Peter.Tosh.Discography..1976.-.1987..[320kbps] 12
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Peter Tosh Discography (1976-1987)
Peter Tosh was a Jamaican reggae musician who was one of the core members of the band the Wailers, along with Bob Marley and Bunny Wailer. He later established himself as a successful solo artist and a promoter of Rastafari. He was murdered in 1987 during a home invasion.
This article will cover his solo albums from 1976 to 1987, which were released under Rolling Stones Records and CBS Records. These albums showcase his musical talent, his political and social activism, and his spiritual beliefs.
Legalize It (1976)
Legalize It was Peter Tosh's debut solo album, released in 1976 by Columbia Records. It was recorded at Treasure Isle and Randy's, Kingston, Jamaica in April 1976. The album features Tosh on lead vocals, guitar, keyboards, and percussion, along with Sly Dunbar on drums, Robbie Shakespeare on bass, and other musicians. The album was produced by Tosh himself, with assistance from Geoffrey Chung and Robbie Shakespeare.
The album is a classic of the roots reggae genre, with songs that advocate for the legalization of cannabis (the title track), denounce the oppression of the Babylon system (\"Burial\", \"Igziabeher\"), and celebrate African heritage (\"Ketchy Shuby\", \"No Sympathy\"). The album also includes a cover of Chuck Berry's \"Johnny B. Goode\", which became a hit single in the UK.
Equal Rights (1977)
Equal Rights was Peter Tosh's second solo album, released in 1977 by Columbia Records. It was recorded at Dynamic Sounds Studios, Kingston, Jamaica in November/December 1976 and January 1977. The album features Tosh on lead vocals, guitar, keyboards, and percussion, along with Sly Dunbar on drums, Robbie Shakespeare on bass, and other musicians. The album was produced by Tosh himself, with assistance from Geoffrey Chung and Robbie Shakespeare.
The album is a powerful statement of Tosh's political and social views, with songs that call for justice and human rights for all people (the title track), condemn apartheid in South Africa (\"Apartheid\"), criticize the hypocrisy of organized religion (\"Downpressor Man\", \"Stepping Razor\"), and express solidarity with the oppressed masses (\"African\", \"Get Up, Stand Up\"). The album also includes a cover of Bob Marley's \"Get Up, Stand Up\", which Tosh co-wrote with Marley.
Bush Doctor (1978)
Bush Doctor was Peter Tosh's third solo album, released in 1978 by Rolling Stones Records. It was recorded at Dynamic Sounds Studios and Aquarius Studios, Kingston, Jamaica; Compass Point Studios, Nassau, Bahamas; and Island Studios, London, England in 1977/1978. The album features Tosh on lead vocals, guitar, keyboards, and percussion, along with Sly Dunbar on drums, Robbie Shakespeare on bass, and other musicians. The album was produced by Peter Tosh and Robert Shakespeare, with additional production by Mick Jagger and Keith Richards.
The album is a fusion of reggae and rock music, with songs that reflect Tosh's musical influences and collaborations. The album features guest appearances by Mick Jagger (on \"(You Gotta Walk) Don't Look Back\", a cover of the Temptations' song), Keith Richards (on \"Bush Doctor\"), Bunny Wailer (on \"Moses - The Prophet\"), and others. The album also includes songs that address social issues such as poverty (\"Soon Come\"), corruption (\"Dem Ha Fe Get A Beatin'\"), and drug abuse (\"Bush Doctor\").
Mystic Man (1979)
Mystic Man was Peter Tosh's fourth solo album, released in 1979 by Rolling Stones Records. It was recorded at Dynamic Sounds Studios and Aquarius Studios, Kingston, Jamaica; Compass Point Studios, Nassau, Bahamas; Sigma Sound Studios, Philadelphia; Record Plant Studios, Los Angeles; Criteria Studios, Miami; Electric Lady Studios, New York in 1978/1979. The album features Tosh on lead vocals, guitar, keyboards, and percussion, along with Sly Dunbar on drums, Robbie Shakespeare on bass, and other musicians. The album was produced by Peter Tosh and Robert Shakespeare.
The album is a showcase of Tosh's spiritual and mystical side, with songs that explore his Rastafari faith and his connection with nature. The album includes songs such as \"Mystic Man\", \"Crystal Ball\", \"Can't You See\", \"Jah Seh No\", and \"Rumours of War\". The album also features a cover of the Beatles' \"Here Comes the Sun\".
