Kaha Hai Tu Panther Song PORTABLE Download
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In 1973, Rufus signed with ABC Records and released their eponymous debut album. Despite their fiery rendition of Stevie Wonder's "Maybe Your Baby" from Wonder's acclaimed Talking Book and the modest success of the Chaka-led ballad "Whoever's Thrilling You (Is Killing Me)", the album failed to gain attention. That changed when Wonder himself collaborated with the group on a song he had written for Khan. That song, "Tell Me Something Good", became the group's breakthrough hit, reaching No. 3 on the Billboard Hot 100 in 1974, later winning the group their first Grammy Award. The single's success and the subsequent follow-up, "You Got the Love", which peaked at No. 11 on the Billboard Hot 100 and No. 1 on the R&B chart, helped their second parent album, Rags to Rufus, go platinum, selling over a million copies. From 1974 to 1979, Rufus released six platinum-selling albums including Rufusized, Rufus Featuring Chaka Khan, Ask Rufus, Street Player and Masterjam. Hits the group scored during this time included "Once You Get Started", "Sweet Thing", "Hollywood", "At Midnight (My Love Will Lift You Up)", and "Do You Love What You Feel".
In 1978, Warner Bros. Records released Khan's solo debut album, which featured the crossover disco hit, "I'm Every Woman", written for her by singers-songwriters Ashford & Simpson. The success of the single helped the album go platinum, selling over a million copies. Khan also featured on Quincy Jones's hit "Stuff Like That", also released in 1978, which also featured Ashford & Simpson as co-writers, along with Jones and several others. Ashford & Simpson performed with Khan on the song.
Also in 1980, Khan had a cameo appearance as a church choir soloist in The Blues Brothers starring John Belushi and Dan Aykroyd. Khan released two albums in 1981, the Rufus release, Camouflage and the solo album What Cha' Gonna Do for Me. The latter album went gold. The same year, Khan appeared on three tracks on Rick Wakeman's concept album 1984. In 1982, Khan issued two more solo albums, the jazz-oriented Echoes of an Era and a more funk/pop-oriented self-titled album Chaka Khan. The latter album's track, the jazz-inflected "Be Bop Medley", won Khan a Grammy and earned praise from jazz singer Betty Carter who loved Khan's vocal scatting in the song.[16]
In 1984, Khan released her sixth studio album, I Feel for You. The title track, the first single released, was originally written and recorded by Prince in 1979 and had also been recorded by The Pointer Sisters and Rebbie Jackson. Khan's version featured a harmonica solo by Stevie Wonder and an introductory rap by Grandmaster Melle Mel. It became a million-selling smash in the U.S. and United Kingdom and helped to relaunch Khan's career. "I Feel for You" topped not only the U.S. R&B and dance charts, but achieved great success on the U.S. pop chart and reached No. 1 in the U.K. The song reached No. 3 on the Billboard Hot 100 in December 1984 and remained on that chart for 26 weeks, well into 1985. Additionally, it hit No. 1 on the Cash Box chart. It was listed as Billboard's No. 5 song for 1985 and netted Prince the 1985 Grammy Award for Best R&B Song. In addition to the song's successful radio airplay and sales, a music video of Khan with breakdancers in an inner-city setting enjoyed heavy rotation on television and helped to solidify Khan's notoriety in popular culture.
Other singles that helped the I Feel For You album go platinum included "This is My Night" and the ballad "Through the Fire", the latter of which was also successful on the adult contemporary chart. Khan was featured in Steve Winwood's 1986 number-one hit, "Higher Love". That same year, a duet was planned with Robert Palmer for the song "Addicted To Love". However, her manager declined to release the duet, citing the desire not to have too much product from her in the marketplace at one time. She was still credited for the vocal arrangements in the album's liner notes, and the song became an international hit.[17] Khan followed up the success of the I Feel For You album with 1986's Destiny and 1988's CK. Khan found more success in the late 1980s with a remix album, Life Is a Dance: The Remix Project, which reached the top ten on the British albums chart. As a result, she performed regularly in the U.K., where she maintained a strong fan base.
