After completing the required reading, please respond to one of the following prompts:
Why do you believe that authors choose to write about controversial or uncomfortable topics? Choose at least two of the readings you’ve been assigned and speculate as to why you believe the authors wrote and published these readings.
Why do you believe that authors choose to write about controversial or uncomfortable topics? Choose at least two of the readings you’ve been assigned and speculate as to why you believe the authors wrote and published these readings.
After completing the required reading, please respond to one of the following prompts:
Why do you believe that authors choose to write about controversial or uncomfortable topics? Choose at least two of the readings you’ve been assigned and speculate as to why you believe the authors wrote and published these readings.
- Do you think that literature (and art, in general) can impact the world? If so, how? Why? If not, why not? Draw from at least two readings that we’ve completed so far to help support your answer.
Why do you believe that authors choose to write about controversial or uncomfortable topics? Choose at least two of the readings you’ve been assigned and speculate as to why you believe the authors wrote and published these readings.
I believe some authors write about uncomfortable or controversial topics because it brings shock value and attention. Often times the uncomfortable or controversial topics are the most important ones that audiences find easy to avoid, or because it’s something that’s been discussed over and over and having that uncomfortable or controversial moments bring new life into it. I think the expression that it was like a train wreck that you couldn’t help but watch explains this choice well. When we see or read these uncomfortable or controversial topics a kind of morbid curiosity takes over and we can help ourselves but to keep reading. In Ralph Ellison’s “A Party Down at the Square,” is a great example of this. Ellison gives the explicit details of a lynching in Alabama from the perspective of a young white boy from Cincinnati. Ellison gave an explicit description of how the man burned by saying, “His back was just like a barbequed hog. I could see the prints of his ribs where they start around from his backbone and curve down and around.” If Ellison had just glossed over the details by simply saying the man had rolled out in front of him it wouldn’t have made the same impact and would never have been remembered by his readers. In the story the “Witness” by Ann Petry she writes about an elderly black man who’s kidnapped and forced into being a witness to a rape by six young white boys. Petry writes the scene of the abduction and rape describing the girl, “lying on the floor, half-naked. They had put some burlap bags under her. She looked as though she were dead. They pushed him toward her saying, ‘It’s your turn.’ He balked refusing to move. […] They pushed him closer to the girl and someone grabbed one of his hands and placed it on the girls thigh, on her breasts, and then they laughed again.” Petry doesn’t use as explicit of details as Ellison did but her use of an uncomfortable and brutal situation creates an image and emotions in the reader that they can’t help but notice and remember afterwards.
Considering many of this week's readings pertain to the Civil Rights Movement, there is plenty of reason to be publishing uncomfortable material about this time period. During the 50's and 60's there was large-scale protests and Human Rights activists, but there was an equally, if not larger majority who opposed these changes and equality pushes, especially in the South. Despite the literature and speeches of the era, there was much more to be said, and unspeakable acts to bring into the light. Take "Party Down at the Square" for example, this is the account of a Cincinnati man who is privy to the slaughter of a black man in the Deep South. Because the North was relatively more relaxed in treating African Americans, this is an example of this uncomfortable literature literally touching the narrator and metaphorically those who lived in the time but were unaware of the atrocities being committed. Not only was this material published to make one uncomfortable and abhor the actions of hate crimes, but to enlighten audiences to the arbitrary nature of these punishments as well. Blacks were not punished for crimes always, and were often persecuted for sport or negligible faux paxs based on backward white supremacist folkways. "A Bronzeville Mother Loiters in Mississippi, Meanwhile, a Mississippi Mother Burns Bacon" is another example of these crimes against humanity, but from the perspective of a semi-responsible member of an actual murder. I believe that this poem shows the shift of the woman's belief of good and evil being distinguished by race, and is forced face to face with the reality of the evil in racial biases, which can cost a youth his life for something a boy of the same race could be chided for. These works may may us uncomfortable, but that isn't the point. The point is for us to leave our comfort zone to understand that we must push ourselves to understand a bigger picture, one where race or creed does not determine one's fate, rather their actions.
On Tuesday, April 30, 2013 4:30:36 PM UTC-4, Dr. C. wrote:
After completing the required reading, please respond to one of the following prompts:
Why do you believe that authors choose to write about controversial or uncomfortable topics? Choose at least two of the readings you’ve been assigned and speculate as to why you believe the authors wrote and published these readings.
- Do you think that literature (and art, in general) can impact the world? If so, how? Why? If not, why not? Draw from at least two readings that we’ve completed so far to help support your answer.
