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The Big Brother UK TV Theme, also known as "Element Four" in Belgium or as "Tast-E" in Australia and Greece, is the opening theme for the British reality TV series Big Brother, written and produced by music duo Elementfour in 2000.
Following the success of the first UK series that year, the theme was released as a single. It became a hit in September 2000 when it reached number 4, selling 47,186 copies in its first week. Overall the single spent 10 weeks on the UK Singles Chart and achieved more than 160,000 sales in total.[2] It also reached number 3 on the Scottish Singles Chart where it spent nine weeks in the top 100.[3]
The original theme was used through the first four series of Big Brother, however was later replaced by a revamped version from the fifth series onwards with an enhanced bassline.[4] Versions of the theme continued to be used throughout Channel 4's run of Big Brother and Celebrity Big Brother and was retained when both shows moved to Channel 5 in 2011.[2] A sample from the 12-inch remixed version of the track was used in August 2022 to promote the revived 2023 series on ITV2.[5]
In July 2016, it was revealed that the track was the 14th highest-charting TV theme of all time in the UK.[6] In June 2020 it was announced the song had sold 164,000 CD singles in the twenty years since its release, with no additional downloads or streaming sales due to it not being available digitally.[7] In October 2023, the revived series began and a remixed new version of the original theme was digitally released by Oakenfold under the name Perfecto Allstarz.
In August 2011 Oakenfold, asked if he was happy that the theme had been retained by Channel 5, told Digital Spy "Of course I was. I'm very proud of my track and it's become quite an iconic piece of music." Questioned on whether he received royalty cheques every series, Oakenfold laughed "Everyone does - of course. That's the way it works if you write music."[2]
The Super Mario Bros. theme, officially known as the "Ground Theme"[a] or "Overworld Theme",[1][2] is a musical theme originally heard in the first stage of the 1985 Nintendo Entertainment System video game Super Mario Bros.. It was one of six themes composed for the game by Nintendo sound designer Koji Kondo, who found it to be the most difficult track to compose for it. The theme is set in the key of C major and features a swung rhythm with prominent use of syncopation. While the original theme is composed within the sound limitations of the NES's 8-bit hardware, in later installments with more powerful sound hardware, it is often scored as a calypso song led by steel drums.
After Super Mario Bros., it went on to become the theme of the series, and has been a fixture in most of its titles. It has been reused and remixed in other Nintendo-published games, including Tetris DS, Nintendogs: Chihuahua and Friends, WarioWare, Inc.: Mega Microgames!, and every entry in the Super Smash Bros. series.
Of the six tracks of the Super Mario Bros. soundtrack, this theme took the most time to develop, according to its composer Koji Kondo. He stated that he would write one piece, and the team would put it in the game. If it did not accentuate the action, did not time up with Mario running and jumping, or did not harmonize with the sound effects well enough, he would scrap it.[3] He composed the music using only a small keyboard.[4]
The composition takes influence from the 1984 song "Sister Marian" by T-Square, a Japanese fusion band. In a 2001 interview by Game Maestro Vol. 3, Kondo affirms that "the overworld theme in Mario might show some influence from the Japanese fusion band T-Square, too. The rhythms in their music were easy for Japanese listeners to follow."[5] The first theme he made for Super Mario Bros. was based on an early prototype of the game, which simply showed Mario running around a big empty area. Kondo described this early theme as a bit lazier, slower tempo, and more laid back. As the game underwent changes, he realized that his theme no longer fit, so he increased the pace and changed it around to fit better.[6] In an interview, Kondo explained that compositional ideas come to him during everyday activities.[7]
Kondo was given complete creative freedom over the soundtrack of Super Mario Bros., and would collaborate with Shigeru Miyamoto, the game's director, through their daily interactions. Miyamoto would share his records and music scores of the type of themes he liked with Kondo, but did not tell him exactly what he wanted.[6] It was composed with a Latin rhythm.[1][8] When the player has less than 100 units of time left to complete the stage, the music's tempo accelerates.[9] At the Game Developers Conference in 2007, Kondo commented that the theme features rhythm, balance, and interactivity. He demonstrated this with a short clip of Super Mario Bros., showing the character's movements and players' button presses syncing with the beat of the music. He also added that the theme reflects the action-oriented gameplay of the series.[9] Kondo stated that he was not sure if he could make any future music of his "catchier" than it.[6]
The theme was reused in multiple other media, including the anime film Super Mario Bros.: The Great Mission to Rescue Princess Peach!, The Super Mario Bros. Super Show! television series and The Super Mario Bros. Movie.
