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This camera was one of the better equipped Rapid models from Agfa. The special feature of this camera series was the rapid cartridge - it was Agfa's response to the introduced by Kodak Instamatic cartridge. Just as the negative of these had a square format, but slightly smaller, namely 24x24 mm. The system facilitated the rapid film loading and created security against light accidentally opened the camera. Two cartridges were used: filled with the unexposed film and a blank. After loading the back wall of the camera and closing the film automatically threaded into the empty cartridge. Was the movie through, the one formerly used as a full cartridge empty cartridge and you could load the camera with a new Rapid film - Rewind was no longer necessary. On a negative format of 24x24 mm you got 16 images. The film was a normal miniature film, so you can still fill the Rapid cartridges back at some skill.
When the shutter is automatically Isomat Rapid controlled by the selenium light diameter from 4.5 to 22 with an exposure time of 1/70 second. For use with flash unit was switched to 1/30, the appropriate aperture to be set manually. Focusing is done by either symbols or numbers (from 1 m). Adequate or inadequate lighting conditions were indicated by a red or green signal in the viewfinder. The lens was the Dreilinser Agnar. The Isomat Rapid cost in 1966 89, - DM
Against the Instamatic cartridge, Agfa's method could not prevail. So Agfa built from 1967 and the cameras for the 126er system and had run out, the Rapid system 1973. After all, by then about 5 million Rapid cameras were produced.
An unavoidable characteristic of rangefinder cameras - whether small or medium format image - is the Sucherparallaxe. At close range, you look practically anything about the shot is away. With film cameras, you often help by limiting marks in the viewfinder, so you riff the right neckline.
The most technical solution but offers at the 6x6 cameras with bellows these Certo Six: Here the focus is not adjusted in the viewfinder, but the entire lens. That is, moving the setting near the lens not only backward but also up! So you can see even at close range always exactly what comes again negative. An outstanding idea!
The film is not transported with a scroll wheel on, but with a transport handle, the red window for the file number is not required.
Getting used to being at the Certo Six, however, the Focus and Shoot. On the hinged lid - ie in the unfolded state the bottom - is a lever, which can be moved horizontally to adjust the distance. This is done as possible with the left thumb with your right index finger pressing the shutter button namely, the front is attached to the housing at the camera center.
All in all, this noble camera an extremely robust and reliable impression of high quality appearance - including the weight contributes: about 900 g
Production began in 1953 in the Certo Six "Certo-camera work of the Gönna sons" in Dresden, in 1972 became the "VEB Certo camera plant in Dresden", incorporated in 1980 in the VEB Pentacon Dresden and in 1985 finally dissolved.