After completing the required reading, please respond to one of the following prompts:
How do you see Bishop, Lowell, and Rich using metaphor? Be specific in your response.
Based on this week’s readings, if someone asked you to describe and compare how different authors depict post-1945 American families, what would you say?
2. This week’s readings give four differing views of American family life after WWII. I say WWII instead of 1945 because it was the events that mattered, not the date. Each of the readings gives a different take on life, from a different perspective.
“Those Winter Mornings” paints a rather sad portrait of rural home life. The father, who works outside all week, gets up early on Sundays and rekindles the stove to heat the house for the rest of the family. The author, the son in this case, recalls the lack of appreciation expressed to the father for his efforts. What the poem doesn’t say is how the family expresses love in any instance. A lot of fathers who had served in the war were very reserved, emotionally distant men. In this case, the father was showing his love by warming the house and shining the shoes.
“A Good Man is Hard to Find” is told from the perspective of the older generation. The main protagonist, the grandmother, is a rather harsh critic of the children. The father, who had perhaps served (nothing specific mentioned, but his quiet and temper say to me that he did), is a minor figure who is not criticized like his wife and children. This story highlights the rise of the automobile as the dominant form of transportation (the family is driving to Florida), and the increasing crime.
“The Idea of Ancestry” gives a black perspective on the changes in society. The stream of consciousness feel of this poem, and the bio of the author, capture the feelings of a man lost. As a young black man Knight’s opportunities were extremely limited. As an addict and a criminal, he is doubly damned. His confinement leaves him to think about how he does not feel connected to his family, a sentiment that is still relevant in today’s writing.
“What We Talk About When We Talk About Love” shows the nostalgic, warm glow memories that a lot of baby boomers seem to have. This was written in 1981, which was certainly far after 1945, but mentions themes that became common in the 60’s and 70’s. Both couples in the story are divorced, which may seem common place today, but was practically unheard of in 1945. The description of the sun shining in the windows lends the nostalgic feel, surrounding the memories with a halo (if indeed this is a recollection). The author does not seem to feel the angst that came to the fore during the 90’s.
The lack of unity in narrative or perspective allows the reader to understand that life was not all roses. The different points of view, as well as the different dates of publication, bear witness to the changes in family life (and society as a whole) that occurred after WWII. While these are just snapshots of America, they at least provide the feeling of motion, hinting at the ever-changing way that we live and relate to one another.
After completing the required reading, please respond to one of the following prompts:
How do you see Bishop, Lowell, and Rich using metaphor? Be specific in your response.
Based on this week’s readings, if someone asked you to describe and compare how different authors depict post-1945 American families, what would you say?
How do you see Bishop, Lowell, and Rich using metaphor? Be specific in your response.
How do you see Bishop, Lowell, and Rich using metaphor? Be specific in your response.
Bishop uses her metaphors very descriptively. When I read “The
Fish,” I felt very in the moment. As a reader I got the impression that the
fisherman was a metaphor for her friend in a relationship. The fish was a
metaphor for her husband. We see that at the beginning of the poem the
fisherman catches the fish very easily, but towards the end she lets the fish
go. Her descriptive words we are given the sense that there is an underlying
meaning to the fisherman catching the fish.
Lowell uses metaphors in his poem “Skunk Hour,” I think by
comparing himself to the skunk. As I mentioned in my other post, the stanzas
all seem to wrap together at the end. Lowell uses metaphors to describe a woman
of power in the first two stanzas, the next two stanzas are about a society in
a crisis, the next two are about an individual in a crisis, and then the last
two stanzas wrap it all together. I think that Lowell was comparing the speaker
to the skunks by saying that skunks go out at the hour to find food, he is
looking for love because he is lonely. He uses metaphors to make the reader see
the comparison.
Rich uses metaphors in “Diving into the Wreck,” to show her
stance on gay rights. She uses metaphors to describe a diver going into the
ocean alone, a lot like how gay people might feel very alone when they are
coming out about their sexuality preferences.
After completing the required reading, please respond to one of the following prompts:
How do you see Bishop, Lowell, and Rich using metaphor? Be specific in your response.
Based on this week’s readings, if someone asked you to describe and compare how different authors depict post-1945 American families, what would you say?
How do you see Bishop, Lowell, and Rich using metaphor? Be specific in your response.