In 1990, she was a featured performer on another major hit when she collaborated with Ray Charles and Quincy Jones on a new jack swing cover of The Brothers Johnson's "I'll Be Good to You", which was featured on Jones's Back on the Block. The song reached No. 18 on the Billboard Hot 100 and No. 1 on the R&B chart, later winning her and Ray Charles a Grammy for Best R&B Vocal Performance By a Duo or Group. Khan returned with her first studio album in four years in 1992 with the release of The Woman I Am, which was a success due to the R&B songs "Love You All My Lifetime" and "You Can Make the Story Right". Around this time, Khan also did a duet with Peter Cetera on the song "Feels Like Heaven", which was a minor success. .[18]
In 1998, Khan signed a contract with Prince's NPG Records label and issued Come 2 My House, followed by the single "Don't Talk 2 Strangers", a cover of a 1996 Prince song. She later went on a tour with Prince as a co-headlining act. In 2000, Khan departed NPG and she released her autobiography Chaka! Through The Fire in 2003.[14] The following year she released her first jazz covers album in twenty-two years with 2004's ClassiKhan. She also covered "Little Wing" with Kenny Olson on the album Power of Soul: A Tribute to Jimi Hendrix.
In 2009, Khan was guest singer with the song "Alive"[25] on jazz drummer Billy Cobham's album Drum ' n voice 3. In 2010, she contributed to vocals for Beverley Knight's "Soul Survivor", collaborated with Clay Aiken on a song for the kids show Phineas and Ferb, and appeared as a featured artist on "One More Try" and a cover of her song "Through the Fire" on Japanese-American singer-songwriter Ai's eighth studio album The Last Ai. Both Khan and Ai were nominated for and won the International Collaboration Special Award at the 2010 Billboard Japan Music Awards for the two songs.[26] Khan continues to perform to packed audiences both in her native United States and overseas.
On May 19, 2011, Khan was given the 2,440th Hollywood Walk of Fame star plaque on a section of Hollywood Boulevard in Los Angeles. Her family was present when the singer accepted the honor, as was Stevie Wonder, who had written her breakout hit "Tell Me Something Good". On September 27, 2011, the Rock & Roll Hall of Fame committee announced that Khan and her former band Rufus were jointly nominated for induction to the hall. It was the collective's first nomination 13 years after they were first eligible. The group were nominated partly due to Khan's own storied reputation, including her own solo career in conjunction with her years with Rufus. Recently, Khan rerecorded her song, "Super Life", under the title "Super Life: Fear Kills, Love Heals" with Eric Benet, Kelly Price, and Luke James in tribute to Trayvon Martin, a teenager who was killed on February 26. A number of celebrities also joined in the recording including Loretta Devine, Terry Crews, Eva Pigford, and reporter Kevin Frazier.
In October 2019, Khan was an honoree at Variety's "Power of Women" luncheon for supporting Little Kids Rock.[38] Other honorees were Mariah Carey, Jennifer Aniston, Brie Larson, Awkwafina, and Dana Walden.In November 2019, Khan collaborated with Ariana Grande on the song "Nobody" from the soundtrack Charlie's Angels.[39]
In May 2021, Khan appeared at the season 19 American Idol finale, where she performed a medley of her hits alongside the contestants.[41] In June 2021, Khan joined YouTuber and performer Todrick Hall on his album Femuline for the song "Fabulosity". In November 2021, Khan participated in a Verzuz battle with singer Stephanie Mills, at which both singers performed hits from their discography.[42]
R&B categories at the Grammys have long been defined by insinuating signifiers, "urban/alternative" and "contemporary" being maybe the most maligned. The 2024 versions of that hair-splitting resurface age-old issues with the genre's classifications. The nominees are divided in "traditional," "progressive" and just plain R&B groupings, the latter seemingly denoting some kind of genre centrism between the other two poles. In the abstract, it's easy to understand the function of such a thing: To speak to the genre's breadth, its history and its evolution. But the nominees within these categories confer confusion rather than clarity. SZA is nominated as traditional, progressive and straight-up "R&B." Coco Jones and Victoria Monét appear in both the R&B performance and traditional R&B performance categories. (Monét's best R&B song nomination is for a different song than the one that scored her a best R&B performance nomination.)
Still, there are some gaping holes. And here's where it gets tricky. In a year where male rappers are largely taking a backseat to the feminine energy bubbling to the forefront, no women made the best rap album category. Sadly, Doja Cat's stellar album Scarlet fell just outside the window for 2024 Grammy consideration by one freaking week. (Her single "Attention" did grab double nominations for best rap song and best melodic rap performance.) Then there's Noname's total absence. After releasing one of the year's most insistent rap albums in Sundial, it's a glaring reminder that artists who operate outside the major-label system often remain unseen and uncelebrated by the industry's institutional canon.
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