Wanted Dread & Alive (1981)
Wanted Dread & Alive was Peter Tosh's fifth solo album, released in 1981 by Rolling Stones Records. It was recorded at Dynamic Sounds Studios and Aquarius Studios, Kingston, Jamaica; Compass Point Studios, Nassau, Bahamas; Sigma Sound Studios, Philadelphia; Record Plant Studios, Los Angeles; Criteria Studios, Miami; Electric Lady Studios, New York in 1980/1981. The album features Tosh on lead vocals, guitar, keyboards, and percussion, along with Sly Dunbar on drums, Robbie Shakespeare on bass, and other musicians. The album was produced by Peter Tosh and Robert Shakespeare.
The album is a mix of reggae and rock music, with songs that reflect Tosh's musical versatility and his sense of humor. The album includes songs such as \"Coming in Hot\", \"Nothing But Love\", \"Reggaemylitis\", \"Rock with Me\", and \"The Poor Man Feel It\". The album also features a cover of Chuck Berry's \"Roll Over Beethoven\".
Mama Africa (1983)
Mama Africa was Peter Tosh's sixth solo album, released in 1983 by EMI Records. It was recorded at Dynamic Sounds Studios and Aquarius Studios, Kingston, Jamaica; Compass Point Studios, Nassau, Bahamas; Sigma Sound Studios, Philadelphia; Record Plant Studios, Los Angeles; Criteria Studios, Miami; Electric Lady Studios, New York in 1982/1983. The album features Tosh on lead vocals, guitar, keyboards, and percussion, along with Sly Dunbar on drums, Robbie Shakespeare on bass, and other musicians. The album was produced by Chris Kimsey and Peter Tosh.
The album is a tribute to Africa, the motherland of all humanity and the source of reggae music. The album includes songs such as \"Mama Africa\", \"Glass House\", \"Not Gonna Give It Up\", \"Stop That Train\", and \"Peace Treaty\". The album also features a cover of the Miracles' \"You Can't Blame the Youth\".
Captured Live (1984)
Captured Live was Peter Tosh's first live album, released in 1984 by EMI Records. It was recorded at the Greek Theatre in Los Angeles on August 23, 1983 during the Mama Africa tour. The album features Tosh on lead vocals, guitar, keyboards, and percussion, along with Sly Dunbar on drums, Robbie Shakespeare on bass, and other musicians. The album was produced by Chris Kimsey and Peter Tosh.
The album is a testament to Tosh's live performance skills and his charisma as a stage performer. The album includes live versions of songs from his previous albums, such as \"Coming in Hot\", \"(You Gotta Walk) Don't Look Back\", \"Equal Rights\", \"Bush Doctor\", \"Stepping Razor\", and \"Get Up, Stand Up\". The album also includes a medley of Bob Marley songs (\"Lively Up Yourself/Get Up Stand Up\") and a cover of Jimmy Cliff's \"The Harder They Come\".
No Nuclear War (1987)
No Nuclear War was Peter Tosh's seventh and final solo album, released in 1987 by EMI Records. It was recorded at Dynamic Sounds Studios and Aquarius Studios, Kingston, Jamaica; Compass Point Studios, Nassau, Bahamas; Sigma Sound Studios, Philadelphia; Record Plant Studios, Los Angeles; Criteria Studios, Miami; Electric Lady Studios, New York in 1986/1987. The album features Tosh on lead vocals, guitar, keyboards, and percussion, along with Sly Dunbar on drums, Robbie Shakespeare on bass, and other musicians. The album was produced by Peter Tosh and Robert Shakespeare. [^16^.
The album is a protest against the threat of nuclear war and the dangers of nuclear energy. The album includes songs such as \"No Nuclear War\", \"Fight Apartheid\", \"Vampire\", \"Lessons in My Life\", and \"Testify\". The album also features a cover of the Rolling Stones' \"Start Me Up\".
The album was released posthumously, as Tosh was murdered on September 11, 1987 by a gang of robbers who invaded his home in Kingston. He was shot twice in the head and died while being taken to the hospital. He was 42 years old.
Peter Tosh was a legendary musician, a visionary leader, and a revolutionary activist. His discography is a testament to his musical genius, his political courage, and his spiritual wisdom. He left behind a legacy of inspiration and empowerment for generations to come.
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