Hi Linda,
I believe it has to do with audio itself. Being neither a physiologist nor physicist (just an occasional psychophysiologist and psychophysicist!), I’ll leave the exact explanation out, but if you think of a 100 Hz tone, so with a period of 10 ms, pressing the button at any point other than at precisely 0 ms and 10 ms cuts down the sine. The result is almost exactly the same as if you cut down the sine at the start: if you remove the first 2.5 ms of a 10 ms sine, it should be at maximum amplitude, right? So you hear a tick (of higher frequency). I believe what Adobe audition and most other programmes do is to avoid this annoying sound is to either start audio at zero crossings, or to put in tiny ‘ramp’, e.g. a 10 ms fade-in. When I first started working with vibrotactile stimuli applied to the fingers, I was told explicitly by my psychophysics teacher to always put in a ramp up and ramp down, because otherwise you can even feel a little tick on your fingers if you don’t apply sufficient envelope on your fade-in AND fade-out.
Hope that helps. Personally, I would keep the tone as continuing playing even after a participant presses the button, unless it’s absolutely necessary not to do so.
Best,
Michiel
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