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Irish Largo
Lectionary, I enjoy the focus of your post. I too do believe that music has been wrongly exalted to the place that Scripture should be at. Too many Pentecostal and Charismatic churches (of which I am one) have entertained the thought of music ministering to the body when in fact, it should be solely to God.
Furthermore, my greatest desire is to be a teacher, so I understand that I am called to minister the word (outside of music worship). A member of the worship group should always have an additional calling, not just music.
In 1981, Jourgensen met Jim Nash and Danny Flesher, co-founders and co-owners of the indie record label and shop Wax Trax! Records who recommended him as a touring guitarist for Divine.[15] After playing a few concerts with the latter, Jourgensen began to write and record songs in his apartment, using a newly bought ARP Omni synthesizer, a drum machine, and a reel-to-reel tape recorder.[16] He presented a demo to Jim Nash, who suggested Jourgensen record a single and form a touring band, which Jourgensen decided to call Ministry.[a][16][22][23]
In October 1994, Ministry performed at the eighth Bridge School Benefit charity concert, with sets of cover songs (most prominently Bob Dylan's "Lay Lady Lay") and one original song, "Paisley", which was intended to be on their next album.[90] After constructing a studio in Austin, Texas in 1993,[18] the band proceeded to record a new album in July 1994.[91] After refusing to perform drums on a cover version of "Lay Lady Lay", Rieflin parted ways with Jourgensen midway through the recording process.[92] Along with newly recruited Rey Washam (formerly of Scratch Acid, Didjits, and Rapeman) who performed the rest of the album's drum work,[93] Ministry performed as one of the headliners for Australia and New Zealand's Big Day Out touring festival in January 1995. In spite of their growing success, Ministry was nearly derailed by drug problems and a series of arrests followed in August 1995.[18][94] Completed at Chicago Trax Studios, Filth Pig was released in 1996.[95] Musically, Filth Pig was more heavy metal than industrial, with synthesizers and samples mostly stripped from a mix that focused on conventional hard rock instrumentation.[96][97][98]
The album's songs were played mostly at slower tempos than those on their previous three LPs, giving it an almost doom metal feel. Filth Pig was supported with the singles/videos "Reload", "The Fall", "Lay Lady Lay" and "Brick Windows" and with a tour in 1996 (the live performances were later anthologized on the Sphinctour album and DVD in 2002). Jourgensen has subsequently said that he was severely depressed during this period, that Filth Pig reflects this, and that he dislikes performing music from Filth Pig.[99]
Around 2001, Jourgensen almost lost his arm when he was bitten by a venomous spider.[106] By his own admission, Jourgensen was suicidal during this period and decided to call an acquaintance he had met years earlier; the acquaintance, Angelina Lukacin, helped Jourgensen give up his massive substance habit, which included heroin and cocaine "speedballs", crack, LSD, various pharmaceuticals and as many as two full bottles of Bushmills whiskey per day (Lukacin and Jourgensen married soon after).[107] Jourgensen and Barker, along with Max Brody who had joined as a saxophone player for the 1999 tour, focused on developing songs for a new record during 2001 and 2002, with the band issuing Animositisomina on Sanctuary Records in 2003. The sound was strongly heavy metal with voice effects, though it featured an almost-pop cover of Magazine's "The Light Pours Out Of Me". Animositisomina, compared to previous releases, sold poorly and singles for "Animosity" and "Piss" were canceled before they could be released.
For Ministry's next album, Jourgensen released the song "No W", a song critical of then-U.S. President George W. Bush; an alternate version of the track was placed on the multi-performer compilation Rock Against Bush, Vol. 1. The follow-up LP, Houses of the Molé (2004), contained the most explicitly political lyrics Jourgensen had yet written, with songs played more crudely than on previous recordings, giving the album the most metal-oriented sound of their career. In 2006, the band released Rio Grande Blood, an LP on Jourgensen's own 13th Planet Records. With Prong's Tommy Victor and Killing Joke's Paul Raven, the album featured an even heavier thrash metal sound drawing comparison to Slayer. The single "Lieslieslies" was nominated for the Grammy Award for Best Metal Performance at the 49th annual Grammy Awards. It, along with another song on the album, "The Great Satan", is also available as a downloadable content song for the 2008 video game Rock Band 2. In July 2007, the band released Rio Grande Dub, an album featuring remixes from the band's 2006 Rio Grande Blood album.
