Redford's research has turned up a book translated into just three languages: Spanish, Dutch and Arabic. Why only those three? Well, by the time we figure out those are the languages of major oil-exporting areas, all of the workers at the society except Redford have been shot dead. He was, luckily, out to lunch. He calls up the CIA to ask them to bring him in from the cold (how quickly we learn the latest spy jargon!), and the Company sets up a rendezvous at which he's nearly murdered. Here's a man, if ever there was one, who has paranoia thrust upon him.
He's assisted by Faye Dunaway, playing a girl named Kathy who's the very embodiment of pluck. He kidnaps her in order to use her apartment as a hideout, but something about him (perhaps his uncanny resemblance to Robert Redford) convinces her that he's not paranoid -- that, indeed, there really are people trying to kill him. She's fairly neurotic herself, but she's a good sort and she helps all she can. And she has three lines of dialog that brings the house down. They're obscene and funny and poignant all at once, and Dunaway delivers them just marvelously.
The film's director, Sydney Pollack, has worked with Redford three times before (they made the epic "Jeremiah Johnson" and the considerably less-than-epic "The Way We Were"). He does an interesting job of gradually revealing the net around his character. It's made up of business like types, the most chilling thing about them, indeed, is their bloodlessness as they discuss death and other "contingency plans."
My pals and I love a spot of trekking in remote places around the globe. Just two or three days normally does the trick: enough to get in plenty of gawping at luscious landscapes, plenty of exercise, plenty of curiosity satisfaction, and of course plenty of pretty photography.
Trilling will direct the first three episodes of the series, which was adapted by writers Jason Smilovic and Todd Katzberg. Smilovic will serve as showrunner and exec produce with Katzberg, David Ellison, Dana Goldberg and Marcy Ross. MGM Television and Skydance Television will produce Condor, which was developed in association with Paramount TV.
A few days ago I finally started reading the book and I've reached the part in which Condor (played by Robert Redford in the movie), after finding out that all of his CIA colleagues have been slaughtered in their office while he was out getting lunch, runs to a public phone and dials the "panic" number. I clearly remembered the scene I saw in the movie many times since I was a kid. After receiving instructions from the experienced agent on the other end of the line, Condor is told to:
Condor then drops his hat and scarf to settle into his office wearing the casual Friday-friendly outfit that would dress him for the following two days as he ducks CIA killers. Per the wintry weather, he wears a tweed sport jacket woven in a large-scaled black-and-light gray herringbone, so named for its resemblance to the skeleton of a herring fish.
And how does Condor protect his feet during this constant movement? A pair of utilitarian brown napped leather with five gunmetal D-ring eyelets and three speed hooks up the short shaft for their olive laces, laced against a brown oiled leather instep. Condor wears taupe ribbed socks.
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