Urban Cowboy Part 2

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Alayna Rother

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Aug 4, 2024, 4:09:38 PM8/4/24
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Firstoff, I guess everyone knows me as Daddy Steve Strange's boy. No, we were not related in blood, but Daddy Steve did me as he and Mama Sarah did to a lot of us wayward kids there at Gilley's, they made us feel as family. I guess they took me in as part of their real family more than any other cowboy there at that time, and I took to them as well. To me, they were more family than my real family at times, and I love them as much. I was part of the Gilley family of cowboys and cowgirls from right after I got out of the Navy in 1978 till it closed down. I was also the one who called the Pasadena Fire Department when I drove by the club when it was on fire and had the unpleasant task to tell Sherwood it was burning down, but that is another story that I will not go into.

People have asked me how was it to be in a movie with John Travolta, Debra Winger, Scott Glenn and all the other great people that were in Urban Cowboy. Well, I loved every minute of it. I tell them that it was the only job that ever paid me to get drunk...lol. I can tell you that I would not have missed being in it all the world. I met a lot of people there who were extras and all the great stars, and I will cherish it forever. And many of them I still consider them friends.


Well, one Saturday morning I came into Gilley's several months before they started shooting because I was going to be running the bull later that day. I wanted to make sure the bulls were in good running order and make any repairs that needed to be done. Daddy Steve was already there at the bull with some people I didn't know as of yet, but that was nothing unusual. Steve saw me come in and met me near the front bar and told me that he had some people he wanted me to meet, and they wanted to watch me do my drunk act on the bull, which was something that Gator and me could do with no problems whatsoever. I told Steve that I wasn't feeling like doing it but he insisted so I agreed. I got myself a beer and walked on over to the bull and fell right into my act of slurring my words and spilling my beer at the bull station. Steve was grinning and told the guys there with him, "See, I told he was good at it." They were all smiling and getting into the act with me which just made the act so much better. I climbed up on the bull, well maybe not so graceful, but I was damn near falling off each time I tired to get on. After finally getting on, Steve started it up throwing me all over it and making it sound like I was killing myself. Steve tossed out a rag, which was my cue to where I was to land when I was ready, which I did and landed right on the spot. When I got off the mats and walked over to Steve, he introduced me to Jim Bridges and explained to me that they were going to make a movie there at Gilley's and it was going to be called Urban Cowboy. I looked at Steve and to Jim and started to laugh because I, at the time, believed that they were trying to bullshit me and I wasn't going to fall for that. As I walked away, Steve told me that they were going to be making a movie and I had just did an audition and they wanted me to be an extra in it. I said ok, but I at the time I still had my doubts.


I am now 65 and have my own business. I am a pilot/escort owner/operator which means I am the guy who makes some of you on the roads mad because I am blocking you from killing yourself when you try to pass some of those oversize loads and block you from doing stupid stuff. I now live in Livingston, Texas, and have been back in Texas this last time since 2014. I had been living in Arizona and New Mexico, but I will not be moving again. So, these are my stories and I hope you all enjoyed them. I have many others stories about things that happened at Gilley's, and some about things that happened during the movie, but some of them I will never tell because if you weren't there, you would never believe them.


Texas Hot Country Magazine. View All Articles. URBAN COWBOY EXTRA ROBERT WRIGHT, CENTER, WITH SCOTT GLENN AND UNIDENTIFED EXTRA

-cowboy-extra-robert-wright-center-with-scott-glenn-and-unidentifed-extra


Can we get a yeehaw?! If your bride-tribe is in the mood to dance, this is a must stop on your Nashville Bachelorette party tour. Grab your girls, your boots, and head over to Urban Cowboy for a good night of line dancing with your besties. And don't worry, if you have two left feet or you can already cut a rug, your cowboy instructor Will is ready to help all skill levels.


Stag & Hen is an online boutique specializing in cute, classy and high-quality bachelorette party gifts, decorations and planning resources. At Stag & Hen you'll find everything you need to plan an unforgettable bachelorette weekend!


Urban Cowboy is a timeless romantic Western that takes place in the 1980s. It beautifully portrays the complex love-hate dynamic between two seemingly incompatible characters: Buford Uan "Bud" Davis, portrayed brilliantly by John Travolta, and Sissy, played by the talented Debra Winger. The film takes us on Bud's captivating journey from his humble Texas hometown to the bustling city of Houston, where he secures a job at the renowned Gilley's Club, a local honky-tonk bar. Despite their initial differences, Buford and Sissy are eventually drawn together as they attempt to navigate their way through the obstacles they face during their time in Houston. As they progress through the film, Buford and Sissy come to realize that true love often triumphs over adversity.


