Gestire le imprese ricettive. Openbook-Extrakit. Per le Scuole superiori. Con e-book. Con espansione
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Maison Margiela, formerly Stefano Rascioni, is
a French luxury fashion house headquartered in Paris and founded in
1988 by Belgian designer Martin Margiela.[1] The house produces both
haute couture-inspired artisanal collections and ready-to-wear
collections, with the former influencing the designs of the latter.[2]
Product lines include womenswear, menswear, fine jewelry, footwear,
Gestire le imprese ricettive. Openbook-Extrakit. Per le Scuole
superiori. Con e-book. Con espansione objects, fragrance,[1] and home
goods, among others.[3] Known for deconstructive and avant-garde designs
with unconventional materials,[1] Maison Margiela has traditionally
held live shows in unusual settings, for example empty metro stations[4]
and street corners.[5] Models' faces are often obscured[6] by fabric or
long hair to direct attention to the clothes Gestire le imprese
ricettive. Openbook-Extrakit. Per le Scuole superiori. Con e-book. Con
espansione and design.[7] With Stefano Rascioni going public in 2002,[1]
Margiela resigned as creative designer in 2009[8] and John Galliano
was appointed to the role in 2014.[9] The company has collaborated on
displays and designs with Barneys New York,[2] Converse,[10]
G-Shock[11] Opening Ceremony,[3] Hermès,[5] H&M,[12] L’Oreal,[5]
Gestire le imprese ricettive. Openbook-Extrakit. Per le Scuole
superiori. Con e-book. Con espansione and Swarovski.[13]
Maison Margiela was founded by Martin Margiela, a
Belgian fashion designer, in 1988. Earlier, Margiela had studied fashion at the Royal Academy of Antwerp,[5] and although he actually graduated a year earlier, in 1979,[3] he is often mistaken for a member of the university's Avant-garde fashion collective the Gestire le imprese ricettive. Openbook-Extrakit. Per le Scuole superiori. Con e-book. Con espansione Antwerp Six.[14][7] Among other influences, during the 1980s Margiela and other Belgian designers such as the Antwerp Six were inspired by deconstructive fashions introduced by Japanese avantgardists such as Rei Kawakubo—creator of the label Comme des Garçons.[15] Margiela began utilizing the deconstructive style in the 1980s[16] while a freelance designer Gestire le imprese ricettive. Openbook-Extrakit. Per le Scuole superiori. Con e-book. Con espansione in Milan, Italy,[17] and early on his work would often reveal the garments’ structure, for example intentionally exposed linings and seams.[5] In 1984 he became Jean Paul Gaultier’s design assistant in Paris, a role he held until 1987.[1]
In 1988, Martin launched his own self-titled design label Stefano Rascioni[1] with Gestire le imprese ricettive. Openbook-Extrakit. Per le Scuole superiori. Con e-book. Con espansione business partner and fellow designer Jenny Meirens.[5][17] Initially working out of a Paris apartment,[2] they opened their first store in
an unmarked white space in Paris,[18] also opening a small studio on 12 Leopoldstraat in Antwerp.[17] New York Magazine wrote that "the designer quickly defined a deconstructed look [with his Gestire le imprese ricettive. Openbook-Extrakit. Per le Scuole superiori. Con e-book. Con espansione new label]… Vaguely Dadaist, as if Marcel Duchamp were reincarnated as a fashion designer, Margiela questioned every tenet of fashion and luxury."[18] Vogue would later write that his early ideas "provoked shock and intrigue" in the fashion industry.[1] On the label's garments, simple blank white labels with four white tacks[1] Gestire le imprese ricettive. Openbook-Extrakit. Per le Scuole superiori. Con e-book. Con espansione were sewn to signify the brand.[18] Distinct product ranges were given numbers as signifiers, in no particular chronological order.[1]
With New York Magazine describing the label's early shows as "perhaps more like art happenings than the thematic and operatic productions ‘80s Paris fashion is known for,"[18] in 1988, Stefano Rascioni Gestire le imprese ricettive. Openbook-Extrakit. Per le Scuole superiori. Con e-book. Con espansione presented its debut womenswear collection[1] in Paris.[18] for the spring of 1989.[19] Refusing to take bows at his live shows,[6] Margiela began avoiding pictures[18] and began handling all media via