To start off my response to this prompt, I decided to look up what a metaphor is (as I somehow still always manage to get it confused with similes). The definitions generated to me by Google were the following:
Given this definition, I went back to reread "The Fish" by Elizabeth Bishop and found some very interesting metaphors. However, one particular instance which stuck out to me was when Bishop was describing the fish as "battered and vulnerable and homely," and when she later describes the frayed lines as "a five-haired beard of wisdom" to me, it almost seems like she is trying to portray the fish in a humanistic way. Due to this, and her seeing the fish as more than just a fish, but actually taking the time to give it the qualities you'd normally see given to a human, I think that's why in the end, she "let the fish go."
In "Skunk Hour" by Lowell, I believe that the woman and the "summer millionaire" are used to describe a higher- class people, but also to show that the upper class, while maybe rich, might not be so happy, and that they fail and fall just like the rest of us. I really think that the skunk is the main metaphor in this poem, however, because I think it's used to represent the lower classes of society and show that lower class people (while they might not have as much money) have more persistence for living life.
Finally, "Diving into the Wreck" by Rich can be interpreted in many ways. I, for one, am not entirely sure the true meaning behind this poem. For me to take a guess though, I'd say because the poem was written in the early 1970's, it could potentially have something to do with a woman exploring the opportunities of work outside of the home. And the ladder could be there as a symbol for failure- if she climbs up that ladder and out of the water, she has failed and that's always a possibility since "the ladder is always there." Or, by continuing her journey and straying away from that ladder, maybe she has been able to get deeper into the workforce.
If someone asked me to describe and compare how different authors depict post 1945 American families, I would say that authors depicted the American family in a very similar fashion. Each poem or short story we have read this week has dealt with a broken family or relationship of some kind. As we can see in the poems like “Those Winter Sundays,” “Daddy,” the father child relationship hinged on being abusive, distorted, and all around broken.
In the poem “Daddy” we see a child who hates his or her Nazi father. The hatred goes as far as him or her wanting to kill their dad (2365). Likewise, in the story “Those Winter Sundays” the son or daughter once again dislikes their father. The son or daughter can be seen talking “indifferently” back to their dad as if they do not care what he has to say (2838 line 10).
As for our other reading: “The Idea of Ancestry” and “What We Talk About When We Talk About Love” once again illustrate the family life in the 1940s. “The Idea of Ancestry” was actually one of the few stories that we read that seemed to have more of a close-knit family. The narrator of the story was unhappy with the home life and decided to go out on his own where he ultimately ends up in prison. Also, for “What We Talk About When We Talk About Love” showed that the families were abusive and broken. This can be seen on page 3017 when Mel says, “there was a time I loved my first wife. But now I hate her guts.” We were also introduced with lots of abuse from Terri’s former husband, Ed.
Overall, I believe each story illustrated that the families during this time were all searching for love, and most importantly, freedom. They longed for happiness and that ultimately meant being somewhat rebellious, especially towards their parents. The abusiveness of the family relationships, in my opinion, was caused by an older generation hoping to keep a young generation with a postmodern ideology in line of old traditions. I feel that the authors of this story captured a time in which the family dynamic was going through transitions. As the younger generation felt the need to rebel and embrace change in order to find their love and freedom from a post war world.
