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The Matthew Hair Farm, also known as the Calvin Shaulis Farm and Fruit Crest, is an historic, American farm and national historic district located in Jenner Township in Somerset County, Pennsylvania.
Amanda: My granddaddy got me my first sheep in 1991 as a 4-H project. I was hooked. I fell in love with the sheep and we have had sheep on the farm ever since. I have always been very hands on and a part of the farm, but after my dad passed away in 2017, I took over as the main farm operator.
The Gotland sheep have been a recent addition to her flock due to her love of their fiber and their sweet dispositions. She notes that the two breeds complement each other by providing two very different fleece types.
Amanda: The Romeldale/CVM sheep fleeces come in every imaginable shade of grey and brown. This provides a fiber artist with a natural color palette. The wool also dyes well and provides rich tones. If I had to choose one thing about the Gotland fleeces, it is the luster. I am always impressed by the luster it adds to a fiber blend.
Amanda is not only the gracious shepherdess of her flock, but she is the handspinner and fiber artist who brings life and creativity to her studio. The studio allows Amanda to make rovings, batts, and Smidgens that feature the fiber from her flock. She is also a talented indie dyer of rovings and yarns.
Amanda: I put a lot of time and heart into my fiber preparation, whether on the hoof, on the skirting table, in the dye pot, or on the drum carder. I want to offer fiber that is exceptional and a joy to work with regardless of the project. I view spinning and felting as a tactile art, so how the fiber feels and works is important. My goal has always been to offer fiber that is versatile for spinning on different tools (wheel, drop spindle, or support spindle), lends itself to different spinning techniques or yarn gauges, and produces a finished yarn or item that is striking.
The birth of a Smidgen begins when Amanda finds inspiration from fantasy themes, books she has read, or a movie or show she has watched. She thinks about the colors and textures that will determine which fibers she uses. Her favorite fiber ingredient for Smidgens is Romeldale/CVM wool from her own flock. She also uses other wools and other types of fiber, such as bamboo or rose fiber. She weighs out her fibers, adjusting the ratios as needed, and cards them on her drum carder. Once Amanda feels that her Smidgens have been carded to just the right consistency, each batch is carefully taken off the drum carder and packaged to be sent to a new home.
Amanda: I feel that the SE2SE challenge is a great way to get fiber artists to try heritage breed wools. When we had in-person events it was surprising and somewhat discouraging to realize how many people have not heard of Romeldale/CVM sheep in my area.
Jacqueline Harp is a freelance writer and multimedia fiber artist who spins, felts, weaves, crochets, and knits in every spare moment possible. She is also a certified Master Sorter of Wool Fibers through the State Univ. of N.Y. (Cobleskill) Sorter-Grader-Classer (SGC) Program. Her Instagram handle is @foreverfiberarts.
Both of these technologies may someday dramatically change the way in which a person approaches their own hair loss, unfortunately, the reality of an easily reproducible, cost-effective way to grow your own hair may be several years, if not decades away.
The V-Ray HairFarm Modifier can be used to render hair strands produced by the Hair Farm plugin by CyberRadiance. This allows the hair to blend seamlessly into the V-Ray rendering pipeline and to properly interact with features like 3D motion blur, V-Ray lights, global illumination, etc.
When using V-Ray HairFarm Modifier on a Hair Farm object, you have to disable native Hair Farm rendering by turning off the Use Hair Farm Renderer option in the Hair Display modifier. Otherwise, the hair is rendered by both V-Ray and Hair Farm.
According to Google, the best way to use it is to mix it with water and turn it into a paste, then gradually apply on wet hair. After that, you rub it gently from the root of the hair towards the hair shaft for exfoliating. People can divide the hair into sections before applying to make sure the scalp is thoroughly clean.
But domestic sheep have been selected to have much less hair and much more wool, and for the wool to continuously grow rather than remain a short insulating layer close to the body. The long underwear layer of wild sheep becomes an overcoat, while the hair layer all but vanishes. The reason for this has to do with fiber for human use.
