Re: Major Rus Dizisi
Latrisha Adan
Majr gam arpejleri, mzikte sıklıkla kullanılan ve genellikle neşeli, canlı bir atmosfer oluşturan akor dizileridir. Bu arpejler, temelde bir majr akorun lleri zerine kurulmuş ve ardışık olarak alınarak oluşturulmuş notalardan oluşur. Majr gam arpejleri, bir enstrman alarken veya besteler oluştururken kullanıldığında melodik zenginlik ve duygusal derinlik katmanına yardımcı olabilir. Bu yazıda, majr gam arpejlerinin ne olduğunu, nasıl oluşturulduğunu ve alındığını daha yakından inceleyeceğiz. Mzik eğitimi iin olmazsa olmaz bu alışmaları hemen yapmaya başlayabilirsiniz...
Majr dizisi, temel olarak bir anahtardaki yedi notanın (do, re, mi, fa, sol, la, si) arasındaki dizidir. Bu dizideki her bir notanın, nceki notadan tam bir tona (iki perdeye) ykseldiği bir kalıptır. rneğin, C majr dizisi, C, D, E, F, G, A, B notalarından oluşur ve her notadan bir sonraki nota tam bir ton (iki perde) yukarıdadır. Bu dizide, yedinci notadan sonraki sekizinci nota, tekrar başlangı notası olan bir oktav yukarıdadır. Majr dizisi, mzikte temel akorların ve melodilerin oluşturulmasında nemli bir rol oynar ve mziğin temel yapı taşlarından biridir.
Sol majr gam gibi majr gam arpeji, bir anahtardaki majr gamın notalarının ardışık olarak alınmasıyla oluşturulan akor dizisidir. Majr arpej, temel bir majr akorun lleri zerine kurulmuş ve bu akorun notalarının sırasıyla alınmasıyla meydana gelir. Bir majr akor, genellikle birbirine er ton (drt perde) uzaklıkta olan nota ierir: bir kk nota, nc derece ve beşinci derece. Majr arpejde bu nota sırasıyla kk nota, majr l (kk, nc derece), beşinci derece ve ardından bir oktav yukarıdaki kk notadır. Majr gam arpejleri, mzikte yaygın olarak kullanılan ve neşeli, canlı bir his oluşturan akor dizileridir.
Majr gam arpejlerini alarken, temiz ve dzgn bir şekilde nota almak iin zen gsterin ve her birini eşit srelerle alın. Pratik yaparak, majr arpejleri almada becerinizi geliştirebilir ve mzikal yeteneklerinizi daha da genişletebilirsiniz.
Re majr gam arpej nedir ve Re majr gam arpej nasıl alınır sorunuza yanıt vermeye alıştık. Aşağıdaki videoyu izleyerek Re majr akoru ve Re majr dizisi hakkında bilgi sahibi olabilir, re majr gam arpej alabilirsiniz. Mzik kursu eğitmenlerimizin yardımı ile siz de re majr gam arpeji alabilirsiniz.
The Dizi is a Chinese transverseflute, also known as the common Chinese bambooflute, or the Chinese side-blown flute. It is widely usedin many genres of Chinese folk music, Chinese opera and in modernChinese orchestral music. It is played in a similar way to thewestern concert flute, as it is held horizontally and blown fromthe side. If this is new to you, it will require some practice andpatience before getting a good sound.
This particular Dizi is made of bamboo. It has been made inHuzhou, in the east of China. This Dizi is availablein various keys. If you're not looking for a Dizi in aspecific key we recommend one in the key of C. On awestern flute you would play the root note by covering all theholes, however, on a Dizi tuned to C major you would play a C note(the root note) by covering 3 holes.
The Dizi is characterized by its unique sound, which is theresult of a special extra hole that is found between thefingerholes and the blowing hole. This is called the Membrane, orthe Mo Kong. This hole is covered by a thin piece of paper, called 'Di Mo'.
You can attach the Dimo paper to the membrane hole with some ofthe special glue (both included). It is also possible (and evenrecommended for beginners) to just put a piece of tape over theMembrane hole instead of using Di Mo paper.
Most dizi are made of bamboo, which explains why dizi are sometimes known by simple names such as Chinese bamboo flute. However, "bamboo" is perhaps more of a Chinese instrument classification like "woodwind" in the West. Northern Chinese dizi are made from purple or violet bamboo, while dizi made in Suzhou and Hangzhou are made from white bamboo. Dizi produced in southern Chinese regions such as Chaozhou are often made of very slender, lightweight, light-colored bamboo and are much quieter in tone.