I think that authors choose to write about uncomfortable things to make their readers get a full understanding of these controversial topics. When a reader feels uncomfortable they are paying close attention to details and it is something that will stick in their mind. Writers that write about uncomfortable topics want to bother their readers. They want their readers to get this controversial topic stuck in their head so that they will read more about it and learn more about it. In the story. "A Party Down at the Square," the reader is taken through a southern lynching from a little boy's perspective. Some of the parts were very graphic to have to read, but they stuck in my head and gave me a feeling of what it would be like to be at a lynching. "He was right at my feet, and somebody behind pushed me and almost made me step on him, and he was still burning." The black man was literally right in front of the little boy and he had to see a man on fire. That left an impression on me as a reader. "My heart was pounding like I had been running a long ways, and I bent over and let my insides go." When the little boy got sick to his stomach at the sight of seeing a man on fire, I felt a little nauseous myself. While reading, "A Bronzeville Mother Loiters in Mississippi, Meanwhile a Mississippi Mother Burns Bacon," was another uncomfortable poem to read. The story went from life being simple and the biggest problem being burnt bacon, to a mother losing her child. Reading about the murder of a fourteen year old boy was unsettling. "And a mouth too young to have lost every reminder of its infant softness."
Because I feel that both prompts are interconnected, as they sort of encompass a “cause and effect” relationship, I am going to discuss both topics. Ultimately, authors are empowered to impact the world when producing literary works regarding uncomfortable or controversial topics, and this is why many authors choose to write about things of a controversial nature.
In my mind, we can learn much more about historical events and about the “ways” of the people before us by reading literature produced during previous eras, than we can learn from a textbook containing list-like facts. Facts, as valid as they may be, have far less of an ability to allow any type of emotional connection with our past than do works of art via literature; and therefore, they cannot reach its audience on the same level that works of literary art can. This is precisely the great thing about people who can write well! They possess the ability to inspire thoughtfulness and connectedness to their writings and thus the topics within them. For example, it made me sad to learn about slavery, racism, and all the segregation issues surrounding black people of the past, but it absolutely makes my heart break to read stories about the same types of issues.
From a story, we are allowed much more insight into issues than we are from simply learning facts. We gain a sense of how the issues within the story affect the people involved via a perceived understanding of their feelings toward the issues. This is very important in order to truly understand, relate to and thus learn from tragedies of our past. Drawing from “A Bronzeville Mother Loiters in Mississippi. Meanwhile, a Mississippi Mother Burns Bacon”, we learn the perspective of the woman who was wolf-whistled at, while gaining a sense for the murderer, as well. Most importantly, this is all from the perspective of the author, so it’s not necessarily biased in the fact that the woman who was wolf-whistled at would certainly tell the story in the poem differently than the mother of the boy who was murdered. With the unbiased perspective, we can understand the situation for exactly what it is, and we aren’t able to easily undermine its magnitude, while understanding the views of many people of the time in which it occurred. Literary works of art allow truths to be exposed.
Specifically, we gain an understanding from the woman who was wolf-whistled at, that she doesn’t feel the boy’s punishment was justified, even though she was the “victim” of his harassment. We learn this through lines 19-34, when she describes the “Dark Villain” and gives us the image of an innocent child, not a “Dark Villain” at all. These lines speak to the reader in a way that they are incapable of if written from the mother of the murdered boy’s point of view, or certainly from a textbook where the story would be presented in a factual manner. Of course, the mother would disagree with her son being a “Dark Villain” but when it comes from the woman who was harassed by the boy (the victim of his “crime”), we truly understand the senseless in her husband’s crime in killing the boy – this is something that simple facts cannot provide to us. The author, Gwendolyn Brooks, wanted her poem’s readers to understand the absurdity of this crime, and the way to do this was to write it from the perspective of the woman that was harassed by the boy.
When the author allows us a sense of the murderer, in lines 35-41, the rationality of his acts are questioned – “waited the baby full of tantrums”. Next, in lines 122-128, we understand that his wife, the harassed woman, is indeed afraid of him and afraid for her own children, due to his horrific crime. These lines, reiterate who the criminal actually is here – not the black boy that wolf-whistled at her.
In Ralph Ellison’s work, “A Party Down at the Square”, we learn about a poor black boy that was burned to death and we again learn this through the view of a person with an unbiased perspective – in this case a white person. Throughout the story, we learn about all the people of the town and how they act and react to the burning of this boy. Even the sheriffs allow this to happen, as they stand and guard the downed power lines (pg. 2385). The leader of the burning is actually well-liked and probably next to be appointed as the town’s sheriff (pg. 2384). The speaker of the story seems to be the only person who is disgusted by the actions of this town. Everyone else is cheering it on and encouraging it. After the event is over, the speaker’s uncle informed him/her that he/she would get used to this kind of behavior (pg. 2385). This implies that this is the norm for these people.