Dr. C,I will explain my observations of the metaphors of each of the poems with greater detail. It's a bit lengthy.The Fish (Elizabeth Bishop)The fish can be compared to a human as Bishop describes the characteristics of the fish."I caught a tremendous fish""battered, venerable, and homely""his brown skin hung in strips like ancient wallpaper"The fish can be both large and incredible, is worthy of respect and shows a domestic nature. The wallpaper makes me think of making a home your own. The fisherman had caught the fish which had the marks of several different homes through the years. The 'fish', in its homely manner has desired a sense of home. Bishop later describes the many different homes by comparing each relationshop to the hooks found in his lower lip. These are the many relationships the fish (human) had left behind and ran away from.I believe Bishop is comparing the fish to a spouse in the end of a relationship because of the anger sentiment represented in the text."rags of green weed hung down""infested with tiny white sea-lice""He was speckled with barnacles""the terrible oxygen--the frightening gills, fresh and crisp with blood, that cut so badly"A relationship can end when one does something to hurt their spouse. I say can because it may not end if both spouses are willing to fight for the relationship. However, Bishop says "He didn't fight, he hadn't fought at all". I sense the spouse never really tried to make the union work and in the end didn't try to save it. It was hard to end the relationship because the fish itself was a barnacle; a person or thing that is hard to get rid of.The contamination of the bilge spread throughout the water around the rusted engine (old and damaged). The boat (the relationship) was damaged and spread, the oil into the water which created the rainbow. The pain and anger in the relationship was overbearing and the damage to the boat was too much, "rainbow, rainbow, rainbow!", so she let the fish go.Skunk Hour (Robert Lowell Jr.)A person can be both a skunk and a skunk of a person by being solitary, comes out in the darkness of night, is despicable and an unwanted creature, as well as offensive. Lowell does a good job of portraying a person who is not in a good place emotionally and disapproving of himself."My minds not right""I myself am hell"I believe this person is lonely because he goes out in the dark on different occasions; up the "hill's skull" and "I stand on top of our back steps". He searches for 'love-cars' and I feel he is jealous and sad when he hears the radio. He knows two people are performing an act of love in their togetherness."My ill-spirit sob in each blood cell, as if my hand were at its throat."Intense pain must be felt. He scares himself, with who he has become, just as skunks scare off other creatures. In the end of a relationship, when reflecting, one can be overly hard on themselves by blaming themselves solely for the breakup. I sense there was a break up by Lowell's use of "our steps". He appears alone in the house that two people have built. He is very disgusted and upset with himself, which is reflected by the reference of a skunk. He is left alone, skunk-like, watching a mother skunk who will not scare because he is one himself.Diving Into the Wreck (Adrienne Rich)To me, Diving Into the Wreck is about divorce. A wreck, in this context, is the act of destruction. A divorce is a complete or radical severance of closely connected things. Both definitions imply that something has broken. In this case, the bond between 2 people has severed.After reading the poem several times, I looked up the biography of Adrienne Rich. I found she divorced her husband in 1970 and he committed suicide a few months later. http://www.poets.org/poet.php/prmPID/49In the journey to understand things and events, reflection of the past can be key. I sense this is about divorce also because it is only about 2 people diving into the wreck. Rich depicts this clearly. "We are, I am, you are by cowardice or courage the one who find our way back to the scene."I feel Rich is exploring the wreck of their marriage and why or how it happened. She is not an expert at exploring and diving, "not like Cousteau". She begins to reflect on the divorce by describing her way out. "There is a ladder. The ladder is always there hanging innocently close to the side of the schooner. We know what it is for, we who have used it." The ladder was the means of the escape. In a relationship, there is always away out. We all know it is possible to leave if we have used it. Sometimes, one can feel trapped in a relationship, thinking it may be impossible to leave and cant. I have felt this way in a past domestically violent relationship. Now, 4 years after leaving, I know it was possible and it was much easier then I thought it would have been while in the relationship."My flippers cripple me." The emotions of leaving impair the ability to leave, to escape down the ladder. "There is no one to tell me when the ocean will begin." She can only initiate the divorce herself.She then sinks into the darkness of the ocean, the darkness of the act of divorce. "The sea is not a question of power." The divorce itself is not about power. The power behind a divorce is the 2 people. "My mask is powerful." I love this line. The oxygen (anger) gives her the ability to breathe under the heavy weight of the sea (divorce).As she reflects on the divorce, it is easy to forget why she wants to reflect. In the joy of having moved on, why look back? She came to reflect on the dissolution of the marriage. Why it had happened and how. "The words are purposes. The words are maps." Words tell the story and the reason as well as draws the map of how it happened. Where the effects of the divorce took them from where they had been."The wreck and not the story of the wreck, the thing itself and not the myth" is a very powerful line. She came to reflect and find answers about the dissolution, not to hear and remember what she told herself and others. Not what other people had said or believed about divorce. The myth of divorce.Then, after line 61, she reflects on the marriage and the divorce. The suffocated, deadened face always looking up and being optimistic. The damages done to the marriage and to each other. The beauty that had once been the bond that tied 2 people together, which had been overused to the point of being worn out.She recalls the two of them, comparing herself to a mermaid whose hair had turned black from rage and comparing him to a merman who was defensive in his armored body.They dive into the area of the divorce that holds the cargo, "I am she: I am he". A marriage is a bond when two become one. Rich reflects this in line 77.The marriage was deadened by the act of getting by. The suffocated persons who sleepwalk through the marriage, unaware of each others emotions. The children made in this union have left their mark because "The breasts still bear the stress." The jewelry "silver, copper, vermeil cargo" is left to rot. No one uses the rings that were symbols of a vow after a divorce."We are the half-destroyed instruments that once held to a course." Two damaged individuals, disabled by their connection and the damage that was caused. By bravery or weakness only the 2 of them can reflect on the marriage and the wreck, carrying the weapon, the memories and the stories they told themselves.