This is where things get a little blurry. There are true domestic hair sheep, like the St. Croix, Barbados, and other tropical sheep, as well as various African sheep breeds. These have very similar hair coats to their wild ancestors. But there are also intermediary breeds, which have coats that are somewhere between hair sheep and normal wool sheep.
Then there are breeds like the Soay of Scotland. These small sheep originated as a feral population on an island. While they grow a full wool fleece, they shed it out each spring. That is, even though their coats fall out on their own, just like those of a wild sheep, those coats are actually wool, not hair. The likely explanation is that wild Soay sheep descended from a domestic population with a more traditional wool coat, but under the pressure of wild life they evolved to shed it without human assistance.
The answer to this depends entirely on circumstance and goals. Wool is a remarkable fiber, but the unfortunate fact is that the market for it is limited. Sheep breeds produce wool of varying quality, and climate and management can also affect wool quality. And depending on the year and the local demand, even high quality wool may not be worth the cost of shearing; the labor to remove the wool fleece from a sheep may well cost more than the fleece is worth.
The second important note is management. Poor management can expose even resistant sheep to an overwhelming parasite load. Rotational grazing is critical, but other beneficial practices include grazing taller, using a slower rotation, and grazing cows in combination with sheep, since cattle are not susceptible to sheep parasites.
Though there are quite a few other hair sheep breeds, these four are the most readily available. Of these, I only have direct experience with Katahdins, so perhaps I am naturally biased in their direction. But it is certainly true that there are far more Katahdins than any other type of hair sheep in America. This means that there are more flocks, with more people working on improving desirable traits.
Dorpers are generally larger and faster growing than Katahdins, so they might be worth a look, particularly for the commercial meat farmer. But they do not have the same robust breeding program for parasite resistance that Katahdins do. Before buying them I would have a good parasite management plan in place.
If you are a commercial wool or milk producer, you will likely end up with wool sheep. If you are a commercial meat producer, things get a little more complicated. Though Katahdins are generally larger and faster growing than other hair breeds apart from Dorpers, they do not grow as quickly as some of the wool breeds. A good solution to this is to keep a flock of Katahdin ewes along with a wool breed ram, such as a Texel, for use as a terminal sire.
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According to a written biography and explanation of the contents of the collection by Mozelle Hair, her family farmed near Unadilla, Nebrask until 1899, when they traveled west to Oregon. Her father, Washington M. Hair, then farmed in grants Pass, Josephine County, and then became a partner with George Riddle (of a pioneer family) in a general hardware store. Washington M. Hair died in 1926, his wife, Sue West Hair, in 1941.
Mozelle Hair would later work for the University of Oregon in the Extension division.
Washington M. Hair owned land and farmed near Unadilla, Nebraska, and then moved to Oregon in 1899 where he commenced farming in Grants Pass. The collection (1885-1910) contains an account book of the Unadilla and Grants Pass farms; a note of explanation from Washington M. Hair's daughter, Mozelle Hair, is with the account book.
Collection processed by staff.
This finding aid may be updated periodically to account for new acquisitions to the collection and/or revisions in arrangement and description.
This collection received a basic level of processing including minimal organization and rehousing.
Description information is drawn in part from information supplied with the collection and initial surveys of the contents.
Use in place of shampoo or after shampooing and rinsing. Pour Oshala Hair Rinse slowly through the hair, massaging into scalp. Rinse with warm then cold water to stimulate the scalp and leave hair with more shine. Keep out of eyes.
A question that I've been getting more and more frequently over the past few years is, "can I use your soap as shampoo?" I give the most honest answer I can, which is that I know many customers who use my soap as shampoo and it seems to work well for them. I actually feel pretty out of touch with the shampoo bar revolution, mainly due to the fact that, well, I don't use shampoo!
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