Moanaalso known as Vaiana[4] or Oceania[5] in some markets), is a 2016 American animated musical fantasy adventure film produced by Walt Disney Animation Studios and released by Walt Disney Pictures. The film was directed by John Musker and Ron Clements, co-directed by Chris Williams and Don Hall, and produced by Osnat Shurer, from a screenplay written by Jared Bush, and based on a story conceived by Clements, Musker, Williams, Hall, Pamela Ribon, and the writing team of Aaron Kandell and Jordan Kandell.
The film stars Dwayne Johnson and Auliʻi Cravalho in her film debut as the voice of the eponymous character and also features the ensemble voices of Rachel House, Temuera Morrison, Jemaine Clement, Nicole Scherzinger, and Alan Tudyk. It features original songs written by Lin-Manuel Miranda, Opetaia Foa'i, and Mark Mancina, and an original musical orchestral score also composed by Mancina. The film is set in ancient Polynesia and tells the story of Moana, the strong-willed daughter of a chief of a coastal village, who is chosen by the ocean itself to reunite a mystical relic with the goddess Te Fiti. When a blight strikes her island, Moana sets sail in search of Maui, a legendary demigod, in hopes of returning the relic to Te Fiti and saving her people. The plot is original, but takes inspiration from Polynesian myths.
Moana premiered during the AFI Fest at the El Capitan Theatre in Los Angeles on November 14, 2016, and was released theatrically in the United States on November 23. The film received positive reviews from critics, who praised its animation, music, and vocal performances. The film went on to gross over $687 million worldwide. Along with Zootopia, it marked the first time since 2002 that Walt Disney Animation Studios released two feature films in the same year, after Lilo & Stitch and Treasure Planet. At the 89th Academy Awards, the film received two nominations for Best Animated Feature and Best Original Song ("How Far I'll Go").[6] A sequel, Moana 2, is set to be released on November 27, 2024, while a live-action remake is scheduled for release on July 10, 2026, with Johnson reprising his role in both.
On the Polynesian island of Motunui, the inhabitants worship the goddess of nature, Te Fiti; a living island who, long ago, brought life to the ocean using a pounamu stone as her heart and the source of her power. One day, Maui, the shape-shifting demigod of the wind and sea and master of wayfinding, stole Te Fiti's heart to give humanity the power of creation. This caused Te Fiti to disintegrate, and Maui was attacked by Te Kā, a volcanic demon. Maui lost both the heart and his magic fish hook to the depths of the sea.
A thousand years later, the ocean chooses Moana, the daughter of Motunui's chief Tui, to return the heart to Te Fiti. Tui and Sina, Moana's parents, try to keep her away from the ocean to prepare her to become the island's chief. Sixteen years later, blight strikes the island, killing vegetation and shrinking the fish catch. Moana suggests going beyond the island's reef with her pet pig Pua to find more fish and find out what is happening, but Tui forbids it. Moana tries conquering the reef, but is overpowered by the tides and shipwrecked. That afternoon, Moana's grandmother Tala shows her a secret cavern of ships and reveals Motunui's people were voyagers until Maui stole Te Fiti's heart; the ocean was no longer safe without it. Tala explains Te Kā's darkness is destroying the island, but can be cured if Moana finds Maui and has him restore the heart of Te Fiti. Having been given the heart by the ocean, Tala gives it to Moana. Tala later becomes severely ill and tells Moana to find Maui before she dies.
Moana sets sail on a camakau from the cavern along with her dimwitted pet rooster, Heihei, who stowed away on it. They are caught in a typhoon and shipwrecked on an island, where she finds Maui, who boasts about his achievements. She demands Maui return the heart, but he refuses and traps her in a cave before leaving on her boat. She escapes and confronts Maui, who reluctantly lets her on the camakau. They are attacked by Kakamora, coconut pirates who seek the heart, but Moana and Maui outwit them. Moana realizes Maui is no longer a hero since he stole the heart and cursed the world, and convinces him to redeem himself by returning the heart. However, Maui first needs to retrieve his fishhook in Lalotai, the Realm of Monsters, from Tamatoa, a giant coconut crab. While Moana distracts Tamatoa, Maui retrieves his hook, only to find himself unable to control his shape-shifting. He is overpowered by Tamatoa, but Moana's quick thinking allows them to escape with the hook. Maui reveals his first tattoo was earned when his human parents abandoned him as an infant, and the gods, taking pity on him, granted him his powers. After reassurance from Moana, Maui teaches her the art of way-finding, regaining control of his powers, and the two grow closer.
