The Roadside Romeo Part 1 In Hindi Dubbed Watch Online
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Released for the Diwali holiday in India, it flopped. Now, when Western audiences think of Bollywood, we tend to think cliché… but this film is cliché by Bollywood standards. Actually, thats an unfair comparison; North American and Bollywood audiences have different expectations. A friend of mine worked at an orphanage in India for nine months and told me of a 7-year-old who asked about North American films. Is there singing? No, not really, my friend said. Is there dancing? No, theres no dancing. The boy frowned heavily. Ohhh. Those are bad movies. The real problem is that without knowing much about Bollywood films, its difficult to put myself in the place of a typical Bollywood audience member. To understand their point of view, all I can do is read the opinions of other critics online, and most of them were similarly disappointed.
There are six song-and-dance numbers. Dance-wise, I cant help but think that Bollywood audiences were unimpressed when the computer made all the characters make the same moves. Theres a lot less to appreciate if you compare it to twenty real people dancing together, knowing theyve choreographed and practiced it to perfection. So really the only time the dancing shows any originality are the few moments when Romeo and Lailas dance motions play off each other. And that in turn isnt true dancing, its animators trying to replicate dancing.
The music is also a let-down. Most of the songs have a short phrase thats repeated to death, leaving almost no room for any other lyrics. The melodies and beats under the words, on the other hand, are passable if you can stand the repetitious singing. In my opinion the best piece in the film is Rooftop romance, because its largely an instrumental. The worst two are Apni dumm bhi oonchi ho (the salon song), and Cool cool, three minutes of pain if you watch it with the visuals. Even the incidental music during the movie becomes annoying, because background singers interject Romeo, Romeo! at every possible moment. (Take a drink.)
All the characters in the film are shallow, two-dimensional, and undergo little change. It doesnt quite feel like Romeo gains a sense of humility at the end, nor that Charlie abandons being a thug. Laila is simply a manipulative tease; she starts off by talking Romeo into dancing on stage with her, which (thanks to unwanted suitor Charlie) is basically a death sentence. Charlie is a bossy, violent, ugly, overweight, flatulent, disgusting boor. His sidekick Chainu is annoying and gross in his own right, and is never funny, and the same goes for the cutesy mouse that follows the protagonists everywhere. In terms of character design, Romeo and Laila are fine, although Id say Romeo is the better of the two. Lailas head is a little big for her body, her eyes defy the lighting, and she shouldnt wear lipstick. Also, after Romeo styles her hair, her ears are never seen again.
The animation quality is certainly good enough. Theres still room for improvement, but nothings horrendous. Its nice to see that along with Over the Hedge (2006), with enough of a budget, computer animation has progressed far enough to create realistic fur textures. Compare this to Monsters, Inc. in 2001, where Sulley was usually the only furry thing on the screen because of all the computer rendering time needed to pull it off.
So is there anything else good in the film? Yes, random bits and pieces here and there are kinda cute, like the idea behind the howling contest. The protagonists character designs are good even if everyone elses are bad, and facial expressions and body language are done effectively. The animation, backgrounds and voice acting are passable. I liked the fact that Mini, in Romeos gang, is inexplicably a cat who really wants to be a dog. But its all sunk and destroyed by the far-too-stupid plot, the jokes and sidekicks that are supposed to be funny but arent, the farting humor, repetitive songs and mountains of clichés.
If you still want to watch this film, especially for the bits where Romeo and Laila flirt with each other, (a) its not worth it, and (b) you need to develop better motivations for watching animation. Roadside Romeo has been file-shared online, but there are several less-than-stellar copies. Ideally it should be about 92 minutes long (87 without the credits), and have a really wide screen ratio, Im talkin 2.3:1 here. And youll want to track down the corrected English subtitles. Otherwise, take a chance at buying a legit or pirated DVD online, or find a copy at an East Indian grocery store which will have crappy subtitles, if any. As a final warning, at one showing with my friends, they groaned and grimaced most of the time and only laughed once. Two of them found convenient excuses to leave a third of the way into it. The rest of us only survived by complaining as we watched. On the bright side, at least it didnt destroy any friendships.
El Lince Perdido (in English, The Missing Lynx) is a Spanish CGI film released for Christmas 2008 from an animation studio co-owned by Antonio Banderas. The DVD release includes an English dub as well as subtitles, or you can find it file-shared online. Its essentially an adventure-comedy for kids with occasional environmental themes.
The main character is Felix, an endangered Iberian lynx whos literally cursed with bad luck, staying in an animal shelter for his 40th time. Meanwhile, an eccentric billionaire named Noah hires a big-game hunter named Newmann to gather exotic animals for his menagerie. The animal shelter is attacked and Felixs girlfriend is taken by Newmann. Felix and friends flee the shelter thinking its a prison designed to keep them in, only to realize at the end of the attack that it was actually meant to protect them from poachers.
For most of the film after this point, Felix and company are on the run. Noahs true plans are eventually revealed, only to have his headquarters suddenly taken over by Newmann and filled with death traps. At the end, Felix confronts Newmann on Noahs yacht to rescue his girlfriend.
This film isnt all that good. Its not awful, but its… dull. Extremely dull. My attention constantly wandered, and at several points I felt like falling asleep. Theres little in it to appeal to adults, and the biggest problem is its pacing: 75% of the film is taken up by the characters being chased, in hiding, or by over-extended action sequences. Its so constant that you get numb to it, as if a TV station was running a 24-hour marathon of The Fugitive episodes.
While ripping off the idea of Noahs Ark, the writers didnt quite grasp the idea of a story arc. A plot is supposed to build upon itself, reach certain heights of conflict and tension, and then work towards a resolution. The absence of this structure hit me when I was burning a DVD of it, and couldnt decide where to put in the chapter points. The entire story was so… dramatically uniform and flat. There was no particular point I wanted to fast-forward to, no Oh, you gotta see this part! moment. I couldnt break the story down into its most significant beats, because there werent any; it was just one similar thing after another. With better writing and tighter editing, I think this film could have easily been cut in half and made into a nice 45-minute TV special.
The English voice acting is another major stumbling point. It really sounds second-rate, and judging by the credits only five or six people were involved. The accents are largely British, but theres something off about the cadences. Sure, they all have their momentsNewmann is probably the best of the bunchbut overall I found it really distracting instead of engaging.
The animation studio behind this film didnt have enough of a budget to render realistic CGI fur textures, so instead they relied on having very stylized body shapes and coloration. It works better with some characters than with others, and everyone looks somewhat plastic. (The lynxes, the hawk and Newmann have far better designs than the goat, the mole and Noah.) However, kudos should go out to them for daring to use less-cutesy species, like a chameleon.
The characters themselves are a pretty standard variety. Felixs friends are Betty (an adventurous goat), Astarte (a level-headed hawk), and Gus (a paranoid chameleon). Gus will be the make-or-break thing for most viewers. Hes yet another of those characters who are supposed to be funny and wacky for kids, only hes annoying and not funny. If you can stand Gus, you can stand the rest of the film.
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He stood for some time watching the scene, andnoting everything that struck him. Miss Terry joinedsome members of the company, and went driving.Later a party of us went to the rapids and the whirlpool,where Webb was drowned. Irving discussed the[374]fatal feat, for a long time, with one of the men whosaw the swimmer take his courageous header and gobounding through the rapids.
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