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Jun 13, 2024, 6:42:07 AM6/13/24

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The album features a collection of songs from more than 25 years of Chicago a cappella performances, arranged into a single program that replays the story of Hanukkah, from celebrations of the holiday itself through to its candles, miracles, religious observances, and traditional food and games.

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Collectively in search of Hanukkah songs from different Jewish traditions and communities, seven living composers/arrangers/musicians including Robert Applebaum, Gerald Cohen, Joshua Fishbein, Elliot Z. Levine, Jonathan Miller, Daniel Tunkel, and Mark Zuckerman bring fresh perspectives to songs celebrating the miracle of light.

This lovely release is by a local vocal group Chicago a cappella, which, as their name suggests, is devoted to singing without accompaniment. As choirs singing alone typically are, this release is very peaceful and reflective. Miracle of Miracles: Music for Hanukkah is a nice reminder of the music I heard growing up in a Jewish household.

There are at least two reasons for this breadth. On the one hand, we are in debt to the fertile imaginations of our composers, who envisioned so many different sound worlds and so many different ways to clothe these texts. But there is also the nature of Hanukkah itself, which offers so many different modes of personal, social, and spiritual practice. Consider just three of these. Hanukkah offers the chance to reflect on the historical significance of the Maccabean revolt, with its consequences echoing through to the present day. It invites quiet contemplation of the candle flames, set aside from any utilitarian purpose. And it provides an opportunity to gather with family and have a really great party with really great food.

Recording a CD is an exacting and demanding process. But our time together in the studio on this project was frequently light, even joyful, as we entered into these worlds in turn. We hope you enjoy our wholehearted approach to this music, from solemn and reflective to playful and even downright raucous.

Hanukkah songs are remarkable for the ways they chronicle Jewish history, especially across the Diaspora while, at the same time, they celebrate the most intimate moments of family holiday in the Jewish home. Historical tales of resistance and survival combine with the moments when Jewish communities become modern. Hanukkah songs are distinctive because they sound ongoing narratives of interaction between the Jewish community and the wider world. They bear witness to the special power of song, providing a foundation for pillars of identity while also opening doors that welcome exchange.

Such power of song is especially distinctive in Hanukkah songs, for they so often arise along borders that signal difference. Linguistic borders do not splinter songs into fragmentary repertories; quite the contrary, for Hanukkah songs come in many languages, and often combine them. Ritual borders that would separate the secular from the sacred become permeable, such that ritual practice becomes common to daily life and worship. Hanukkah songs sound across the Jewish community, in synagogue and home alike. And surely no less important for the ways in which Hanukkah songs enter the modern world is that they resound far beyond the borders of the Jewish community.

One of the most distinguished Jewish choral conductors of the past half-century, Elliot Z. Levine turns to a simple text of from the Tanach in search of the assurance that Hanukkah projects. The miracle of Hanukkah was not won through force, but rather because of the far greater sustenance of spirit and the conviction of belief. This text from the book of Zechariah is not specific for Hanukkah, at least in its historical connections. It is not such specificity that Levine captures here, however, but rather the more transcendent spirit that underlies the commemoration of Hanukkah.

The genealogy of Jewish history, made possible by the miracle of light that ensured the survival of the Second Temple, is again writ large in this Hanukkah song by Jonathan Miller. Here, the miracle also sets a return to the traditions of worship in motion. The secular attributes of Hanukkah also trace a path of return, where the true power of redemption leads always to the Torah.

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Authors: Kai Gu (TCU)
Brief summary: This paper examines the role of accounting conservatism in debt contracting by focusing on liquidation value and information search. I identify situations where 1) accounting conservatism will increase or decrease the cost of debt, and 2) conservative accounting, as opposed to aggressive accounting, will be socially optimal. I also examine whether an interim accounting report will enhance or impair social welfare and find that the degree of accounting conservatism is better endogenously chosen than exogenously set. Such finding speaks to whether standard setters should view conservatism as a useful quality of accounting information.

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Authors: Patrick Hopkins (TCU)
Brief summary: Tax indemnification transfers the risk of potential tax settlements from a taxpayer to an external party. Current accounting standards require firms to reflect unrecognized tax benefits (UTBs) even when the underlying tax position is indemnified. In light of this standard, practitioners suggest that financial statement disclosures regarding tax indemnification are necessary to allow users to assess tax risk adequately. However, this paper documents that acquirers rarely disclose tax indemnification arrangements obtained from merger and acquisition (M&A) contracts. Furthermore, evidence suggests that tax indemnification significantly moderates the positive association between UTBs and future tax cash outflows. On average, investors do not consider this moderation when valuing UTBs, except when acquirers disclose M&A-related UTBs. Because of the expanding use of tax indemnification outside of the M&A setting, the findings suggest that changes to accounting practices may be necessary to allow financial statement users to adequately assess various income tax accounts when tax indemnification is present.

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