Mallory Quinn is sparkling out of rehab when she takes a job as a babysitter for Ted and Caroline Maxwell. She is to seem to be after their five-year-old son, Teddy.
Mallory straight away loves it. She has her personal residing space, goes out for nightly runs, and has the steadiness she craves. And she surely bonds with Teddy, a sweet, shy boy who is in no way barring his sketchbook and pencil. His drawings are the traditional fare: trees, rabbits, balloons. But one day, he attracts some thing different: a man in a forest, dragging a woman’s dead body.
Then, Teddy’s paintings will become increasingly more sinister, and his stick figures shortly evolve into reasonable sketches properly past the capacity of any five-year-old. Mallory starts to surprise if these are glimpses of a long-unsolved murder, possibly relayed via a supernatural force.