These flutes share common features with other simple flutes from cultures all around the world. Multiple examples from different cultures consist of a drilled piece of bone, which is well-suited as a material due to its hollow nature. The earliest known examples of bone flutes date back around 42,000 years ago.[6]
On traditional dizi the finger-holes are spaced approximately equidistant, which produces a temperament of mixed whole-tone and three-quarter-tone intervals. Zheng also repositioned the figure-holes to change the notes produced.[7] During the middle of the 20th century dizi makers further changed the finger hole placements to allow for playing in equal temperament, as demanded by new musical developments and compositions, although the traditional dizi continue to be used for purposes such as kunqu accompaniment.
In the 1930s, an 11-hole, fully chromatic version of the dizi was created called the xindi (新笛), pitched in the same range as the western flute. However, the modified dizi's extra tone holes prevent the effective use of the membrane, so this instrument lacks the inherent timbre of the traditional dizi family.[citation needed]
Contemporary 'dizi' styles or schools based on the professional conservatory repertory are divided into two: Northern and Southern, each style having different preferences in dizi and playing techniques, with different methods for embellishment and ornamentation of the melody.[9]
Dizi are often played using various "advanced" techniques, such as circular breathing, slides, popped notes, harmonics, "flying finger" trills, multiphonics, fluttertonguing, and double-tonguing, which are also common in similar instruments, such as the western concert flute and recorder. Most professional players have a set of seven dizi, each in a different key (and size). Additionally, master players and those seeking distinctive sounds such as birdsong may use extremely small or very large dizi.
There have been several major performers of the 20th century who have contributed to dizi playing in the new conservatory professional concert repertory, often based on or adapted from regional folk styles. Following the Chinese Communist Revolution, and according to the Yan'an forum talks, the instrument was appreaciated for its popular roots, and used extensively in revolutionary music.[10][11]
In 1953, Feng was appointed to the state-supported Central Song and Dance Ensemble in Beijing as dizi soloist, and accepted a teaching post at the China Conservatory of Music (Beijing) in 1964.
Lu has performed in many countries as well as throughout China and has made many recordings. His dizi playing style has become representative of the Jiangnan dizi tradition in general. He is well known as a longtime member of the famous Jiangnan sizhu music performance quartet consisting of Lu Chunling, Zhou Hao, Zhou Hui, and Ma Shenglong. His compositions include Jinxi (Today and Yesterday).
Because of his middle-class background, Zhao suffered in the political campaigns of the 1950s and 1960s and was not allowed to perform, instead he taught many students who went on to become leading professional dizi players, and to refine dizi design. He was reinstated in his former positions in 1976.
Tang Junqiao (唐俊乔) is a practitioner with international performances alongside Shanghai Symphony Orchestra, New York Philharmonic, and London Symphony Orchestra, as well as in movie Crouching Tiger, Hidden Dragon.[12]
All Conservatory undergraduate students including Chinese instrument majors pursue a five-year program leading to two degrees: the bachelor of music and the bachelor of arts in a field other than music. Bard College is widely respected for its challenging and comprehensive liberal arts program, offering more than 40 majors and concentrations in the arts, sciences, and humanities. Learn more about the Bard Conservatory double-degree program HERE and the Bard College liberal arts curriculum HERE.The Chinese instrument major closely follows the curriculum of the rest of the Conservatory, while offering courses specially designed to provide a comprehensive background in Chinese musical forms and traditions.
In ancient China, the guqin was once considered essential to the development of a cultured individual. Over thousands of years, the guqin has been closely associated with Chinese philosophy and the arts, and is currently enjoying a resurgence in popularity. In the spirit of the ancient tradition, the Department of Asian Studies and the US-China Music Institute in the Conservatory of Music offer a joint five-year double-degree major in guqin performance and Chinese studies. This program is appropriate for students with strong musical backgrounds and an interest in Chinese history, arts and culture. Prior knowledge of the guqin is recommended but not required.
İyonya modunun ardından, Aeolian modu batı mziğindeki en popler modlardan biridir. Bir enstrman ğrendiğinizde, bilseniz de bilmeseniz de Aeolian modu muhtemelen ğrendiğiniz ilk modlardan biridir.
Modları benzersiz kılan şey, majr gamlarla ilişkili olarak farklı tatlara sahip olmalarıdır. Batı mziğinde, her biri farklı bir gam derecesinde bir majr gam başlatılarak alınabilen yedi benzersiz modumuz vardır.
Aeolian modu, modal serideki birka minr moddan biridir. Buna minr mod dememizin nedeni, nc gam derecesinin yarım basamak alaltılarak minr nc derece haline getirilmesidir. Aeolian modu bu şekilde Dorian moduna ok benzer, ancak temel fark Aeolian modunun alaltılmış bir altıncı veya minr altıncıya sahip olmasıdır.
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