Theart of sound engineering is an intricate blend of technical knowledge and creative prowess. For beginners aspiring to master this craft, especially in the realm of home recording and studio work, understanding the basics is crucial. This guide is designed to demystify the essentials of sound engineering, offering a solid foundation for those starting their journey in the world of audio production.
Sound engineering is a vast field that encompasses everything from recording and mixing to mastering audio. For beginners, starting can seem overwhelming, but with the right guidance, the world of sound engineering is rich with possibilities and opportunities for creative expression.
Embarking on a career as a sound engineer is a journey filled with challenges and opportunities. With dedication, practice, and the right knowledge, beginners can make significant strides in this dynamic field, whether in a home studio setting or a professional environment.
Starting out in the music business, no matter if you decide to go for beat making, full production and arrangements, or you decide to be more technical and work with mixing and mastering, you need to take the proper steps and prepare yourself for the journey.
If you record vocals, getting a good vocal microphone is also of big importance. You will be able to find a cheap large-diaphragm microphone that will be great for starting out and capturing great-sounding vocals for the beginning stage of your career.
Many new producers ignore this step, but this is one of the most important stages of setting yourself on the right path. If your room is not treated, even if you have the most expensive gear, you will have a hard time doing it right and producing and mixing it properly.
It is most important to get rid of the reverberation in the room, treat the room modes and tame the bass in the corners. So you will need some acoustic panels, cloud panels that will be above your head (important not to forget that surface as well), and the back wall can have some sound diffusers to disperse the sound waves.
In the modern era, you are saved from working all analog. Now you are doing the whole process digitally and as well as the huge time and money saving, you are able to go back and fix things that you do not like.
To do that, you need to pick a DAW (Digital Audio Workstation) to work your music in. This software will help you compose, produce, record, mix and master your music from one single platform. There are lots of free softwares to start with and get yourself familiar with digital music production.
In this guide, we are not going to suggest going with a certain DAW as you will need to pick that on your own. Some of them are more powerful for production, some for beat-making, and some for mixing.
When you enter the music world, you should already have a favorite genre that dragged you into the business. Well, no matter the genre, if you wish to work in the same style of music (which is the case 99% of the time), you need to know how that music sounds in-depth.
So if you are tired of working on music for the day, but still have a couple of hours left to spend, play some of your favorite songs and analyse them. This is the step where you just listen and take notes of what you are listening to.
Write down what you hear and what makes that style distinctive from the others. Note down the elements that are basic for that genre, the range of BPM that this genre works in, technical and creative points from mixing perspectives, the balance of the elements, etc.
Following from the previous topic where you are taking notes from the reference tracks you will hear, we want to warn you to try and stay original after that. The reference tracks can trick you into rewriting the same notes from some elements which will appear to be closely similar to the original track.
Try to avoid this and find your own way into the genre you love. Use the reference notes as ideas and basic guidelines for the genre, but try to inject your own feel into it and create a signature sound of your own.
By combining the genre standards and your own touch, you will be able to create something really unique that might be your style for so long and distinguish you from the other artists in the same genre. This is actually one of the core aims that you need to have when entering the music-making world and in one particular style of music.
From YouTube tutorials to paid masterclasses to written material and books, everything is a good learning source. But what we think will work best for every beginner is to watch the great ones do their work.
Music is a team sport. And you will need to check your progress with the other people and ask for their opinion. No matter if they are an ordinary listener or an experienced music critic, every honest opinion can help you out.
From the ordinary listener, you will be able to learn how your music affects them. Most of the time they will be able to provide you with insights into how the bigger mass of people will react to your music. So if you are having a banger, you will react to the song. Also if you are having a song that is not that good, even if they do not say anything, you will be able to draw conclusions from their expression while listening to it.
When it comes to experienced listeners or producers, you will be able to get an opinion that will be constructive in many terms and help you improve as a music producer or mixer. You will learn very much from them if they are honest in their comments.
We cannot accentuate this tip enough. Breaks are no joke and they should be considered seriously. You cannot go into the studio and sit for 7-8 hours straight without a break and produce or mix. Your ears are getting tired even if you do not notice it.
One other thing to avoid is to get home late at night from a party and start producing or mixing. You will not be able to make the right decisions and with the ring in your ears, you might additionally hurt your ears for that day.
Our suggestion is to take breaks for at least 10 minutes every hour and try not to work more than 3 hours in a sitting. If you need to stay 3 hours, take one longer break after that and come back later on. Ear fatigue is a serious thing.
There are many other tips that can serve every new coming engineer or producer, but we selected these 10 because we think that they are the most important for every beginner in the music production game.
At least, these are the tips that I wished someone told me when I was entering into the mixing world. So don't overlook any of them. It's really important to bring the right decisions early on in order to benefit you later in your career.
If you think there are some other crucial tips that we missed mentioning in this article, feel free to shoot them in the comment section and share them with our readers. Until next time fellow musicians!
Toshe from Mixing Tips is the admin and content creator for The Mixing Tips and account manager of the Instagram page. With over 15 years working in the audio engineering world, he decided to expand the horizon and help newcomers with some great tips and guides on how to improve their music production and especially mixing.
If you're a geek who's also a bit of a musician, you've probably occasionally thought about using your own equipment to record and produce CDs. I mean, you've got the microphones, a decent computer, a sound editing program like Audacity and various other useful tools.
What's stopping you from making your own demo CD? Well, that could possibly be a good understanding of sound engineering, music recording, and music production. Because, deep down you know that without getting these things at least halfway right, your demo CD will sound rotten and no-one will want to have you in their venue.
Thankfully, we live in an era where the basics of anything worth learning can be found online of you know where to look. So, here's a handful of great resources for you to use in order to learn more about how to make great music recordings and how to tweak them afterward to make them just right. Once you've learned the basics of home audio engineering from these sites, you'll be ready to make that demo CD!
Home Recording Forum is a useful forum of musicians who are all trying to make great home recordings. The forum has sub-sections for a wide variety of topics, like recording techniques, mixing techniques, digital recording, vocals, mastering, building a studio and a whole area just for newbies. The users take regular polls on software and equipment people are using for various tasks, so you'll be able to quickly gauge the best tools for your needs. There's also a newsletter to keep you in the loop!
Apogee's Recording Blog is run by Apogee Electronics and seems to only recently have been revived after a long break. Despite the hiatus, the blog is worth a look as you will learn a lot about sound engineering and recording techniques. It's full of video posts including discussions with Berklee College music professors, and professional engineers and producers like the sound engineer from Pantera. These guys really know their sound equipment and have some great contacts!
Learning from MixerMan is the slow, fun way to become a master audio engineer. His diaries and radio show tell you anecdotes about gigs he's mixed for and what went right or wrong. It's full of laughs and insight on being a live sound engineer that you'll love. Plus, it's intertwined with the Womb forums, which will let you ask questions about your sound recording set-up.
Studio Central Forums [Broken Link Removed] is a community for recording studio professionals and apprentices. They have sections for newbies, setting up your rig, choosing your hardware mixing console, deciding which microphones you need to buy and more. There are even sub-forums dedicated to vocal preamplifiers and effects - it's got everything!
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