They arrive at Te Fiti's island, only to be attacked by Te Kā. Moana refuses to turn back, resulting in Maui's hook being badly damaged. Unwilling to lose his hook again, Maui abandons Moana, who asks the ocean to find someone else to restore the heart and loses hope. The ocean obliges and takes the heart, but Tala's spirit appears, inspiring Moana to find her true calling. She retrieves the heart and sails back to confront Te Kā. Maui returns, having had a change of heart, and buys Moana time to reach Te Fiti by fighting Te Kā, destroying his hook in the process. Upon being unable to find Te Fiti, Moana realizes Te Kā is Te Fiti, having become corrupted without her heart. The ocean clears a path for Moana, allowing her to return the heart to Te Fiti, who heals the ocean and islands of blight. Maui apologizes to Te Fiti, who fixes his hook as well as Moana's boat before falling into a deep sleep and becoming an island. Moana bids farewell to Maui and Te Fiti, returning home and reuniting with her parents. After placing a shell on top of the stack of stones placed by all previous chiefs, she takes up her role as chief and wayfinder, leading her people as they resume voyaging, accompanied by Maui.
After directing The Princess and the Frog (2009), Clements and Musker started working on an adaptation of Terry Pratchett's Mort,[10] but problems with acquiring the necessary film rights prevented them from continuing with that project. To avoid a recurrence of that issue, they pitched three original ideas.[11] The genesis of one of those ideas (the one that was ultimately green-lit) occurred in 2011, when Musker began reading up on Polynesian mythology, and learned of the heroic exploits of the demigod Māui. Intrigued with the rich culture of Polynesia, he felt it would be a suitable subject for an animated film. Shortly thereafter, Musker and Clements wrote a treatment and pitched it to John Lasseter, who recommended that both of them should go on research trips.[12][13] Accordingly, in 2012, Clements and Musker went on research trips to Fiji, Samoa, and Tahiti to meet the people of the South Pacific Ocean and learn about their culture.[14] At first, they had planned to make the film entirely about Maui, but their initial research trips inspired Clements to pitch a new idea focused on the young daughter of a chief.[15]
Clements and Musker were fascinated to learn during their research that the people of Polynesia abruptly stopped making long-distance voyages about three thousand years ago. Polynesian navigational traditions had long predated those of European explorers, beginning around 300 CE.[16] Native people of the Pacific possessed knowledge of the world and their place in it prior to the incursion of foreigners. For example, Kānaka Maoli (Native Hawaiians) were well aware of the existence of far away islands, had names for these places, and were interested in exploring them to benefit their societies.[16] This voyaging heritage was made possible by a geographical knowledge system based on individual perspective rather than the European cardinal direction system.[16] The reasons for the halt of this voyaging tradition remain unknown, but scholars have offered climate change and resulting shifts in ocean currents and wind patterns as one possible explanation.[16] Native peoples of the Pacific resumed voyaging again a thousand years later. Clements and Musker set the film at that point in time, about two thousand years ago, on a fictional island in the central Pacific Ocean, which drew inspiration from elements of the real-life island nations of Fiji, Samoa, and Tonga.[17] Although, Motunui is actually a real islet located south of Easter Island in Chilean Polynesia.[18]
Over the five years it took to develop and produce the film, Clements and Musker recruited experts from across the South Pacific to form an Oceanic Story Trust, who consulted on the film's cultural accuracy and sensitivity as the story evolved through nine versions.[19] The Trust responded negatively, for example, to a depiction of Maui as bald, and to a proposed scene in which Moana threw a tantrum by throwing coconuts. In response, Maui was reworked with long hair and the coconut scene was scrapped.[15]
Te Kā was referred to in early drafts of the film as Te Pō,[26] a reference to the Māori goddess Hine-nui-te-pō, who was originally the life-giving goddess Hine-tītama, but became the goddess of death upon discovering that her husband, the god Tāne, was also her father.[27] Māui set out to defeat her in order to bring immortality to humans, but failed and was himself killed.[28]
Aaron and Jordan Kandell joined the project during a critical period to help deepen the emotional story architecture of the film. They are credited with developing the core relationship between Moana and Maui, the prologue, the Cave of the Wayfinders, the Kakamora, and the collector crab Tamatoa (played by Jemaine Clement).[29] Jared Bush received sole credit as the writer of the final version of the screenplay.
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