Esquemas

[Minette Mccandrew]

Unesquema de calificaciones es un conjunto de criterios que mide distintos niveles de desempeo en un curso. Los esquemas de calificaciones a nivel del curso son esquemas de calificacin que puede crear y habilitar para un curso o una tarea. Los esquemas de calificacin a nivel de la cuenta son esquemas de calificacin creados por su institucin que puede usar en un curso o una tarea. Sin un esquema de calificaciones, los puntajes no se miden en comparacin con ningn estndar especfico.

Los esquemas de calificaciones estn diseados segn los rangos de porcentaje y puntos, y a cada rango de porcentaje se le asigna un valor de nombre. Puede crear cualquier tipo de esquema de calificaciones al editar el nombre y el rango de porcentaje de cada tem. Cuando se habilita un esquema de calificaciones para un curso, el esquema de calificaciones se aplica a las calificaciones definitivas del alumno adems del porcentaje general.

Los esquemas de calificaciones de desempeo se basan en un estndar de desempeo individual. Solo se permiten calificaciones compatibles en el Libro de calificaciones; por lo tanto, si crea un esquema de desempeo con valores de denominacin solo para Excelente (Excellent) y Malo (Poor), no puede ingresar la calificacin Bueno (Good).

Los esquemas de calificaciones por puntos se basan en un conjunto de puntos dentro de un rango. Cuando el esquema de calificaciones del curso se basa en puntos, los totales del grupo de tareas y el puntaje definitivo muestran una informacin sobre herramientas de los puntos obtenidos sin procesar y los puntos totales. En la celda del libro de calificaciones, los puntos se muestran escalados como fracciones.

Nota: Cuando la opcin de anulacin de calificacin definitiva est habilitada para una institucin y un curso usa un esquema de calificaciones basado en puntos, los profesores pueden anular la calificacin solo con una calificacin por letra.

Cuando se habilita un esquema de calificaciones para un curso, el esquema de calificaciones se aplica a las calificaciones definitivas del alumno adems del porcentaje general. Aprenda a habilitar un esquema de calificaciones del curso.

Los esquemas de calificaciones pueden aplicarse especficamente a las tareas individuales. Cada tarea incluye un campo que le permite elegir cmo se visualiza la calificacin en el Libro de calificaciones y en la pgina de Calificaciones del alumno. Aprenda a habilitar un esquema de calificaciones de la tarea.

Para los esquemas de desempeo, puede ingresar las calificaciones en el Libro de calificaciones por punto, por porcentaje o por valor de desempeo. Por ejemplo, si una tarea vale 10 puntos y el alumno acumula 9, puede ingresar el puntaje 9 o 90 % (que muestra el desempeo definido en el rango de porcentaje). Tambin puede ingresar un valor de desempeo directamente.

The title is a nod to doing away with the restrictive schemas that are placed on women and letting them live life, which is exactly what Becky G basks in across the diverse 14 tracks. In the flirty "Bail Con Mi Ex," she translates disco-pop flair into Spanish; in the empowering "Dolores," she tackles a more soulful sound. She remains of purveyor of female collaborations with singer/songwriter Elena Rose featuring in the doo-wop-infused "Flashback," and delivers another girl power anthem with fellow Latina star Karol G on "Mamiii," which blends reggaeton with influences of regional Mexican music.

Already a decade into her career and only 25 years old, Becky G is embracing what makes her unique in an industry that's always trying to box in an artist. She chatted with GRAMMY.com about the Esquemas she's breaking, remaining true to herself, and the power of women collaborations.

To me, romper esquemas is to break the mold, to step outside of the boxes that society puts on us as young women, as Latinas. It's something I've been trying to do since the very beginning of my career.

I think this is a good representation of who I am today. This is 10 years later [from when I was first signed]. I'm 25 now, and It feels [like] I'm actually living life for the first time. I think you can hear that in the music.

It was really important for me to have "Ram Pam Pam" on the album. This is only my second album, and there's no one else I'd rather share that with than someone like Natti, who is literally like my sister. Natti could call me in a state of emergency today and I would literally fly to go be there with her, because I love her that much. She knows that, and I know it's the same the other way around. That means a lot to me to have that song on there, because that's who I started this with, and I get to continue doing that with her.

