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Alejandro Jodorowsky Prullansky (Spanish: [xoðo??ofski]; born 17 February 1929)[1][2][3] is a Chilean[4][5]-French filmmaker and artist. Since 1948, Jodorowsky has worked as a novelist, screenwriter, a poet, a playwright, an essayist, a film and theater director and producer, an actor, a film editor, a comics writer, a musician and composer, a philosopher, La via dei tarocchi a puppeteer, a mime, a psychologist and psychoanalyst, a draughtsman, a painter, a sculptor, and a spiritual guru. Best known for his avant-garde films El Topo (1970) and The Holy Mountain (1973), he has been "venerated by cult cinema enthusiasts" for his work which "is filled with violently surreal images and La via dei tarocchi a hybrid blend of mysticism and religious provocation".[6]


Born to Jewish-Ukrainian parents in Chile, Jodorowsky experienced an unhappy and alienated childhood, and so immersed himself in reading and writing poetry. Dropping out of college, he became involved in theater and in particular mime, working as a clown before founding his La via dei tarocchi own theater troupe, the Teatro Mimico, in 1947. Moving to
Paris in the early 1950s, Jodorowsky studied mime under Étienne Decroux before turning to cinema, directing the short film Les têtes interverties in 1957. From 1960 he divided his time between Paris and Mexico City, in the former becoming a La via dei tarocchi founding member of the anarchistic avant-garde Panic Movement of performance artists. In 1966 he created his first comic strip, Anibal 5, while in 1967 he directed his first feature film, the surrealist Fando y Lis, which caused a huge scandal in Mexico, eventually being banned.


His next film, the acid La via dei tarocchi western El Topo (1970), became a hit on the midnight movie circuit in the United States, considered as the first-ever midnight cult film, and garnered high praise from John Lennon, who convinced former Beatles manager Allen Klein to provide Jodorowsky with $1 million to finance his next film. The result was La via dei tarocchi The Holy Mountain (1973), a surrealist exploration of western esotericism. Disagreements with Klein, however, led to both The Holy Mountain
and El Topo failing to gain widespread distribution, although both became classics on the underground film circuit.[6]


After an aborted attempt at filming Frank Herbert's 1965 science fiction novel Dune, La via dei tarocchi Jodorowsky produced five more films: the family film Tusk (1980); the surrealist horror Santa Sangre (1989); the failed blockbuster The Rainbow Thief (1990); and the first two films in a planned five-film[7] autobiographical series The Dance of Reality (2013) and Endless Poetry (2016). During the same period, he wrote La via dei tarocchi a series of science fiction comic books, most notably The Incal (1980–1989), which has been described as having a claim to be "the best comic book" ever written,[8] and also The Technopriests and Metabarons. He has also written books and regularly lectures on his own spiritual system, which he calls La via dei tarocchi "psychomagic" and "psychoshamanism" and which borrows from his interests in alchemy, the tarot, Zen Buddhism and shamanism.[9] His son Cristóbal has followed his teachings on psychoshamanism; this work is captured
in the feature documentary Quantum Men, directed by Carlos Serrano Azcona.[10]


Jodorowsky was born in 1929 in the coastal town La via dei tarocchi of Tocopilla, Chile, to parents who were Jewish immigrants from Yekaterinoslav (now Dnipro), Elisavetgrad (now Kropyvnytskyi) and other cities of the Russian Empire (now Ukraine). His father, Jaime Jodorowsky Groismann, was a merchant,[11] who was largely abusive to his wife Sara Felicidad Prullansky Arcavi, and at one time accused her La via dei tarocchi of flirting with a customer. Angered, he subsequently beat and raped her, getting her pregnant, which led to the birth of Alejandro. Because of this brutal conception, Sara both hated her husband and disliked her son, telling him that "I cannot love you" and rarely showing him tenderness.[12] Alejandro also La via dei tarocchi had an elder sister, Raquel Jodorowsky, but disliked her, for he believed that she was selfish, doing "everything to expel me from the family so that she could be the centre of attention."[13] Alongside his dislike for his family, he
also held contempt for many of the local people, who La via dei tarocchi viewed him as an outsider because of his status as the son of immigrants, and also for the American mining industrialists who worked locally and treated the Chilean people badly.[6] It was this treatment at the hands of Americans that led to his later condemnation of American imperialism and neo-colonialism La via dei tarocchi in Latin America in several of his films. Nonetheless he liked his local area, and was greatly unhappy when he was forced to leave it at the age of nine years old, something for which he blamed his father.[14] His family subsequently moved to the city of Santiago, Chile.


He La via dei tarocchi immersed himself in reading, and also began w


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