Re: Full Video Audio Mixer V5.6.3 Crack
Christal Rasband
he VRE-12AG2 is the ideal audio solution for bands, conference, fitness, education, audio playback, DJ and more. With the integrated 3 channel mixer and the ability to connect microphones directly, users can use the VRE-12AG2 without the need for an external mixing console. The on-board media player enables audio playback via USB, SD card and Bluetooth enabled devices such as mobile phones. With 800 watts of power output, the VRE-12AG2 can project to audiences up to 250 people. Thanks to true wireless speaker pairing technology, two VRE-12AG2 speakers can be linked wirelessly.
Each push button is engraved with a text legend or icon and backlit with RGB LED that gives status feedback. The knobs are numbered from top to bottom, so the top one is knob#1 and the bottom one is knob#4. We will refer knobs in this way throughout this guide.
Most operations may be performed with the touchscreen but some may not be intuitive or easy to perform with it. On the other hand, some operations are specially optimized for using the touch screen. This will be detailed when explaining the different screens and workflows.
There are independent meters for left and right channels which monitor the system output, i.e. the mix of audio that feeds the Zynthian output. Level decays with a logarithmic rule, taking one second to decay to -200dBFS so will decay to -50dBFS (the displayed range) in about quarter of a second. Peaks are displayed instantly, i.e. the attack of the meter is immediate (*). The peak hold bar remains for two seconds or until a higher peak is reached.
A chain is composed of one or more interconnected blocks (processor slots), capable of generating or processing audio & MIDI. Each chain is normally assigned to a MIDI channel. These blocks are chained in the same order they are created, but you can change this order from the Chain Options menu. When a chain is created it is assigned a type:
The chain's type can't be changed. Depending of the chain's type, MIDI processors can be added to the start of the chain and audio processors can be added to the end of the chain. Chain processors can be re-ordered and arranged as serial and / or parallel paths.
Having several chains on the same MIDI channel is not allowed currently. If you want two or more chains to play in unison (like being on the same MIDI channel), you can use the "Clone" feature, which allows you to bind several chains while keeping MIDI CCs and other MIDI messages (Program Change, Channel Pressure, etc.) independent.
Each chain receive MIDI input from selected devices (keyboards and other MIDI controllers). You can configure the MIDI input devices from the chain's option menu. Use short-push for selecting the devices and bold-push for changing the input mode. All input devices are selected by default when creating a new chain.
When using ACTI mode you don't need to worry about the MIDI channel your keyboard/controller is using. You change the instrument you play by changing the active chain in your zynthian. You can change the active chain by simply rotating the select knob (#4) in the Mixer view or using the the left/right arrows.
In the other hand, MULTI mode allows receiving and managing separately every MIDI channel. Each MIDI controller will drive the chains assigned to the controller's MIDI channel. If you are using a MIDI controller that can sequence multiple tracks (Beatstep Pro, Keystep Pro, Novation Circuit etc.) then you will generally want to use this mode.
Finally, OMNI mode allows one or several chains to receive all MIDI input from your device translated to chain's MIDI channel. This can be useful for some use-cases. Be warned that this mode will be dropped in the near future so you should avoid it.
Screen access buttons are outlined on green in the image. Most of these buttons have 2 different functions assigned to them, with a horizontal line separating the two function labels. The primary function is printed at the top and the secondary function is printed at the bottom. The "metronome" button is the exception to this and has a single function assigned to it. Well, not exactly, as it's the Tap-Tempo button too (try it!).
For instance, if you are in the mixer screen and short-push the OPT/ADMIN button, the Chain menu will be opened. If you short-push it again, the Admin menu will be opened. Then, if you bold-push the MIX/LEVEL button, the Audio Levels screen will be opened. You click "metronome" button and the Tempo screen will be opened. If you tap-it several times, tempo will be adjusted, e.g. tap twice per second to set tempo to 120BPM.
The ALT button toggles the alternate function mode. When you click it, ALT button and buttons having an alternate function will change their default color from blue to purple. Currently only transport and custom buttons (F1-F4) have alternate function:
By default, transport buttons control the global audio recorder/player and default color is blue. When "ALT" button is pushed (ALT mode enabled), transport buttons control the MIDI recorder/player and default color is purple.
