An interview with Eddy Offord (frequent ELP engineer, producer, etc.)...

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John A.

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Feb 5, 2013, 10:53:37 AM2/5/13
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Full interview:


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"[...] During much of the '70s, Offord was practically a lodger at London's Advision Studios. The facility was originally built for recording voiceovers and TV jingles, but its expansive rooms, one of which was able to house a 60-piece orchestra, proved welcoming to keyboardists such as Keith Emerson, whose Moog synthesizers and Leslie cabinets were often stacked up to the ceiling.

"It was a really good studio, and the equipment was first-rate," says Offord. "I found the acoustics in the recording room to be a little dead for my liking. I experimented with sheets of plywood and livened it up. It was a comfortable place to work."

The critical response to progressive rock ("We didn't use that term; we called it 'classical rock'") was violent, and by mid-decade punk rockers took direct aim at groups like ELP and Yes. Offord claims that the barbs and brickbats were ignored in the studio. "The bands were very successful, so they didn’t pay attention," he says. "Millions of fans enjoyed the journey of a 20-minute piece of music. The people buying the records weren’t critics anyway." [...]"

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