The term magic realism, originally applied in the 1920s to a school of painters, is used to describe the prose fiction of Jorge Luis Borges in Argentina, as well as the work of writers such as Gabriel García Márquez in Colombia, Gunter Grass in Germany, and John Fowles in England. These writers interweave, in an ever-shifting pattern, a sharply etched realism in representing ordinary events and descriptive details together with fantastic and dreamlike elements, as well as with materials derived from myth and fairy tales. Robert Scholes has popularized metafiction as an overall term for the large and growing class of novels which depart drastically from the traditional categories either of realism or romance, and also the term fabulation for the current mode of free-wheeling narrative invention. These novels violate, in various ways, standard novelistic expectations by drastic -- and sometimes highly effective -- experiments with subject matter, form, style, temporal sequence, and fusions of the everyday, the fantastic, the mythical, and the nightmarish, in renderings that blur traditional distinctions between what is serious or trivial, horrible or ludicrous, tragic or comic. from http://www.themodernword.com/gabo/gabo_mr.html
Magical realism is a genre of art, literature, and performance in which elements of the fantastic are presented within the context of very real scenes and events, typically without comment. This artistic genre emerged in Latin America, although examples of magical realism can be drawn from other regions of the world as well.( http://www.wisegeek.com/what-is-magical-realism.htm)
Throughout "A Very Old Man with enormous Wings," many elements of magical realism was displayed. The most obvious, though, was the man with the enormous wings. Another elements was when the lady is turned into a spider for disobeying her parents. Yes, there are consequences for disobeying your parents, but getting turned into a spider?
Magical realism refers to the occurrence of supernatural, or anything that is contrary to our conventional view of reality [it is] not divorced from reality either, [and] the presence of the supernatural is often attributed to the primitive or 'magical' Indian mentality, which coexists with European rationality. Floyd Merrel explains that 'magical realism stems from the conflict between two pictures of the world'. Magical realism is thus based on reality, or a world with which the author is familiar, while expressing the myths and superstitions of the American Indians, [and it] allows us to see dimensions of reality of which we are not normally aware. (Amaryll Beatrice Chanady. Magical Realism and the Fantastic Resolved versus Unresolved Antinomy. New York: Garland Publishing, 1985. 16-31). (121)
| Magical Realism--We recognize the world, although now--not only because we have emerged from a dream--we look on it with new eyes. We are offered a new style that is thoroughly of this world, that celebrates the mundane. This new world of objects is still alien to the current idea of Realism. It employs various techniques that endow all things with a deeper meaning and reveal mysteries that always threaten the secure tranquility of simple and ingenuous things. This [art offers a] calm admiration of the magic of being, of the discovery that things already have their own faces, [this] means that the ground in which the most diverse ideas in the world can take root has been reconquered--albeit in new ways. For the new art it is a question of representing before our eyes, in an intuitive way, the fact, the interior figure, of the exterior world. In "The Falling Girl", we are unknown to what is really happening and "alien" to certain objects like falling from the sky but, never reading about the person hitting the ground or dying. The story has a deeper meaning to it but can also have a technique that could reveal everything that needed to be seen to understand. "The Falling Girl" seems to be a one those stories that has an meaning under the what is written down. This is not simple but it is deep. Maybe the ground has been "conquered" by the lights and fantasy or this unknown world or place that is just steps away. | 
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A literary mode rather than a distinguishable genre,
magical realism aims to seize the paradox of the union of opposites. For
instance, it challenges polar opposites like life and death and the pre-colonial
past versus the post-industrial present. Magical realism is characterized by
two conflicting perspectives, one based on a rational view of reality and the
other on the acceptance of the supernatural as prosaic reality. Magical realism
differs from pure fantasy primarily because it is set in a normal, modern world
with authentic descriptions of humans and society. According to Angel Flores,
magical realism involves the fusion of the real and the fantastic, or as he
claims, "an amalgamation of realism and fantasy". The presence of the
supernatural in magical realism is often connected to the primeval or "magical’
Indian mentality, which exists in conjunction with European rationality.
According to Ray Verzasconi, as well as other critics, magical realism is "an
expression of the New World reality which at once combines the rational elements
of the European super-civilization, and the irrational elements of a primitive
America." Gonzalez Echchevarria believes that magical realism offers a world
view that is not based on natural or physical laws nor objective reality.
However, the fictional world is not separated from reality either. http://www.english.emory.edu/Bahri/MagicalRealism.htmlThe angle is the main use of magical realism in the “A Very Old Man with Enormous Wings." This is because the angle is not a literal character that is there in the story but rather an idea or imagination of the writer so he can get his point ot their without using literal people and characters. He does this because asides from the fact of having a giant spider lady and an angle this is a very real story so using maggical realsism he was able to throw very far fetched characters which would not usually be used in a fictional type kind of story, and take it to another level and enhance the story with whatever wild character he is able to think of or use. Magical realism allows writer to throw an idea out there and use whatever and whoever is necessary to prove the point wether or not they are real, made up, dead, etc.
Magical realism is used a lot in "a very old man with enormous wings" like it is realistic about the married couple that have problems  and the baby being sick. But when the guy falls down who looks like a man and smells like a man but has wings  and the girl turning into a spider for sneaking out are the  magical parts of the story. The man is treated like a freak by everyone even though he looks like a man but can fly. Marquez does a great job of combining the supernatural and regular things in life in a story. 
Magical realism is a term used in literature to describe a literary mode, rather than a specific genre. Magical realism is distinguished by a paradox of a union of opposites and conflicting perspectives. http://www.questia.com/library/literature/literary-styles-and-movements/magical-realism
Magical Realism: is a genre of fiction literature that invokes a wide array of opinions from different readers.
In the story, "The Falling Girl", "Marta was nineteen. She looked out over the roof of the skyscraper, and seeing the city below shining in the dusk, she was overcome with dizziness." This event is common enough and could actually happen in one's existence but what's unusual and is the magical realism part is that the character is all alone on the top of a skyscraper in a twilight.Magical Realism is, "A literary genre in which magical features and storylines appear and are accepted as everyday reality."http://www.phrases.org.uk/meanings/magical%20realism.html.
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A literary mode rather than a distinguishable genre, magical realism aims to seize the paradox of the union of opposites. For instance, it challenges polar opposites like life and death and the pre-colonial past versus the post-industrial present. Magical realism is characterized by two conflicting perspectives, one based on a rational view of reality and the other on the acceptance of the supernatural as prosaic reality. Magical realism differs from pure fantasy primarily because it is set in a normal, modern world with authentic descriptions of humans and society. According to Angel Flores, magical realism involves the fusion of the real and the fantastic, or as he claims, "an amalgamation of realism and fantasy". The presence of the supernatural in magical realism is often connected to the primeval or "magical’ Indian mentality, which exists in conjunction with European rationality. According to Ray Verzasconi, as well as other critics, magical realism is "an expression of the New World reality which at once combines the rational elements of the European super-civilization, and the irrational elements of a primitive America." Gonzalez Echchevarria believes that magical realism offers a world view that is not based on natural or physical laws nor objective reality. However, the fictional world is not separated from reality either. (http://www.english.emory.edu/Bahri/MagicalRealism.html). In "A Very Old Man With Enormous Wings", The magical world is represented by the discovery of an angel. The real world is represented by Pelayo and his, and what they go through in life. It is basically their regular interactions with the world. The way it seems in the story is that there are two worlds put together, like a real and a magical world. The story contains magical beings within a real world. One could say that Magical Realism is exactly what it says magical things or people within a real world or doing real world-like things!