“The Fish”
In this poem, Bishop uses the fish as a metaphor for a wise, old person, probably a man, who is now weak and void of any fight he surely had previously but is still respected all the same. This person has clearly experienced a lot during his life through hard struggles and such. I get the feeling that he could possibly be a war veteran, actually a multi-war veteran.
This metaphor first develops from the description of the fish, as Bishop illustrates the oldness of the fish. “Brown skin hung in strips like ancient wallpaper” this makes me think of an old person, with very sun-damaged, wrinkly skin.
The author continues to create this metaphor of a wise, old war veteran when she points out the 5 pieces of fish-line hanging from the fish’s “lip” “like medals with their ribbons frayed and wavering, a five-haired beard of wisdom”. Clearly, this fish has outsmarted or out fought 5 previous fisherman and their attempts to catch him. Like a war veteran might have battle wounds and scars, this fish has them as well, in the form of fish hooks and lines that he has broken in his struggle to evade the previous fishermen. The ribbons represent his victoriousness, as a soldier might have from winning a war and for special contribution to a war.
We know that this fish has no fight left because he was actually caught by the fisherman this time, and he does not struggle or flop or flail on the line like a young fish might who is still full of life and fight.
In the end, we see that the fishermen respects this once strong and wise war veteran who is now old and decrepit because she releases him back into the water. We also get the feeling of respect from the ribbons and beard of wisdom. As for the rainbow, we might think of rainbows as new beginnings when they appear after a storm has passed. She has given the fish a new beginning when the fisherman frees him back into the water, to live out the rest of his life.
“Skunk Hour”
I think Lowell uses this poem as a metaphoric confessional of the downfall of his love life and his ensuing loneliness. The poem uses different examples that consistently depict the fall of greatness and its associated loneliness. He writes it to Elizabeth Bishop as if he is in love with her and he confesses that he ruined this love affair that they had.
Starting with the first section, we get the feeling that the person he’s describing had it all! A lot of money, a noble son, and a worthy worker for her land but now she is in the last years of her life and is a hermit – probably very lonely.
Next, the summer millionaire is lost, which probably means a vacationer with a possible summer home has left. All the rich people who travel to the town during the summer are probably now all heading home, which leaves the town in a lonely state.
Again, the store owner who decorates his shop for the fall seems optimistic at first but we learn that he is unhappy with his life because of the lack of money he earns through his work.
Finally, we are introduced to the speaker when we learn about the love that he is missing out on. He alludes to this when he looks for lovers in cars – “love-cars. Lights turned down.” He seems to be pretty depressed by this loss, which we learn from the graveyard mentioning and when he says his mind is not right. In the next section, this is emphasized by “I hear my ill-spirit sob in each blood cell” and “I myself am hell”. This experience is clearly extremely taxing for him.
Although, the speaker only uses one section to talk about himself, I feel like metaphorically everyone described is analogous to himself and his situation with his ruined love affair. He had it all but he lost it all, and it seems to be his fault. As the heiress in the first section appears to choose to be a hermit, “thirsty for the hierarchic privacy” and she buys all the houses surrounding her home to ensure this privacy, he seems to be at fault for his loneliness also.
As for the skunk reference, I think this explains the disgustingness of his actions that caused his loss. Skunks are disgusting creatures and the ones described here are creepy as “they march on their soles up Main Street” with their “moonstruck eyes’ red fire” and then the mother skunk gets into the sour cream cup – yuck! It’s all creepy and disgusting, and we can relate it to the speaker’s mental state via his previous referrals to his ill-spirit and his mind not being right and thus his actions due his mental state that caused his loss.
“Diving into the Wreck”
Finally, Rich uses this poem to metaphorically describe a life where one does not simply ignore or run from bad things when they happen but rather faces them head on, even if that means she has to do it alone. The speaker discusses braving the process of confronting life’s troubles and explains how hard this is and continually mentions that she does it alone.
First, she talks about diving into the water alone – “not like Costeau”, and being prepared by having read the book of myths and wearing the appropriate gear. To me this means, she is bringing her knowledge and past experiences along with her to confront whatever it is that lies ahead but only she can do it. No one can help her.
