Get Scared Full Album

[Keri Gamrath]

NewNoise Magazine gave the album a positive review and said "Get Scared has always been one of those bands that deserved way more credit than they were given".[2] Shania Gassner of Strife Magazine gave a positive review and said "the album is very emotional and helps the band as well as the fans to deal with their problems".[3] The album currently has a four and a half star rating from AllMusic.

Get Scared was an American post-hardcore band from Layton, Utah, formed in 2008. After their formation they released their first EP Cheap Tricks and Theatrics in 2009. A self-titled EP followed several months later in 2010. The band's debut studio album, Best Kind of Mess, was released on July 12, 2011. Following Nicholas Matthews' first departure to join Blacklisted Me, the band released Cheap Tricks and Theatrics B-Sides on December 19, 2011, without any previous announcements. Matthews was replaced by Joel Faviere near the end of 2011. The band's third EP and first with Faviere, Built for Blame, Laced With Shame, was released in 2012; Faviere was kicked out a few months after the EP's release when Matthews rejoined the band. Following Matthews' comeback, the band signed with Fearless Records and released their second full-length album, Everyone's Out To Get Me, on November 11, 2013. The band's third studio album, Demons, was released on October 30, 2015, and marked a departure from the band's post-hardcore sound featured on Built for Blame and Everyone's Out to Get Me in favor of a more metalcore-like sound. Their fourth and final album, The Dead Days, was released on April 19, 2019, amidst a hiatus; it was later stated by vocalist Nicholas Matthews that the band had broken up due to multiple issues between the band members. Though the band announced a reunion in 2022, plans ultimately fell through.

Before forming the band, Nicholas Matthews, Johnny Braddock, Bradley Iverson and Warren Wilcock were all in separate bands. The four came together to form the band and self-released their first EP, Cheap Tricks and Theatrics.[2]

During summer 2010, the band went on Hot Topic's Sacred Ceremony tour with Black Veil Brides and Vampires Everywhere!, helping promote the band's music. The band then embarked on several tours, notably the first leg of The Dead Masquerade Tour (with Escape the Fate, Alesana, Drive A and Motionless in White) from January to March 2011[3] and an Aiden headliner including Eyes Set To Kill, Dr. Acula, Vampires Everywhere!, and Escape the Fate (only certain dates) in the spring of 2011.[4] On July 12, 2011, they released their debut full-length album Best Kind of Mess, their first release through Universal Motown Records featuring mastered remakes of the songs "Setting Yourself Up for Sarcasm" and "If She Only Knew Voodoo Like I Do" with the shortened names "Sarcasm" and "Voodoo", with the remake of "Sarcasm" featuring Escape the Fate vocalist Craig Mabbit. The band embarked on the Fuck You All Tour with Dr. Acula and Girl On Fire in support of the album.[5]

On November 30, 2011, the band announced that Matthews was leaving the band.[6] They stated that Matthews wanted to pursue more options in his musical career with Blacklisted Me and that it was a surprise to the entire band. The band postponed any touring dates until further notice due to the sudden departure and lack of a lead vocalist. In the same message, they also announced that they would be holding auditions for lead vocalist.[citation needed]

The band re-entered the studio with the new lead vocalist on December 28. Although it was not officially announced who the new vocalist was, at the time there was much speculation that former Dear Chandelier singer Joel Faviere replaced Matthews, due to the tweets sent by Faviere and some of the members of Get Scared on Twitter.[7][8] It was later made official that Faviere was the new lead vocalist. The team also welcomed new guitarist Adam Virostko to the band that following September 2012 to play The Pizza Party Tour with Dead Rabbits. Virostko became a permanent member that fall being formally announced on November 21, 2012. Faviere was the singer of the band for a short time until the return of Matthews on November 19, 2012. Only one EP, Built for Blame, Laced With Shame, was released during Faviere's tenure with the band.[citation needed] Faviere was arrested for 4,500 counts of child pornography in 2017.[9]

On June 5, 2013, Get Scared announced their signing with Fearless Records and confirmed that their second studio album was coming later in the year. On June 21, they released a new song entitled, "At My Worst" on YouTube. Another song leaked on Twitter before any announcement had been made about a new album and was titled, "For You"; initially thought to be lost, it was revealed months later that it will appear on the new album.[10]

On September 18, the band announced that their second studio album would be titled Everyone's Out To Get Me, and it would be released on November 11 via Fearless. Along with the announcement, they revealed the track list and also released a short preview of a new song, "Told Ya So".[11] The full song was released on September 24.[citation needed]