It’s also important to mention that authors can paint more vivid pictures of actual events than any textbook can. In this work, we are provided a more descriptive view of the poor black boy that was burned. We can relate to him more in this way, because we can imagine he how feels as he steps from one foot to the other to try and escape the heat from the fire below him "like a chicken on a hot stove" (pg. 2383), and as he asks for someone to cut his throat, to request for a quick death, instead of being slowly burned alive (pg. 2384). We also understand the surroundings more, as we can imagine people all around yelling at him and cheering this awful event on. It’s just awful and the author wanted us to really understand how appalling this behavior is and how despicable people who condoned and participated in this type of behavior were. It was an ugly, ugly time and literary works of art justly expose the ugliness in a way that simple facts cannot.
1. Why do you believe that authors choose to write about controversial or uncomfortable topics? Choose at least two of the readings you’ve been assigned and speculate as to why you believe the authors wrote and published these readings.
I think authors choose to write about controversial or uncomfortable topics because it makes you want to keep reading and find the real meaning behind the text. I also think authors write about these things because people like to talk about controversial topics. Everyone has an opinion and when it comes to controversial topics people usually are very passionate about their opinion and want to be heard. Authors might also write about these things if they have a certain topic that they are very passionate about, so they choose to make it more graphic and uncomfortable so that more people will talk about it. I know some people don’t like the more graphic approach because it makes them feel too uncomfortable or uneasy but I personally like it because it makes me want to keep reading and it forces me to decide how I feel about it. The two readings that really stuck out to me in this past week were Audre Lorde’s “Power” and Ralph Ellison’s “A Party Down at the Square.”
I think Ralph Ellison wrote “A Party Down at the Square” to show how powerful racism is, in a bad way, and how people’s hatred for one black man could completely turn the town inside out and how ridiculous that is. At the end of the poem it says, “First it was the nigger and the storm, then the plane, then the woman and the wires, and now I hear the airplane line is investigating to find who set the fire that almost wrecked their plane. All that in one night, and all of it but the storm over one nigger.” I think that line pretty much sums up the entire reading. This town was pretty much destroyed and it all started because of racism.
I think Audre Lord wrote “Power” to show how racism still exists today although many think it doesn’t. I really enjoyed this poem, even though it was pretty disturbing, because I think it was very powerful and honest. She talks about how a white man shot and killed a little black boy just because he was black, but everyone said justice had been served. But when a white woman gets raped by a black woman or man, everyone says, “Poor thing. She never hurt a soul. What beasts they are.”
After completing the required reading, please respond to one of the following prompts:
Why do you believe that authors choose to write about controversial or uncomfortable topics? Choose at least two of the readings you’ve been assigned and speculate as to why you believe the authors wrote and published these readings.
- Do you think that literature (and art, in general) can impact the world? If so, how? Why? If not, why not? Draw from at least two readings that we’ve completed so far to help support your answer.
I agree with Olivia. I think the best way for people to really grasp an uncomfortable subject is to learn more about it. Reading is one way to do this. The articles that we read each present interesting viewpoints of several controversial topics, including racism. Reading the struggles of others helps to better understand their attitudes and backgrounds. I think this is especially important in our society. Racism and prejudices still exist to this day and it is important for literature like this to be written to help us all realize this. The only issue is that people are reading less and less, making literature less effective.
I can't agree more with your statement about humans being attracted to controversy. It's sad but definitely true. What better way is there for great authors to use this truth as leverage to reach people, teach people, and hopefully inspire change?
We also, as humans, are held hostage by things that are graphic. I don't care if it it's good graphics, bad graphics or sex graphics; we get hooked on those kinds of things. Writers know this; and therefore, they write controversial things with as many vivid details as possible, to get its audience to pay attention and really focus on what they are reading. I know when I am reading something graphic, I slow down and make sure I don't miss a word! The most recent example that comes to mind is the Fifty Shades Trilogy – one of the most bought trilogies in recent years, consisting of what I hear to be very graphic details that give rise to super vivid images. While I haven’t had the fortune of reading these books just yet, they have been purchased and are collecting dust on my book shelf. J
But again, I think you are right about “A Party Down at the Square” and "A Bronzeville Mother Loiters in Mississippi. Meanwhile, a Mississippi Mother Burns Bacon” being powerful pieces due to the gruesome details and the uncomfortable feelings that sprout when reading them. Without the details, the reader may lose interest and then the author’s hopeful impact is lost, as well.
Something else that your post made me think of is how a reader from the other side of the spectrum would react to these two works. Would they see their people’s ludicrous actions for what they are or would these works only anger them? I imagine that it would cause a lot of anger but hopefully the people who connect emotionally to these readings outweighs those who don’t agree with what the authors are trying to convey.