
Meagan Judkins
English 101 section #3226
Essay 3
May 28th, 2010
Professor O’Connell
The conflict now happening in Sierra Leone, Sudan and The Republic of Congo metaphorically and literally shares ties with Shakespeare’s “Titus Andronicus”. In Goldhagen’s “Worse Than War” war crimes are highlighted throughout; the Khmer Rouge implemented death marches in Cambodia, starvation in the Warsaw Ghetto camp and the Soviet gulag’s inhumanity and enormous death rates. There are many outcomes for the victims of war. Tied together is the enslavement of an opposing force or outfit, as well as the enslavement of an opposing force’s youth. This compares to Tomara being held with her three sons by the Romans after the fall of the Gloths. This is explicitly mentioned when Saturnicus chooses the enslaved Tamora to be his wife:
"Behold, I choose thee, Tamora, for my bride".
In the article “Human trafficking & Modern-day Salvery” it states that The Democratic Republic of the Congo is often a destination for men, women and children who have been trafficked from their homeland with the full intention of using them for forced labor and sexual exploitation. Related is the enslavement of children with the intent to use them in combat as child soldiers. Titus clearly offers Tamora's children to Saturnicus as a "gift",
"The wide world's emperor,
do I consecrate my sword,
my chariot, and my prisoners,
presents well worthy Rome's imperious lord.".
According to Ann O’Neil in the report entitled, “Stolen Kids Turned into Terrifying Killers” children are kidnapped, some after witnessing the murder of their families, and are given drugs, weapons and militia training. Known as “Kadogo” or “the little ones” these children, some as young as 6, if not trained especially to torture and kill, are used for slave labor. According to a report by the Coalition to Stop the Use of Child Soldiers, about a third of the world's child soldiers are in Africa. If ever, and certainly rarely, these children are returned to their families, the emotional damage is more than not, irreversible. There is no exact number known of the amount of child soldiers currently being held in Africa, although the number is thought to be at least several thousand. Enslavement is a most terrifying fate, but there are fates just as horrific. After savagely pillaging a village, guerrilla rebels often use rape, torture and mutilation as acts of control. Gratuitous violence and revenge are generally present during a time of conflict; this seems especially true in Africa. In “Titus Andronicus” Tomara clearly wills her two sons to rape and then mutilate Lavinia, Titus’ daughter, as an act of revenge.
"So should I rob my sweet sons of their fee,
no, left them satisfy their lust on thee."
Filmmaker Lisa F. Jackson was once a victim of rape herself. Propelling her own suffering and experience with not only the violent act, but also accepting the sad truth that her perpetrators had never and most likely would never be caught, made her relate to the rape victims in The Republic of Congo. She traveled to Africa armed with a video camera determined to give a voice to the silenced women and girls of the war-torn area of Africa. What she found is nothing less than heinous. Victims ranging in age, some as young as 4, tell of their experiences; he was cut “into three parts, the head, the chest, and the bottom part. Then they raped me and abandoned me there. I passed out next to my husband’s legs.” In an article by The Guardian, Kira Cochrane interviews Lisa Jackson on her latest documentary entitled “The Greatest Silence: Rape in the Congo”. Lisa echoes her experiences interviewing not only victims, but also the unapologetic attackers; “It’s hard to keep a record. We stayed too long in the bush, and that induced us to rape. For an approximate number, maybe 25.” Lisa found that ironically the women she interviewed were wrought with guilt and shame; however, the men who attacked them showed no signs remorse. Rape is so prevalent that one tends to forget just how permanently damaging it can be psychologically, emotionally and physically. Only murder is worse than rape, and even rape can be considered murder in that rape is “murder of the mind.” Rape is considered a “weapon of war”. It breaks families and people. Leaves the victim immobile and terrified, it causes silence. Often the women and young girls are raped in front of their families, their fathers, their husbands. The men are left helpless. This fear tactic is incredibly strong, and more importantly to the attackers, “more easily obtainable than bullets or bombs.” According to the article, there are an estimate 200,000 survivors of rape living in the Republic of Congo today.
Of the examples I have correlated from “Titus Andronicus” to the genocidal events in Africa, the most literal is the removal of Lavinia’s hands and tongue to ensure the silence against her attackers, Tamora's son’s Chiron and Demetrius:
"But when you have the honey you desire,
let not this wasp outlive us both to sting."