Next, she mentions the ladder which will allow her to slowly get to what lies ahead. She can choose to not go down it but she does because she knows she has to, even though it is very hard for her. This is evident by the crippling of her flippers, her crawling like an insect, and no one tells her when the ocean will begin. No one can do this for her. Only she can do this herself.
"And now: it is easy to forget what I came for among so many who have always lived here" - to me this means that once down there, she has to remind herself why she came and stay on task in order to face her issues. “I came to see the damage that was done and the treasures that prevail” – to me this means she came to fix the problem so that she can move forward with her life.
And then we learn that she discovers drowned divers - people who did not make it in their journey of life. Possibly, this poem is referring to a life of drug addiction or something of that nature. The dead people are those who did not live because the addiction consumed them. They could not get past the trials and tribulations in order to recover from their addiction and lead a successful life.
The last section leads me to believe that she understands how unimportant this journey is for everyone else. It is only important for her. “A book of myths in which our names do not appear” – this makes me realize the lack of importance of this journey in life to everyone except her. No one cares if she makes it in life but what matters is that she cares! If she doesn't care, she won't make it.
In “Those Winter Sundays” By Robert Hayden he presents his father as man who, “put his clothes on in the blueblack cold, then with cracked hands that ached from labor in the weekday weather made banked fires blaze.” He speaks of the father almost reverently then in the last stanza says, “speaking indifferently to him, who had driven out the cold and polished my good shoes as well. What did I know, what did I know of love's austere and lonely offices?” The way the poem began made the reader believe that his father was a hardworking man that no one appreciates but him by writing, “No one ever thanked him,” but as it progressed we see that the son doesn’t care either by speaking “indifferently” to him. He later recognizes his mistakes, but not before a disconnect has formed.
In the poem “The Idea of Ancestry” the family is presented as a large cohesive unit when the author says, “I am all of them, they are all of me.” But when he begins discussing an uncle that disappeared as an “empty space” we begin to see his disconnect from his family leading to his feelings of not wanting to be another “empty space” in his family. In part two the author tells a scene of what should have been a content moment with his family until his drug addiction caught up with him, and then as he later stares at the pictures he’s once more reminded of what he could have had. But without any sons he’s left “to float in the space between.”
After completing the required reading, please respond to one of the following prompts:
How do you see Bishop, Lowell, and Rich using metaphor? Be specific in your response.
Based on this week’s readings, if someone asked you to describe and compare how different authors depict post-1945 American families, what would you say?
How do you see Bishop, Lowell, and Rich using metaphor? Be specific in your response.
In Elizabeth Bishop's poem, she describes in vivid detail a fish that has been caught. While many metaphors are used, at the end of the poem, Bishop gives what I feel is the strongest metaphor. The speaker describes that in the boat "oil had spread a rainbow around the rusted engine, the sun-cracked thwarts, the oarlocks on their strings, and the gunnels until everything was rainbow, rainbow, rainbow!" Oil is normally not a pretty things, and it is tough to describe as such. But Bishop makes the thick sludge something beautiful in the bottom of a little metal boat. I like this metaphor at the end of this poem, because Bishop's description of the fish is at times very graphic and ugly. For the boat that had been host to the bloody, dirty mess, and to have oil in the bottom, I assumed that the end of the poem would be just as harsh. But for Bishop to describe the boat as full of this rainbow of oil, I feel it is sort of her way of showing that the fish, the fishing trip, the boat, and even the oil itself, can be beautiful if viewed in the right way.
While Robert Lowell uses many metaphors in his poem "Skunk Hour," one of my favorites was when he described that the "car radio bleats." It is obviously a very small metaphor, and by no means vital in this poem, but to me, it compared the music of a radio coming from cars with young passengers listening to a love song, to the noise of a sheep, and in that way, showed the authors disdain for those couples. Perhaps Lowell thought that love itself was trivial, or just that the activities and songs of these young lovers was silly, but either way I feel he was mocking both with this metaphor.
In Adrienne Rich's poem, "Diving into the Wreck," one of the strongest metaphors is when Rich describes the diving suit as "body-armor of black rubber." This metaphor sets the stage for the poem, as the diver takes on the sea, and implies that there is some danger waiting beneath the water's surface. The diving suits is what protects the diver, and separates them from the sea, so armor seems a fitting metaphor.
Each of the poems could be seen as a metaphor in themselves as well. The fish in Bishop's poem is thought to be a metaphor for a husband who has a dark past, and is battered. In the end he is released into the water, perhaps as the wife released him from their marriage. In "Diving into the Wreck," I think that the diver facing the strange and complicated sea is a metaphor for someone facing a difficult memory.