I also heard it on Top 40 radio the other day! Like what? That's crazy! It's amazing. It's so beautiful. Everyone is going to know the word txico now. [Laughs.] People learned "Sin Pijama." They learned "Mayores." And now they're going to know the word txico. They're going to say "Salud, mami!" even if they don't speak Spanish.

"Sin Pijama" and "Mamiii" are female empowerment anthems. They've also become anthems for the LGBTQ+ community. How do you feel about sharing that connection with the LGBTQ+ community?

I'm so honored that I have someone like Elena in my corner. She's such an intuitive creative, but also a really good person. I don't think a lot of people get to recognize that because they know that she writes the hits for everybody. But if you're in the room with her, it's undeniable that she's a rock star. She's got everything that it takes and more to do the damn thing. I was like, "I want you on my album! You better be on my album!" When we made "Flashback," it was just so perfect.

I represent two flags. I grew up in L.A. That's a very diverse community that introduced me to so many different sounds, where on one street you can be hearing rancheras and on the next street, it's Tupac. It was everything, and I identify with all of that. It inspires the artist that I am today. Even "Flashback" is a doo-wop trap record. I've never heard that in Spanish.

There's little trickles in every song that takes me to a place and time. Like even "Buen Da," the first song on the album, it's a different vocal for me. I think it's because there was a confidence in what I was saying. It's like, literally, "It's never too late to have a good day." It sounds like when I was a little girl in the summer walking through the streets of Inglewood. All of those songs, sonically, come from such an authentic place in my creativity.

I'd rather feel everything than nothing at all. So, I'm giving "Dolores" to my younger self, to my grandmother, to my own mother, to my sister, to any person who sometimes maybe overthinks things in life. Even giving meaning to their own feelings and validating their own feelings and saying, "I know you're different, and that's okay. I love you anyways."

Nothing can hold you back/ No one can kill your vibe/ When you got the fire inside, G sang with authority and aplomb. And oh, you're gonna own this life/ Cause you got the fire inside/ 'Cause you got the fire, you got the fire.

With sultry sounds from R&B songstress Ari Lennox to mellow, indie rhythms from Dermot Kennedy to upbeat, radiant vibes from the duo Surfaces, this Friday brings a kaleidoscope of sounds from across every genre.

After receiving a nod for Best Reggaeton Performance and performing with David Guetta at the 2023 Latin GRAMMYs, Puerto Rican Singer Ozuna dropped his sixth album, Cosmo. Filled with soon-to-be dance floor staples, Cosmo highlights Ozuna's versatility.

Songs like "El Pin" and "La Chulita" are full of infectious dance and Afrobeats influences, yet stay true to his reggaeton roots. The 15-track record also includes collaborations with Jhayco, Chenco Corleone, Anuel and David Guetta.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system.

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

He also extended his love and gratitude to his fiance, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood."

It's rare that a genre can be traced back to a single artist or group, but for funk, that was James Brown. The Godfather of Soul coined the phrase and style of playing known as "on the one," where the first downbeat is emphasized, instead of the typical second and fourth beats in pop, soul and other styles. As David Cheal eloquently explains, playing on the one "left space for phrases and riffs, often syncopated around the beat, creating an intricate, interlocking grid which could go on and on." You know a funky bassline when you hear it; its fat chords beg your body to get up and groove.

Brown's 1965 classic, "Papa's Got a Brand New Bag," became one of the first funk hits, and has been endlessly sampled and covered over the years, along with his other groovy tracks. Of course, many other funk acts followed in the '60s, and the genre thrived in the '70s and '80s as the disco craze came and went, and the originators of hip-hop and house music created new music from funk and disco's strong, flexible bones built for dancing.

Legendary funk bassist Bootsy Collins learned the power of the one from playing in Brown's band, and brought it to George Clinton, who created P-funk, an expansive, Afrofuturistic, psychedelic exploration of funk with his various bands and projects, including Parliament-Funkadelic. Both Collins and Clinton remain active and funkin', and have offered their timeless grooves to collabs with younger artists, including Kali Uchis, Silk Sonic, and Omar Apollo; and Kendrick Lamar, Flying Lotus, and Thundercat, respectively.

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