Jourgensen told Metal Hammer in August 2011 that Ministry was working on a new album called Relapse, which they hoped to release by Christmas. Regarding the sound of the new material, he explained, "We've only got five songs to go. I've been listening to it the last couple of weeks and I wasn't really in the mood, I was just taking it as a joke. Just to pass the time at first but [Mikey's] raving about it. It's like, dude c'mon, this is not about Bush, so ... that part's over. The ulcers are gone and Bush is gone so it's time for something new. I think this is actually gonna wind up being the fastest and heaviest record I've ever done. Just because we did it as anti-therapy therapy against the country music we would just take days off and thrash faster than I've done in a long time, faster than Mikey's done in a long time. He just did a Rigor Mortis tour and said it was easy compared to this Ministry stuff so it's gonna be brutal and it's gonna freak a lot of people out."[119][120]
On December 23, 2012, guitarist Mike Scaccia died[123] following an on-stage heart attack, while playing with his other band, Rigor Mortis.[124] In an interview with Noisey in March 2013, Jourgensen announced that Ministry would break up again, explaining that he did not want to carry on without Scaccia. He explained, "Mikey was my best friend in the world and there's no Ministry without him. But I know the music we recorded together during the last weeks of his life had to be released to honor him. So after his funeral, I locked myself in my studio and turned the songs we had recorded into the best and last Ministry record anyone will ever hear. I can't do it without Mikey and I don't want to. So yes, this will be Ministry's last album."[125] The album, titled From Beer to Eternity, was released on September 6, 2013. Jourgensen stated that Ministry would tour in support of From Beer to Eternity, but would not record any more albums.[126][127]
In an April 2016 interview with Loudwire, Jourgensen stated that Ministry would make a follow-up to From Beer to Eternity "if the circumstances are right."[128] When asked in July about the possibility of a new album, Jourgensen stated, "When I was asked [before], it was after Mikey passed and the entire media immediately starts asking me what is going to happen to Ministry. He wasn't even buried yet. I thought, 'Fuck you.' I was really pissed and really angry. I said, 'Fuck Ministry and fuck you for asking.' They want to comment on Ministry when my best friend had died. It's been more than two years now, and I got more ideas and I have done albums with Mikey and have done them without him. It's time to get another record out. I have a bunch of songs written in my head. I wanted to have time to mourn before people start asking me about touring dates. It was sick. I was bombarded and email boxes were overloaded with 'what are you going to do now?' It was kind of creepy."[129]
Despite Jourgensen's dislike of touring, Ministry are noted for their live performances, featuring extended versions of songs (as evidenced on In Case You Didn't Feel Like Showing Up)[190] and disturbing visual imagery.[191] MTV also recognized the band as an influential heavy metal act, highlighting the use of sampling during their heyday.[192] Alternative Press included Ministry in their 1996 list of 100 underground inspirations of the past 20 years, stating that they merged "metal, samples, synths, and the 100-mph sound of urban paranoia, they pretty much created industrial music as we know it."[193] Jourgensen revealed in 2008 that Ministry music is mostly on drop D and standard E tuning.[194]
There is only one thing we (children of God) will all continue to do in heaven throughout eternity; that is to sing praises and worship to God Almighty. This book is not just for music ministers, but for all who aspire to make heaven stand at attention for them. It is a powerful tool in bringing down the glory of God upon humanity.
The author has decisively dealt with the role of music in the lives of ministers and his ministry in pulling down the forces of darkness, breaking the chains of sickness and diseases and making the demons tremble.
I strongly recommend this book to all Christian workers, music directors, song writers, choir members and ministers of the gospel. It will surely help them to be effective and efficient in their ministries Shalom
This is designed to help the music minister find his/her place and transform him/ her to become a better minister. Many music ministers are only in choir/band but lack the knowledge on what to do to achieve the best out of the music ministry. This book would guide every worker in the kingdom on how to create the right environment that will affect your work, life and ministry and helping you to fulfill the purpose of God.
Chapter four highlights the place of the Holy Spirit helping the music minister touch those that he/she is sent to. It also reveals how the music minister can contact grace from others who carry much stronger grace to make them efficient music ministers by the vehicle of the transfer of Spirit.
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