After completing the required reading, please respond to one of the following prompts:
How do you see Bishop, Lowell, and Rich using metaphor? Be specific in your response.
Based on this week’s readings, if someone asked you to describe and compare how different authors depict post-1945 American families, what would you say?
2. This week’s readings give four differing views of American family life after WWII. I say WWII instead of 1945 because it was the events that mattered, not the date. Each of the readings gives a different take on life, from a different perspective.
“Those Winter Mornings” paints a rather sad portrait of rural home life. The father, who works outside all week, gets up early on Sundays and rekindles the stove to heat the house for the rest of the family. The author, the son in this case, recalls the lack of appreciation expressed to the father for his efforts. What the poem doesn’t say is how the family expresses love in any instance. A lot of fathers who had served in the war were very reserved, emotionally distant men. In this case, the father was showing his love by warming the house and shining the shoes.
“A Good Man is Hard to Find” is told from the perspective of the older generation. The main protagonist, the grandmother, is a rather harsh critic of the children. The father, who had perhaps served (nothing specific mentioned, but his quiet and temper say to me that he did), is a minor figure who is not criticized like his wife and children. This story highlights the rise of the automobile as the dominant form of transportation (the family is driving to Florida), and the increasing crime.
“The Idea of Ancestry” gives a black perspective on the changes in society. The stream of consciousness feel of this poem, and the bio of the author, capture the feelings of a man lost. As a young black man Knight’s opportunities were extremely limited. As an addict and a criminal, he is doubly damned. His confinement leaves him to think about how he does not feel connected to his family, a sentiment that is still relevant in today’s writing.
“What We Talk About When We Talk About Love” shows the nostalgic, warm glow memories that a lot of baby boomers seem to have. This was written in 1981, which was certainly far after 1945, but mentions themes that became common in the 60’s and 70’s. Both couples in the story are divorced, which may seem common place today, but was practically unheard of in 1945. The description of the sun shining in the windows lends the nostalgic feel, surrounding the memories with a halo (if indeed this is a recollection). The author does not seem to feel the angst that came to the fore during the 90’s.
The lack of unity in narrative or perspective allows the reader to understand that life was not all roses. The different points of view, as well as the different dates of publication, bear witness to the changes in family life (and society as a whole) that occurred after WWII. While these are just snapshots of America, they at least provide the feeling of motion, hinting at the ever-changing way that we live and relate to one another.
On Tuesday, April 30, 2013 4:30:05 PM UTC-4, Dr. C. wrote:
After completing the required reading, please respond to one of the following prompts:
How do you see Bishop, Lowell, and Rich using metaphor? Be specific in your response.
Based on this week’s readings, if someone asked you to describe and compare how different authors depict post-1945 American families, what would you say?
Based on this week’s readings, if someone asked you to describe and compare how different authors depict post-1945 American families, what would you say?
"Those Winter Sundays" Hayden paints a picture of a very simplistic lifestyle during this time. He showed how a typical family would operate around this time period and how a household would generally operate in the morning. "My father got up early" and "with cracked hands that ached from labor" shows the typical role of a father as being the first to rise and working a very labor intensive job. But even though it seems like his father is not receiving any recognition for warming the house and making it comfortable for him, there is still an underlying presence of the love that they shared. "What did I know, of love's austere and lonely offices?" This to me shows the strict nature of the father and that even though love is not explicitly expressed, it is still present.
"Daddy" This to me shows the life of Plath when dealing with her father away at war. During this time most fathers were away fighting, leaving their families and especially their kids alone at home. She goes on to describe what goes on with her father while off fighting and how it effects her. She shows a deep hatred for him being away and the things he's doing by stating, "Daddy, I have had to kill you," "There's a stake in your fat black heart," "They are dancing and stamping on you," and of course, "Daddy, daddy, you bastard, I'm through."
"The Idea of Ancestry" I found this poem particularly interesting because it showed a very tight and large family. The "47 pictures" or 47 family members of a large black family, the narrator shows a lot of love between himself and the family members and shares some brief experiences with a select few from the family. But it was interesting that it went from talking about the large family to the habits and problems that the narrator faced in the second part. Talking about the "monkey on my back" and "I cracked a croaker's crib for a fix" shows the drug problem he faced. But I liked how at the end it went back to the narrators relation to the family and showing how he is still part of all that has come before him.