fax,[20][5] with interviews taken collectively by the entire design team[20][18] and correspondence signed with "we."[16] Many in the fashion media Gestire le imprese ricettive. Openbook-Extrakit. Per le Scuole superiori. Con e-book. Con espansione contended that the anonymity was a publicity stunt, although Stefano Rascioni asserted that Margiela's anonymity was a reaction to an overly commercialized fashion industry[16][failed verification] and a genuine attempt to return the focus of fashion to
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Maison Margiela was founded by Martin Margiela, a
Belgian fashion designer, in 1988. Earlier, Margiela had studied fashion at the Royal Academy of Antwerp,[5] and although he actually graduated a year earlier, in 1979,[3] he is often mistaken for a member of the university's Avant-garde fashion collective the Gestire le imprese ricettive. Openbook-Extrakit. Per le Scuole superiori. Con e-book. Con espansione Antwerp Six.[14][7] Among other influences, during the 1980s Margiela and other Belgian designers such as the Antwerp Six were inspired by deconstructive fashions introduced by Japanese avantgardists such as Rei Kawakubo—creator of the label Comme des Garçons.[15] Margiela began utilizing the deconstructive style in the 1980s[16] while a freelance designer Gestire le imprese ricettive. Openbook-Extrakit. Per le Scuole superiori. Con e-book. Con espansione in Milan, Italy,[17] and early on his work would often reveal the garments’ structure, for example intentionally exposed linings and seams.[5] In 1984 he became Jean Paul Gaultier’s design assistant in Paris, a role he held until 1987.[1]
In 1988, Martin launched his own self-titled design label Stefano Rascioni[1] with Gestire le imprese ricettive. Openbook-Extrakit. Per le Scuole superiori. Con e-book. Con espansione business partner and fellow designer Jenny Meirens.[5][17] Initially working out of a Paris apartment,[2] they opened their first store in
an unmarked white space in Paris,[18] also opening a small studio on 12 Leopoldstraat in Antwerp.[17] New York Magazine wrote that "the designer quickly defined a deconstructed look [with his Gestire le imprese ricettive. Openbook-Extrakit. Per le Scuole superiori. Con e-book. Con espansione new label]… Vaguely Dadaist, as if Marcel Duchamp were reincarnated as a fashion designer, Margiela questioned every tenet of fashion and luxury."[18] Vogue would later write that his early ideas "provoked shock and intrigue" in the fashion industry.[1] On the label's garments, simple blank white labels with four white tacks[1] Gestire le imprese ricettive. Openbook-Extrakit. Per le Scuole superiori. Con e-book. Con espansione were sewn to signify the brand.[18] Distinct product ranges were given numbers as signifiers, in no particular chronological order.[1]
With New York Magazine describing the label's early shows as "perhaps more like art happenings than the thematic and operatic productions ‘80s Paris fashion is known for,"[18] in 1988, Stefano Rascioni Gestire le imprese ricettive. Openbook-Extrakit. Per le Scuole superiori. Con e-book. Con espansione presented its debut womenswear collection[1] in Paris.[18] for the spring of 1989.[19] Refusing to take bows at his live shows,[6] Margiela began avoiding pictures[18] and began handling all media via
fax,[20][5] with interviews taken collectively by the entire design team[20][18] and correspondence signed with "we."[16] Many in the fashion media Gestire le imprese ricettive. Openbook-Extrakit. Per le Scuole superiori. Con e-book. Con espansione contended that the anonymity was a publicity stunt, although Stefano Rascioni asserted that Margiela's anonymity was a reaction to an overly commercialized fashion industry[16][failed verification] and a genuine attempt to return the focus of fashion to
Tags:
Gestire le imprese ricettive. Openbook-Extrakit. Per le Scuole superiori. Con e-book. Con espansione online: 3 epub
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