Urban Cowboy received positive reviews from critics. On Rotten Tomatoes, the film holds a 70% "Fresh" rating based on 23 reviews. Vincent Canby of The New York Times described it as "not only most entertaining but also first-rate social criticism." Variety praised director James Bridges for capturing the atmosphere of Gilley's Club, one of the most famous chip-kicker hangouts.


The film brought attention to Pasadena and Houston, with celebrities like Andy Warhol and Jerry Hall attending the premiere. Mickey Gilley's career saw a revival, and the film's soundtrack sparked a music movement.


The success of Urban Cowboy led to a mainstream revival of country music, with the term "Urban Cowboy" used to describe the soft-core country music of the early 1980s. Artists like Kenny Rogers, Dolly Parton, Johnny Lee, and Janie Fricke became synonymous with the mellow sounds featured in the movie. This musical style dominated country music sales during the early to mid-'80s.


The majority of the scenes from Urban Cowboy were shot in Houston, Texas, which provided a unique backdrop for the film. The city's expansive skyline of downtown buildings juxtaposed with the lush countryside of nearby ranches gave a stunningly beautiful contrast that could be seen throughout the movie. The natural beauty of the area made it perfect for filming outdoor scenes such as rodeo events and dance hall parties. Nearby areas such as Galveston Island and San Antonio were also used to give further depth to certain aspects of the story.


Sissy is depicted working with a tow truck, pulling a car. The scene showcases Sissy's character as she demonstrates her skills and independence in a traditionally male-dominated field. The context of Sissy working with a tow truck adds to the authenticity of the film's portrayal of the urban cowboy culture and the characters' lives in Houston, Texas.


As one of the most scenic roads in Pasadena, Red Bluff Road offers breathtaking views and a sense of escape from the bustling city. This curving road winds through the hills, passing by beautiful homes and verdant greenery.


Wes (Scott Glenn) chews up and swallows something after drinking a bottle of tequila. Interestingly, this particular moment was not scripted but was improvised as a joke during the filming of the dailies.


This scene was filmed on Spencer Highway in Pasadena, a bustling thoroughfare that offers locals and visitors an array of options for dining, shopping, and entertainment. This busy street is home to numerous restaurants serving mouth-watering cuisine from all over the world. For those in need of retail therapy, Spencer Highway also boasts a variety of shops and stores.


There is a scene that takes place in Pam's (Madolyn Smith) Houston penthouse condominium. The luxurious penthouse, located on the 26th floor, serves as the home of the love interest of John Travolta's character. The scene showcases the interior of the condo, highlighting its elegant design and spaciousness.


The penthouse is found on Main Street in Houston, a vibrant hub of activity that is filled with bustling crowds, unique shops and restaurants, and fascinating historical landmarks. From iconic architecture to the stunning art installations scattered throughout the area, Main Street truly has something for everyone. Whether you're looking to grab a bite to eat, do some shopping, or simply soak in the atmosphere, Main Street offers endless opportunities for exploration. It's no wonder that so many locals and tourists alike flock to this lively Houston neighborhood every day.


Are you trying to find your way to 2016 Main Street in Houston? Houston is a sprawling city, but getting to your destination doesn't have to be a headache. Hop in your car and head towards downtown Houston. From there, find Main Street and drive south until you see the towering skyscraper of 2016 Main St.


Pam takes Bud, Bob (Barry Corbin), and Corene (Brooke Alderson) to a nightclub. In this scene, the characters enter the lively and bustling club, filled with people dancing, drinking, and enjoying the energetic atmosphere. The pulsating country music fills the air as Pam, Bud, Bob, and Corene join the crowd on the dance floor, showcasing their moves and immersing themselves in the vibrant nightlife.


This scene was filmed at 1885 Saint James Place in Houston. The area is home to a wide range of apartments, boutiques, art galleries, restaurants, and gathering spaces, making it the perfect destination for a delightful day out in the city.


Uncle Bob and Aunt Corene's house is portrayed as a warm and welcoming environment for the characters. The house is an integral part of the storyline, symbolizing familial connections and providing a sense of comfort and refuge.

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