Meanwhile, Sahir is looking for a female dancer/singer/circus performer who has a nice butt and perky breasts a lot of passion for being in the circus. Enter Aaliya (Katrina Kaif). Sahir tells her that she will be hired if her audition is so impressive that he cannot take his eyes of her.
Jai tells the bank owner that he hopes the robber strikes again as this will be the perfect chance to catch him. Then, of course, like a responsible cop, Jai goes on to saying on national fucking television that if the robber tries to rob the bank again, it would be a suicide mission.
There is no real security down there. This guy manages to get off the cord, get on a fucking vehicle (ought to take a couple of minutes) and make a run for it. He is soon chased by tamed chimpanzee Ali, and we see lots of bike action again.
Behind closed doors, an unwanted investigator, Inspector Jai Shitworth, holds a meeting with bank owner Mr Anderson and tells him about how the robbery is linked to The Great Indian Circus suicide 25 years ago.
On their date, Samar and Aaliya have had a great time. She tells him he has two personalities (one being her boss, and the other this sweet guy). When asked which side of him she likes best, she says something rather prophetic and with dual connotations.
Like how fucking long is this film?
Why did I ever decide to write this piece?
Why did Aamir commit this amazing careericide?
What is in the fridge?
Am I out of flaming hot Cheetos?
Is there a life after death?
As usual the SWAT team and Jai and Ali are late to the building. Sahir has already made it to the top and has released an extremely toxic gas that is making SWAT guys drop like flies! They have to be carried outside the building immediately.
Can I just stop and say that mankind has never seen cops as incompetent as Jai and Ali, now known to me as Sack-o-shit 1 and Sack-o-shit 2. Seriously, who hired these guys? I thought cops did well after being dismissed.
This is such a brilliant depiction of what the movie was in reality. The amount of stupidity we showcase in our movies is an embodiment of the fact that we go after fame, glamour and flamboyance rather than substance and realism. I really hope you continue this, and the people who make such a movie feel ashamed of themselves. This was a master piece. Thank you for making this.
I have read a review so accurate in my entire life. Bollycrap is written by goofs who are totally retarded as this piece of craps proves. I just wonder why the fvck people watch this shit.
Do more of reviews. 99%.movies coming out of Bolly are crap so you will never run out of material. Lol!
Movie stars were originally called stars for the bright, glittery aspects of the heavenly bodies in question, but there's another quality that true stars, especially those of Aamir Khan's caliber possess, which is gravitational pull. "Dhoom: 3" doesn't attempt to resist this force in any way, with only the bare minimum of pretense that the "Dhoom" movies are Abhishek Bachchan/Uday Chopra buddy comedies anymore, putting the focus squarely on the story of Sahir Khan (played as a child by Siddharth Nigam and as an adult by Aamir Khan), a circus performer seeking revenge against Anderson (Andrew Bricknell), the cruel banker who ruined his father's life's work for no good reason.
Once Sahir reaches adulthood, he begins to systematically target branches of Anderson's bank, each time causing hundred dollar bills to rain from the sky, and escape using an array of skills, from sleight-of-hand to motorcycle racing. At each robbery, Sahir leaves a message in Hindi and a clown mask, which leads the Chicago police to bring in Jai and Ali so Jai can frown at things and Ali can flirt embarrassingly with the flower of Chicagoan womanhood. Jai initiates a game of cat-and-mouse with the master thief, thinking that his ego will lead him into a mistake out of pique, but Sahir effortlessly turns the tables on the police, turning them into unwitting allies.
The moment at which Jai realizes he's been had immediately precedes a game-changing (to put it mildly) twist, which shouldn't be spoiled. The second half of "Dhoom: 3" features a surprisingly adroit, if not terribly subtle, interrogation into the the morality of operating outside the law for a good cause. The movie stacks the deck a bit by having the banker be such a loathsome (and implicitly racist) bastard, but Aamir Khan and Abhishek Bachchan do a compelling job exploring the various moral and ethical colors involved in the cops-and-robbers game. Khan brings out the best in Bachchan as an actor, with his performance in "Dhoom: 3" finally shorn of the awkwardness and dullness into which his work in the first two movies all too often regressed. This, again, is a testament to the control Khan exerts over the movie: never heavy-handed, but absolute.