Japanese lyrics were originally submitted in 1985 by fans of the Japanese radio program Takao Komine All Night Nippon. The recorded version of the song with lyrics was released in 1986 under the name "Go Go Mario!!".[10][11] The song is interpreted by Princess Peach, voiced by Hiroko Taniyama [ja].[12][unreliable source][13][14][unreliable source] The song was also released on vinyl, called Mario No Daibouken (transl. "Mario's Big Adventure").[15][16]
For the 1989 animated television series The Super Mario Bros. Super Show!, a different, unrelated set of lyrics were penned for the song's appearance as the show's credits theme. Titled "Do the Mario", the song features the title character (portrayed by professional wrestler Lou Albano) vaguely instructing and encouraging the viewer in performing the eponymous dance.[17]
The song was first performed live on All Night Nippon in 1986.[18][19] The theme has been featured in many concerts, including "PLAY! Chicago",[20] the Columbus Symphony,[21] the Mario & Zelda Big Band Live,[citation needed] Play! A Video Game Symphony,[22] and others. The Video Games Live concert featured the theme performed by Kondo.[6] The song has been performed twice with The Roots on The Tonight Show Starring Jimmy Fallon, once in 2016 as a guitar performance with Mario series creator Shigeru Miyamoto, and once in 2023 as an acapella cover along with other themes from the game with the cast of The Super Mario Bros. Movie, Shigeru Miyamoto and Illumination CEO Chris Meledandri.[23][24]
For decades, Nintendo had not published official sheet music for Kondo's compositions. In 2011, Alfred Music published three officially licensed music folios of the music from Super Mario Bros. for piano and guitar. These were followed in 2013 by three more folios for New Super Mario Bros. Wii, and a folio of jazz styled arrangements of Super Mario Bros. themes.
In an article about Kondo, Wired.com editor Chris Kohler described the theme as one of the most famous in the world, and that "it gets into your head quickly and won't leave".[3] Jeremy Parish of 1UP.com called it one of the most memorable tracks in video game history.[9] Netjak editor Rick Healey commented that though MTV tried to make the quintessential song of the '80s, Nintendo beat them to the punch with the Super Mario Bros. theme.[25] Editors Jeff Dickerson and Luke Smith of The Michigan Daily newspaper commented that if you were to ask a random student to hum the theme, they would likely know every note.[26] Sam Kennedy, also an editor for 1UP.com, stated that anyone who lived through the '80s can hum the theme, and that most people remember it to this day.[6]
The ringtone version of the theme has proven very popular in the United States, having been on the top ten most downloaded ringtones for 112 straight weeks as of November 2004.[28] Approximately 747,900 copies were sold in the United States in 2006[29] and the ringtone was awarded Gold certification in 2010.[30]
In 2023, the Super Mario Bros. theme was selected by the U.S. Library of Congress for preservation in the National Recording Registry in 2023 based on its "cultural, historical or aesthetic importance in the nation's recorded sound heritage."[31][32] The theme was the first recording from a video game ever selected for preservation in the registry.[32]
The McElroy brothers, hosts of the hit comedy podcast My Brother, My Brother and Me and The Adventure Zone podcast, have ended their partnership with musician and podcaster John Roderick after many of his old tweets were given a spotlight on Twitter, which featured problematic ideas and offensive language.Roderick posted a series of tweets outlining an experience letting his daughter learn how to use a can opener on her own in order to make herself a meal. His pedagogical process was met with a negative reception on Twitter, earning him the nickname "Bean Dad" and earning his account unwanted attention as his story went viral. Followers of the "Bean Dad" story found many offensive tweets in Roderick's past, demonstrating anti-semitic, racist and homophobic language. He has since deactivated his Twitter account.Related: The Adventure Zone's Candlenights Are a Perfect Way to Celebrate the Season
John Roderick's "(It's A) Departure," from the album Putting the Days to Bed, became the theme song to My Brother, My Brother and Me in January 2011, and has been a constant through more than 500 episodes. Despite their history, the McElroy brothers ended this decade-long relationship, releasing a statement on Twitter decrying Roderick's response to the ongoing situation.
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