to give him to others. And what did she do then? She did the work of the handmaid, just so. Just spread that joy of loving to service. And Jesus Christ loved you and loved me and he gave his life for us, and as if that was not enough for him, he kept on saying: Love as I have loved you, as I love you now, and how do we have to love, to love in the giving. For he gave his life for us. And he keeps on giving, and he keeps on giving right here everywhere in our own lives and in the lives of others.

And to make sure that we understand what he means, he said that at the hour of death we are going to be judged on what we have been to the poor, to the hungry, naked, the homeless, and he makes himself that hungry one, that naked one, that homeless one, not only hungry for bread, but hungry for love, not only naked for a piece of cloth, but naked of that human dignity, not only homeless for a room to live, but homeless for that being forgotten, been unloved, uncared, being nobody to nobody, having forgotten what is human love, what is human touch, what is to be loved by somebody, and he says: Whatever you did to the least of these my brethren, you did it to me.

It is so beautiful for us to become holy to this love, for holiness is not a luxury of the few, it is a simple duty for each one of us, and through this love we can become holy. To this love for one another and today when I have received this reward, I personally am most unworthy, and I having avowed poverty to be able to understand the poor, I choose the poverty of our people. But I am grateful and I am very happy to receive it in the name of the hungry, of the naked, of the homeless, of the crippled, of the blind, of the leprous, of all those people who feel unwanted, unloved, uncared, thrown away of the society, people who have become a burden to the society, and are shunned by everybody.

What surprised me most, not that she gave the rice, but what surprised me most, that in her suffering, in her hunger, she knew that somebody else was hungry, and she had the courage to share, share the love. And this is what I mean, I want you to love the poor, and never turn your back to the poor, for in turning your back to the poor, you are turning it to Christ. For he had made himself the hungry one, the naked one, the homeless one, so that you and I have an opportunity to love him, because where is God? How can we love God? It is not enough to say to my God I love you, but my God, I love you here. I can enjoy this, but I give up. I could eat that sugar, but I give that sugar. If I stay here the whole day and the whole night, you would be surprised of the beautiful things that people do, to share the joy of giving. And so, my prayer for you is that truth will bring prayer in our homes, and the fruit of prayer will be that we believe that in the poor, it is Christ. And if we really believe, we will begin to love. And if we love, naturally, we will try to do something. First in our own home, our next door neighbor, in the country we live, in the whole world. And let us all join in that one prayer, God give us courage to protect the unborn child, for the child is the greatest gift of God to a family, to a nation and to the whole world. God bless you!

Salieri was a pivotal figure in the development of late 18th-century opera. As a student of Florian Leopold Gassmann, and a protg of Christoph Willibald Gluck, Salieri was a cosmopolitan composer who wrote operas in three languages. Salieri helped to develop and shape many of the features of operatic compositional vocabulary, and his music was a powerful influence on contemporary composers.

Appointed the director of the Italian opera by the Habsburg court, a post he held from 1774 until 1792, Salieri dominated Italian-language opera in Vienna. During his career, he also spent time writing works for opera houses in Paris, Rome, and Venice, and his dramatic works were widely performed throughout Europe during his lifetime. As the Austrian imperial Kapellmeister from 1788 to 1824, he was responsible for music at the court chapel and attached school. Even as his works dropped from performance, and he wrote no new operas after 1804, he still remained one of the most important and sought-after teachers of his generation, and his influence was felt in every aspect of Vienna's musical life. Franz Liszt, Franz Schubert, Ludwig van Beethoven, Anton Eberl, Johann Nepomuk Hummel and Franz Xaver Wolfgang Mozart were among the most famous of his pupils.

Salieri's music slowly disappeared from the repertoire between 1800 and 1868 and was rarely heard after that period until the revival of his fame in the late 20th century. This revival was due to the fictionalized depiction of Salieri in Peter Shaffer's play Amadeus (1979) and its 1984 film version. The death of Wolfgang Amadeus Mozart in 1791 at the age of 35 was followed by rumors that he and Salieri had been bitter rivals, and that Salieri had poisoned the younger composer; however, this has been proven untrue because the symptoms displayed by Mozart's illness did not indicate poisoning[5] and it is likely that they were, at least, mutually respectful peers. Despite denying the allegation, Salieri was greatly affected by the accusations and widespread public belief that he had contributed to Mozart's death, which contributed to his nervous breakdowns in later life.[6]

Antonio Salieri was born on August 18, 1750, to Antonio Salieri and his wife, Anna Maria. Salieri started his musical studies in his native town of Legnago; he was first taught at home by his older brother Francesco Salieri (a former student of the violinist and composer Giuseppe Tartini), and he received further lessons from the organist of the Legnago Cathedral, Giuseppe Simoni, a pupil of Padre Giovanni Battista Martini.[7] Salieri remembered little from his childhood in later years except for passions for sugar, reading, and music. He twice ran away from home without permission to hear his elder brother play violin concertos in neighboring churches on festival days and he recounted being chastised by his father after failing to greet a local priest with proper respect. Salieri responded to the reprimand by saying the priest's organ playing displeased him because it was in an inappropriately theatrical style.[8] Sometime between 1763 and 1764, both of Salieri's parents died, and he was briefly taken in by an anonymous brother, a monk in Padua, and then for unknown reasons in 1765 or 1766, he became the ward of a Venetian nobleman named Giovanni Mocenigo (which Giovanni is at this time unknown), a member of the powerful and well connected Mocenigo family.[7] It is possible that Salieri's father and Mocenigo were friends or business associates, but this is obscure. While living in Venice, Salieri continued his musical studies with the organist and opera composer Giovanni Battista Pescetti, then following Pescetti's sudden death he studied with the opera singer Ferdinando Pacini (or Pasini). It was through Pacini that Salieri gained the attention of the composer Florian Leopold Gassmann, who, impressed with his protege's talents and concerned for the boy's future, took the young orphan to Vienna, where he personally directed and paid for the remainder of Salieri's musical education.[9]

3a8082e126