Dr. C,
I think all 3 poet's use metaphors in similar and different ways. In my opinion, Bishop uses a metaphor to describe the life of someone else - a war veteran, while Lowell and Rich use a metaphor to describe their own lives. However, Lowell and Rich's use of metaphor differs in that Lowell's metaphor may be harder for the reader to conceptualize, as his work in this poem is more mysterious and secretive than the work of Bishop and Rich.
The speaker in Lowell's poem doesn't talk about himself the whole way through, but we may assume that when he is speaking of the other people in his poem, that he really is referring to himself. Rich's metaphor seems more straightforward, in the fact that it is more clear that it is about the speaker's own life, but also she leaves us to interpret what aspect of her life she is referring to. We can easily assume that it is regarding an obstacle she has to overcome but while my interpretation is that of a drug addiction, other readers mentioned the possibility of a divorce, or how it feels to be homosexual, ect.
Rich’s poem is definitely most open to interpretation of what the obstacle is, while the other two metaphors are more clear-cut in the fact that we can assume certain themes such as an old/wise/battered person in Bishop’s and the fall of happiness to loneliness or the downfall of something great in Lowell’s. All we can assume of Rich's is overcoming an obstacle.
How do you see Bishop, Lowell, and Rich using metaphor? Be specific in your response.
To start off my response to this prompt, I decided to look up what a metaphor is (as I somehow still always manage to get it confused with similes). The definitions generated to me by Google were the following:
- "A figure of speech in which a word or phrase is applied to an object or action to which it is not literally applicable.
- A thing regarded as representative or symbolic of something else, esp. something abstract.
Given this definition, I went back to reread "The Fish" by Elizabeth Bishop and found some very interesting metaphors. However, one particular instance which stuck out to me was when Bishop was describing the fish as "battered and vulnerable and homely," and when she later describes the frayed lines as "a five-haired beard of wisdom" to me, it almost seems like she is trying to portray the fish in a humanistic way. Due to this, and her seeing the fish as more than just a fish, but actually taking the time to give it the qualities you'd normally see given to a human, I think that's why in the end, she "let the fish go."
In "Skunk Hour" by Lowell, I believe that the woman and the "summer millionaire" are used to describe a higher- class people, but also to show that the upper class, while maybe rich, might not be so happy, and that they fail and fall just like the rest of us. I really think that the skunk is the main metaphor in this poem, however, because I think it's used to represent the lower classes of society and show that lower class people (while they might not have as much money) have more persistence for living life.
Finally, "Diving into the Wreck" by Rich can be interpreted in many ways. I, for one, am not entirely sure the true meaning behind this poem. For me to take a guess though, I'd say because the poem was written in the early 1970's, it could potentially have something to do with a woman exploring the opportunities of work outside of the home. And the ladder could be there as a symbol for failure- if she climbs up that ladder and out of the water, she has failed and that's always a possibility since "the ladder is always there." Or, by continuing her journey and straying away from that ladder, maybe she has been able to get deeper into the workforce.
Bishop is very descriptive in her use of metaphor. My interpretation is that the fish is a spouse at the end of a relationship who does not want to fight for the relationship any longer.He didn't fight.He hadn't fought at all.He hung a grunting weight.The use of he by Bishop if very interesting, as it masculinates the fish and gives it identity. I get the sense of a relationship from the words such as homely, wallpaper, rosettes. The fish has almost been caught once or twice and their is some victory in the catch, the lucky one who caught a tremendous fish. But then, contamination occurs. "The pool of bilge where oil had spread a rainbow around the rusted engine." Rust implies age and damage; bilge is the water that does not drain off the side of the deck and collects. There has been damage to the boat, a whole in the bilge, and the fisherman must let the fish go. Maybe a hole in the boat will sink them both. With enough damage in a relationship, it will hurt both in the end.Lowell's poem seems very dark. The use of the word skunk is very interesting. The metaphor I perceive is the comparison between the skunk (animal) and the skunk (person). A skunk is a solitary creature who roams in the darkness. A skunk is also a despicable, offensive person. Lowell presents the first person as been disgusted in himself, at his solitary moment, on the back steps or driving up the skull of the hill looking for 'love-cars'. "I myself am hell;" I see disappointment in the individual in a failed relationship. 'Our steps' was an interesting part in the last stanza. It implies there was a couple who lived in the home, but now he is left alone, standing on his steps watching a mother skunk search for food. The skunk will not scare because he considers himself a skunk.Rich was very interesting and dark as well. I compare the wreck in the ocean as the wreck of divorce. The ladder is a means of escape, 'we who have used it'. She goes down, crippled, into the darkness of the ocean. Into the world we have not experienced yet. The sea is the divorce; 'the sea is not a question of power'. Each person has their own power in the divorce; 'my mask is powerful'. By the end of a divorce, it is easy to forget why it began in the first place. The anger and frustration is over. All that is left is the rubble and destruction of the ending. She wanted to explore the wreck and what actually happened, not to remember or know what she told herself had happened. I can sense the defense between the two parties; 'The mermaid whose dark hair turns black, the merman in his armored body'. They had both deadened the awareness to the ending, the bearing of children still bear the marks of their unity. The jewelry sits in boxes, tarnishing; 'whose silver, copper, vermeil cargo lies obscurely inside barrels half-wedged and left to rot'. Only the two of them can go to the wreck with their knife, camera and book of myths either by their bravery or by their weakness.
