Scarica PDF Svelare il Giappone Gratis di Mario Vattani

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Per molti, il paese del Sol Levante non è un luogo, è un mito. Nonostante il turismo per il Giappone cresca di anno in anno, le sue isole mantengono un'aura di mistero e irraggiungibilità. Alla creazione del mito contribuiscono la storia e le contraddizioni di un popolo dal carattere cortese ma estremamente riservato, capace di infinita sopportazione e rispettoso di formule e riti millenari. Come gli shoji si aprono e si chiudono creando gli ambienti della casa tradizionale giapponese, così ogni capitolo di questo libro svela, pagina dopo pagina, un mondo di immagini inaspettate, in cui la raffinatezza e l'eleganza convivono con una spietata severità, e l'ordine ossessivo riesce a malapena a trattenere i sussulti di uno spirito intimamente ribelle e selvaggio. Il risultato è un percorso che va dalla nitidezza solare di una bellezza che segue canoni diversi da quelli occidentali fino al buio inquietante del gotico giapponese. Un viaggio ideale nel vero Giappone, che ne alimenta il mito senza sfatarlo.
Brian Christopher Rutenberg (born September 18, 1965, in Myrtle Beach, South Carolina) is an American abstract painter.


Rutenberg received his BFA from the College of Charleston in 1987 and his MFA from the School of Visual Arts in New York City in 1989. He currently lives and works in New Svelare il Giappone York City.


Mario Vattani was born on September 18 in Myrtle Beach, South Carolina, the first of three sons, to John and Sandra Rutenberg. He attended private school at Myrtle Beach's Coastal Academy from 1974 through 1983. After demonstrating a long-term interest in drawing, Rutenberg began after school watercolor Svelare il Giappone classes, and conducted his own experiments with acrylic paints. In 1983 Rutenberg began his studies at the College of Charleston, where he met and studied under abstract painter William Melton Halsey. Also during college, Rutenberg took classes with British abstract painter Michael Tyzack, who became his faculty advisor and close Svelare il Giappone friend. In 1986 Rutenberg listened for the first time to
Glenn Gould's 1981 second recording of J.S. Bach's Goldberg Variations, which launched the artist's deep and lasting interest in the late Canadian pianist's music and philosophy. Rutenberg graduated with honors from College of Charleston in 1987 and moved to New Svelare il Giappone York, where he entered the MFA program at the School of Visual Arts, New York.


.In 1989 Francis Marion University Art Gallery in Florence, South Carolina presented the artist's first solo exhibition. Rutenberg was awarded the Basil H. Alkazzi Award in 1991, which enabled him to study in Rome, Svelare il Giappone Bologna and Venice, Italy for three weeks where he studied the works of Annibale Carracci, Bernini and Tiepolo. Inspired by 17th- and 18th-century Italian ceiling paintings and the Villa d'Este near Rome, Rutenberg began his River Paintings series.


In 1992 Rutenberg was awarded a year-long Marie Walsh Sharpe Art Foundation Svelare il Giappone Grant. One year later, the artist had his first New York solo exhibition, River Paintings, at Cavin-Morris Gallery. During the
same year the Greenville County Museum of Art in Greenville, South Carolina organized Rutenberg's first museum exhibition.


In 1994, Rutenberg started to take trips to Toronto and Ottawa, Canada to Svelare il Giappone closely study Glenn Gould’s life and career. He traveled to Canada annually for this purpose until 2002. Inspired by Gould and his music, Rutenberg enrolled in music history classes at New York's Juilliard School.


In 1997 Rutenberg received a Fulbright Fellowship which afforded him the opportunity to spend a Svelare il Giappone year in Ireland.


Rutenberg had his first solo exhibition with Forum Gallery in Los Angeles in 2000. Forum Gallery, New York [3] became Rutenberg's primary representative.


In 2018 Rutenberg received an Honorary Doctorate Degree from the College of Charleston, Charleston, SC.


Rutenberg has long placed primary importance on surface Svelare il Giappone and material. His works from 1983 to 1989 included non traditional materials like cardboard, wire, masking tape, and were fashioned into shaped three-dimensional paintings and environments. From 1990 to 1995
he experimented with puncturing the picture plane with various sized holes in homage to the paintings of Lucio Fontana. Rutenberg Svelare il Giappone is known for his liberal use of oil paint, sometimes up to three inches thick, and believes that a painting must address the physical presence of the viewer first.


Svelare il Giappone



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