There isn't quite as much of Katrina Kaif as one would like in "Dhoom: 3," if one is partial to Katrina Kaif (I have to confess a complete lack of impartiality when it comes to Ms. Kaif, who is a sublime presence), with her role limited for the most part to two stunning song numbers, and something of a truncated romance subplot. There isn't a lot done with the movie's other featured female character, the Chicago policewoman with whom Jai, if the movie was concerned with its "heroes" at all, would likely have had a romantic subplot. As it stands, most of Australian actress Tabrett Bethell's screen time is spent laughing at Uday Chopra, whose antics are kept beneath the threshold where they might damage anything.
Aamir Khan-starrer Dhoom 3 has grossed an estimated Rs. 170 crore in its first three days, breaking many box-office records on its way. Dhoom 3's opening week collection is also a record for any Bollywood movie, both in terms of domestic earning and overseas figures.
Undoubtedly Dhoom 3 has done an unprecedented set of numbers, which we believe is really going to help the numbers in this quarter. There haven't been very many movies which have done numbers in this quarter. I was just listening to you talking about the club this may enter in to. I think this may enter into the 300 crore club which is being spoken in the industry and the fraternity. And this is unprecedented. This has never happened before but most likely it seems that this movie is going to turn the fortunes around for most of the multiplex operators across the country, including us.
That will be unprecedented. To suggest that the Bollywood has come out of ages in terms of numbers, it is really generating numbers which are global in nature. And movies like Dhoom 3, if we have even 2 or 3 such movies in a year it can really turn fortunes of multiplex owners across the country.
It is very difficult to peg numbers right now and how will the fortunes turn around as this movie goes in, but most likely this movie looks like going in for about 3 weeks. And if it does so, then we are talking about huge numbers. It could be as good as Rs 50-60 crore coming out.
Not really. If you look at Q3 (October to December quarter), it's going to have 11 days of screening and if all goes as has been planned, one could be looking at this movie doing blockbuster collections across major shows. That will really turn all numbers around.
You know, immensely strong. Q3 was not such a good quarter except for Dhoom 3. Q4 seems to be great quarter, coming with Jai Ho as the first one in the lineup and then there are a slew of movies coming every week. We have our fingers crossed for Q4, which could again set record of sorts. Usually during exam times movies are not released but this time producers have gone ahead and are releasing major movies in this quarter. So, we are looking forward to great set of numbers.
The magic of bikes featured in Dhoom movies is pretty appealing to the younger demographics. The franchise has successfully caught many petrolheads' attention by featuring some of the fastest performing bikes. Let's look at the bikes that appeared in Dhoom without further ado.
The Suzuki GSX R 600 is one of our favourite bikes in the Dhoom franchise. The bike was one of the bestsellers of its time. In the first Dhoom film, Kabirs henchmen were spotted accompanying him on this model. This splendid machine comes with a 599cc, liquid-cooled, four-stroke engine.
How can we forget the all-time stylish yellow Suzuki Bandit featured in the first Dhoom film? Ali, one of the essential characters in the movie, rode this bike. This bike comes packed with 1,255cc, four-cylinder, four-stroke, liquid-cooled engines. The engines can churn out 110 Nm of maximum torque and 98bhp of power.
In the first movie in Dhoom trilogy, John Abraham rode a red-black Suzuki GSX 1300 R Hayabusa to escape after the robbery. At that time, the Hayabusa was the fastest production bike in the world and even came fitted with a Nitrous Oxide system. After this movie, the bike attained cult status and is popularly known as Dhoom bike, even today.
Hrithik Roshan's character, Aryan used the Suzuki GSX-R 1000 for a chase sequence in Dhoom 2. This high-speed chase was one of Bollywood's best chase scenes. You'll be shocked to learn that this bike costs a whopping Rs. 15.9 lakhs!
The Suzuki GSR 600 is a middleweight tourer that Abhishek Bachchan used during Dhoom 2. The bike appeared for a chase scene between Abhishek Bachchan and Hrithik Roshan. Later in the movie, you see Aishwarya Rai using the same bike model to escape.
The makers chose the BMW 1300 R for Aamir's stunning on-screen character in the third movie. The all-black bike was well-suited for the villain's role in the movie. The best part about this bike is its 1293 cc engine that cranks out 173bhp of peak power output!
In the last Dhoom film, you can spot Uday Chopra (Ali) riding the BMW S 1000RR. The red and white coloured bike sports a 999cc, four-stroke motor! What's more, the bike also comes at a jaw-dropping price tag of Rs. 27.55 Lakhs.
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