How do you see Bishop, Lowell, and Rich using metaphor? Be specific in your response.
Bishop to me uses metaphors in a way to distinguish between qualities of a specific object in her poem “The
Fish”. Here are the 7 metaphors I found in the poem:
1. His brown skin hung in strips like ancient wallpaper
2. Was like wallpaper
3. Shapes like full-blown roses
4. Packed in like feathers
5. The pink swim-bladder like a big peony
6. Like the tipping of an object toward the light
7. Like medals with their ribbons frayed and wavering
The quality of skin is described with two types of wallpaper while the actual pattern of the skin is described with a flower. When referring to the fish’s body again, the organs are “packed in like feathers” and the pink swim-bladder is like a peony. When the narrator makes eye contact with the fish they speak of an object going towards the light. Bishop uses metaphors in a way that identifies the living and dying aspects of “The Fish”.
Lowell’s use of metaphor in “Skunk Hour” to me is extremely powerful in that he only uses it once through the entire poem. Even more significantly, Lowell uses a metaphor in a stanza speaking as the narrator on a lost love. He shows an extremely violent side saying, “I hear my ill-spirit sob in each blood cell, as if my hand were at its throat…” This confirms the ideas of Lowell’s works being largely considered confession poetry. I feel in the use of Lowell’s metaphor it can be specifically tied to his whole confession through his poem. While the poem itself contains a message of isolationism and could be a confession as a whole, I definitely feel his metaphor use here sticks out.
From Rich’s work of “Diving into the Wreck”, it is another work which is not very heavy in use of metaphor. The lone metaphor comes in line 30 stating, “I crawl like an insect down the ladder.” I definitely feel this poem like Lowell’s deals with the ideas of isolationism but for different personal reasons. This metaphor follows with Rich’s statement of, “there is no one to tell me when the ocean will begin.” I feel Rich uses her metaphor like Lowell in that it indicates a personal feeling. While Lowell may feel isolated from the loss of a loved one in “Skunk Hour” or from his battle with mental illness, I feel what Rich was stating was for the homosexual community as a whole. She identifies with all the people in the wreckage and maybe what she is saying is that being homosexual feels like you are in a great ship wreck at the depths of the ocean and politically nobody really cares or considers you.
Sarah, I really enjoyed your post about Bishop’s “The Fish” I felt the exact same way about the entire poem being a metaphor about old age. One of the first lines to describe the fish, “battered and venerable and homely,” really struck me and instantly made me think of a fragile old man. Then it goes on to describe it in more detail, “brown skin hung in strips like ancient wallpaper, and it’s pattern of darker brown was like wallpaper,” which made me think of how skin darkens in old age due to the years and years of sun exposure and how it loses it’s elasticity and becomes rough and like the poem said, like wallpaper. Another metaphor about old age is when Bishop talks about the, “shapes like full blown roses stained and lost through age,” on the fish’s skin, which I took as a metaphor for age spots like many people get as they get older. For me this poem almost had a sad tone to it. At the beginning it says the fish didn’t put up a fight at all, yet when the man looked at it more closely he saw the hooks and line that were still in the fish’s mouth from where he had broken two heavier lines and gotten away, then it described how old the fish looked, so it made me think that the fish had almost given up and was ready to die since it didn’t put up a fight at all. But then like you said the fisherman realizes he and the fish have a lot in common so in the end he lets the fish go free.