On January 1, 2014, Fearless Records released a video on their page on YouTube announcing bands that will be releasing albums in 2014; they announced in the video that Get Scared would appear on the compilation Punk Goes 90s Vol. 2 with their cover of Lit's "My Own Worst Enemy".[12]

The band announced their third studio album, Demons on September 3, 2015, along with the release of lead single "Buried Alive". A second single, titled "Suffer" was released on October 2. On October 22, a third single, "R.I.P." was released on iTunes and the new Apple Music. The album was officially released on October 30, 2015. To promote the album the band embarked on New Years Day's The Other Side Tour and all but three dates of I See Stars' Light In The Cave Tour in October 2015 and February 2016, respectively.[13] The band also had a short headlining tour in Mexico and performances at Scream Out Festival in Japan and the South By So What Festival in Texas to support the album.[citation needed]

The band entered the studio in November 2017 with producer Kris Crummett to record their fourth studio album. The album had a tentative release date of 2018,[14][15] but it did not come to pass. On January 9, 2019, guitarist Johnny Braddock announced the band was on a hiatus as vocalist Nicholas Matthews recovers from a heroin addiction.[16][17] Several days later, Matthews announced he had left the band.[18][19]

On April 10, 2019, Johnny Braddock announced The Dead Days would be released on April 19, 2019.[20] On September 15, 2019, Nicholas Matthews posted an explanation video; after someone asked in the comments if the band had broken up, Matthews stated "unfortunately that is correct". He then went on to state

"I'm no longer trying to mend Get Scared, nor am I their scapegoat. I've tried for years to keep Get Scared going, and the truth is it has nothing to do with me. I had my issues, but real brothers love you enough to help."

I have listened to Solar Power in its entirety around ten times now. Around the fifth listen, I thought maybe I had figured out a way to brainwash myself into enjoying the album, simply because of the name attached to it. By the tenth time, I was sure Lorde had done it again and created a masterpiece.

I can still go back to Pure Heroine and Melodrama and remember how it felt to be sixteen in the suburbs, listening to Lorde on the bus, feeling so wholly understood by another teenage girl half a world away. Those songs will always be there for those of us who felt that connection. Solar Power offers us a whole new stage of life, another set of feelings that come with finding happiness, being equal parts confused and mesmerized by the strangeness of finding yourself at the doors of adulthood. As Lorde changes as an artist and as a woman, I believe it is our privilege to follow along with her on an entirely new journey.

Ariel Pink's three Paw Tracks albums of schizo, no-fi pop narrowly avoid the easiest comparisons-- Guided by Voices, Beck-- but run headlong into questions like "Are you actually adopting Daniel Johnston's career model?" Pink's answers have all gone something like "Well, um...maybe?" as he has inadvertently become a Tim Kinsella-like object of disdain/love/fascination for this website. Scared Famous culls 17 tracks from Scared Famous/ FF>>, a 2002 double-cassette that falls somewhere between The Doldrums and House Arrest in Pink's dodgy Haunted Graffiti series. Like every Pink release before it, Scared Famous is not-equal-enough parts random brilliance and sonic bullshit.

Much is made of Pink's AM radio fetish, but no one simply picks up a copy of Armed Forces or Radio City and automatically assembles 4-track tapes whose songs feature grating noise breakdowns. Indeed, Pink is an avant-garde artist, possibly reluctantly, definitely goofily; see the original cover art of FF>>, which features Pink photoshopped over the cover art of Amon Dl's Yeti. But couching Pink's noisiness in groups like Red Krayola and Wire makes good sense; these aesthetic styles jibe with Pink's self-imposed limitations and arcane wankery. Such is the case for Scared Famous' strongest track, "The List (My Favorite Song)", a muscular post-punk number that thankfully finds Pink eschewing his famously trying falsetto. The horror synths of "The Kitchen Club" and the ringing palpitations of "In a Tomb All Your Own" also point to these unsung influences.

This sense of exploration informs all of Scared Famous, even as Pink's well-worn pop moves inevitably take over. "Are You Gonna Look After My Boys?" is Pink's most overt Johnston sketch, all ringtone synthesizers and tinny refrains. "Politely Declined" features traded female/male vocals and college rock axe-work. Aggressively bad mixing obscures "Girl in a Tree", but its circular piano still aims it towards Fleetwood Mac's soupy orchestration. "Beefbud", chunkily bizarre, is a psych-rock relic. The willfully negligent production and arrangement remains, but viewed as a transition between his very early work and the slight improvements he'd made by House Arrest, they're nearly permissible.

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