In some screens, transport buttons have specific (contextual) functionality. When this happens, they will light orange to help you to remember their normal behaviour is altered. The screens that have specific transport functionality are:
Pattern editor screen
From pattern editor screen, transport buttons are used to control pattern recording/playing. Note that for recording a pattern, you may want to start playing before recording, so notes are captured live in the time grid. If not, notes are captured step by step. While recording, pressing the back button may be used to undo the last recording.
Although all buttons and switches are fully configurable from the webconf tool (hardware->wiring->advanced), this guide refers to the official V5 profile configuration, that matches printed button legends. Of course, you are very welcome to experiment with button assignment and try different configurations. In fact, if you reach a sweet point, we may be able to produce an alternative keypad with custom printings. Simply contact us at the zynthian forum!
The V5 knobs behave quite differently to V1-V4 knobs. Because of the 20 silicone buttons, there is no need to use the knobs' switches to navigate the UI which now is best achieved with the push buttons, so when appropriate, knobs' switches have been mapped to drive the MIDI learning functionality, which is quite intuitive. The knobs are numbered from top to bottom, so the top one is knob#1 and the bottom one is knob#4. We will refer knobs in this way throughout this guide.
Before MIDI-learning pads, you have to select a trigger device. Push OPT to access the zynpad menu and choose your trigger device. Note that if the selected device is already supported (have a driver!), MIDI-learning is not needed at all and the device will be mapped automatically.
With this tools, you can also capture, subtitle and share your favorite workflows, helping others to learn and contributing to improve zynthian documentation.If you do so, please, share your workflows in the forum:
Assign each knob of a PRO Mixer to any mono channel, stereo pair of channels, or even a submix ofup to 16 channels with the V6 update. Configure each Mixer differently and add up to 128 inputchannels to the system using additional Input Cards and Hubs (32 channels of inputs per Hub).
Whether or not you've ever used a personal monitor mixer, the simple layout of this powerfulsystem makes getting the right mix a quick and effortless experience. Based in GigabitEthernet, this framework paves the way for an impressive range of future possibilities.
The Hear Back PRO system consists of two main components: the Hub and the Mixer. The modularHub consists of four card slots, which can be populated with any configuration of inputand/or output cards to fit your exact needs. Each Hub has the ability to supply signal andpower to as many as 32 Mixers (8 per Network Card), each over a single standard CAT6* cable.With the built-in HBUS In/ Out ports, multiple Hubs can be daisy-chained together, allowingfor truly unlimited system expansion.
Provides the ability toconnect MADI-based audio equipment to a Hear Back PRO Hub for personal monitormixing or to the WSG Bridge as a conduit for Waves plugins and a bridgebetween MADI and the Waves SoundGrid or Dante protocols for multi-channelinterfacing. Simultaneously transmits and receives 32 channelswhen used with the Hear Back PRO System or 64 channels when used with the WSGBridge.
Allows HB PRO Hub tocommunicate with any professional analog audio equipment. Provides (8) balancedaudio inputs using a standard Tascam DA-88-style pin-out on a DB25 connector. A DB25to 1/4-inch TRS break-out cable is sold separately, unless the Analog input card ispurchased as part of the Hear Back PRO Four Pack.
Allows HB PRO Hub tocommunicate with any pro audio equipment that uses Waves SoundGrid. Our partnershipwith Waves makes it easy to directly connect the Hear Back PRO system to otherhigh-end audio equipment (including directly out of a PC or Mac using only itsEthernet port).
Provides (8) RJ45 GigabitEthernet ports for connecting Hear Back PRO Mixers, PRO Mixer Distros, or other HearBack PRO Hubs. Each port provides PoE+ power and digital audio over a single Cat6Ethernet cable that can be run up to 566 feet.
CAT6*** cables used for Mixers or for HBUS can be run up to 500 feet in idealconditions (one piece of solid conductor CAT6 with no breaks or couplings). The morebreaks/connections/couplings in a cable run, the more limited this distance will be.Poor quality cabling will also limit the maximum distance.
The new PRO Connect application combines the features of multiple legacy apps and tools while adding new functionality. PRO Connect provides a web-based interface to update, configure, and control your PRO Mixers and PRO Hubs. It is the perfect digital companion to our extraordinary flagship personal monitoring system.
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