For Tessa and Mike, Bach's two-part inventions illuminate the full expressive possibility for two musical voices. You can hear these melodies laugh, mourn, swoon, and argue as they meticulously intertwine. And in the spirit of these inventions and of Baroque performance practice of musical response and development, Tessa and Mike invented their own set of duos in response to Bach's. Tessa and Mike's inventions incorporate elements of American music that the bass and violin have been integral to. From Appalachia to New Orleans, all counterpoint with Bach's keyboard inventions arranged for the violin and bass. Here's Tessa Lark and Michael Thurber performing Bach's first and eighth inventions and their own tunes, "Tumble Time" and "Weather Vane."
Trio sonata in G for violin, viola, and basso continuo (arranged from BWV 1038). This is a reconstruction of a work thought to have been jointly composed by J.S. and C.P.E. Bach. It was recorded in 2019 in Boston for a CD, but after another piece was added to the program, there was no longer space for this one. With Augusta McKay Lodge, Georgina McKay Lodge, and Eva Lymenstull (recording and editing: Antonio Oliart). The CD appears on the Brilliant Classics label.
Largo
Vivace
Adagio
Presto
Download File https://tinurli.com/2yXRxy
The bracketed numbers tell you the precise instrumentation of the ensemble. The system used above is standard in the orchestra music field. The first set of numbers (before the dash) represent the Woodwinds. The set of numbers after the dash represent the Brass. Percussion is abbreviated following the brass. Strings are represented with a series of five digits representing the quantity of each part (first violin, second violin, viola, cello, bass). Other Required and Solo parts follow the strings:
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