This correlates to the use of mutilation and amputation as an act of control, as seen in Sierra Leone. Lavinia suggested the story of Philomela to her Father Titus and her uncle Marcus, in which a mute victim “wrote” the name of her attackers. Marcus then gives Lavinia a stick so that she may write out the name of her own perpetrators. In Sierra Leone people’s hands were amputated by rebels who (although all of the amputations could not be confirmed for this reason) told their victims “they were cutting off their hands as punishment for using their hands in the 1996 vote”. Although not directly the same, this correlation shows the use of violence to silence a person, because although Lavinia’s amputation was used to silence her after the fact and amputations in Africa were as punishment for making their voice heard, both are acts of violence to instill fear and silence. In Africa the removal of the hands or tongues by the rebels has befallen so many victims it is almost tragic to say that the act has lost its shock value. Reasons of punishment, example and torture all can be attributed to the act. Made famous by the movie “Blood Diamond” we learn that if a person or in some cases a child, is unable to produce goods or is accused of stealing they will lose their hand or arm at the elbow. As mentioned earlier, often this kind of mutilation is often political. In an article by Roland Bankole Marke entitled, “No Compassion for Sierra Leone’s Amputees” Mamsu Thoronka tells of the removal of her hands in 1999, “I attempted to take refuge in a building to escape the vengeance of the rebels.” but “they found me. I begged for mercy asking them to respect God” they responded “point to God” and then began to hack at her right hand, after successfully removing her left. The rebels then said to Mamsu “get another hand from President Kabba, who has several hands to spare.” Tamba Ngaujah who once served in the Republic Sierra Leone Military Forces is now living on the streets after being kicked out by military officials from the Wilberforce barracks where he lived in military quarters. His hands were removed by rebels and thus left him useless and a burden to the outfit he once served. Unlike Tamba, Mamsu has been fortunate in benefiting from outside resources brought in by foreign countries. A Norwegian charity has helped in offering her and her children housing. Unfortunately it is not only the government who shames amputees by disregarding them, discrimination of amputees is rampant in Sierra Leone, socially amputees are looked down upon. Mamsu’s children are mocked at school, “your mother is a half-person.” Mamsu expresses her emotional pain in correctly stating, “It is so demeaning” especially because “I’m a victim of mere circumstance.” .
In a paper entitled “Disability as Embodied Memory? Questions of Identity for the Amputees of Sierra Leone.” Maria Berghs explores how the Sierra Leone government tried in the early 90’s to contain and then exploit the amputee identity. Establishing camps, the government then tried to create a “genderless visual metaphor” to receive monetary aid from foreign donors. Creating camps and hiding these victims in order that they could again, gain donations but also control the way the international public viewed the severity of the civil war. But with the aid of foreign N.G.O’s and religious organizations, the amputee victims were able to reject being used. Through an online presence and the media, they told their stories, lobbied for personal aid through other governments and “demanded compensation and rehabilitation from those who had caused their injuries.” Much like Lavinia was silenced, she overcomes her limitations and uses a stick to relay to her father Titus the names of her attackers:
“Marcus:
This sandy plot is plain; guide, if thou canst,
this after me. I have writ my name
Without the help of any hand at all.
Cursed be that heart that forced us to this shift!
Write though, good niece, and here display at last
What God will have discovered for revenge.
Heaven guide thy pen to print thy sorrows plain,
That we may know the traitors and the truth.
She takes the staff in her mouth, and guides it wih her stumps and writes.
O, do you read, my lord, what she hath writ?
Perhaps the most frightening aspect of the violence in Africa is that there are more times than not, no real reason for these war crimes. Political reasons, issues of land and resources are a huge factor, but unlike Hitler’s Nazi Germany, there is not necessarily one ultimate goal. On page 331 in “Worse Than War”, Goldhagen describes “demonizing” of a people to explain the motivation for genocide. However in the case of Africa it seems most of the victims are brutalized to make a statement or for personal relief. Often the victims of these eliminationtist assaults are victimized by their own countrymen. “Killing in a manner inflicting maximal suffering” a quote from Goldhagen can be used to describe the horrific fate of those victims in war-torn Africa. The answer to Africa’s problems is not an easy one. Multiple organizations throughout the years have tried to calm the blinding violence and appalling brutalization. But as the years pass, the situation has proven itself a problem that requires an answer not easy to give. Just as “Titus Andronicus” ends in a murderous bloodbath with no real victor, thus does the conflict in Africa continue. Only the victims “lucky” enough to be left alive know the true terrifying nature of humans and that of our powerful and truly horrific capabilities.
References:
"Africa Recovery, United Nations". Vol.15 #3, October 2001, page 10. (Part of Special Feature: Protecting Africa's Children) Retrieved on May 26th, 2010 from: http://www.un.org/ecosocdev/geninfo/afrec/vol15no3/153chil2.htm
bbc.co.uk “UN Highlights Human Trafficking” Retrieved May 19th, 2010 from: http://news.bbc.co.uk/2/hi/6497799.stm
Butcher, Tim. “Sierra Leone War Amputees Learn to Vote with their Feet”. Retrieved May12th, 2010 from: http://www.telegraph.co.uk/news/worldnews/africaandindianocean/sierraleone/1394199/Sierra-Leone-war-amputees-learn-to-vote-with-their-feet.html
Cochrane, Kira. “The Victim’s Witness”. Retrieved May 22nd, 2010 from: http://www.guardian.co.uk/film/2008/may/09/women.congo
Goldhagen, D.J. (2009). Worse Than War
United States:
Public Affairs, a member of the Perseus Books Group
Marke, Roland Bankole. “Harvest of Hate – Stories and Essays: Fuel for the Soul. Publish America, 2006.
O’Neil, Ann. “Stolen Kids Turned into Terrifying Killers” Posted February 12th,
2007. Retrieved May 21st, 2010 from: http://www.cnn.com/2007/WORLD/africa/02/12/child.soldiers/index.html
Shakespeare, William. “Titus Andronicus.” (Pelican Shakespeare Series)