The Confession (2010)

[Jesper Sahu]

TheConfession is a 2010 British melodramatic short film. It was directed by Tanel Toom, and written by Caroline Bruckner and Tanel Toom. The film follows a boy named Sam who can't think of any sins to tell the priest at his first confession. He worries that he won't be a real Catholic if the priest doesn't absolve him of some misdeed. Jacob, Sam's friend, devises a solution in the form of a prank, but the result is tragic.

Sam, an eight-year-old attending a Catholic school, and his trouble making friend Jacob prepare for their first confession. Their class is given a list of sins that children can confess. These include "bullying" and "swearing" among others. Sam pores over the list but is unable to come up with a sin he has done. Sam asks Jacob what he will confess. Jacob states that he would mention not listening to his mother and locking his sister in the closet. Sam feels like he will not be a true Catholic if he cannot be absolved, so he turns to Jacob to suggest a sin Sam could commit and then confess to.

In school the next day Sam runs out of his class into the bathroom, unable to deal with what he has done. Jacob runs after him and tells him that no one knows that he has to keep it together. Jacob tells Sam to meet him at the tree where they hid the scarecrow after dinner.

The next day Sam goes to church early in the morning in his robes to have his first confession. While the Priest states that confession does not start until later, Sam insists that he confess his sins now. The Priest, seeing that something is clearly troubling Sam, agrees.

Confessions (告白, Kokuhaku) is a 2010 Japanese psychological thriller film directed by Tetsuya Nakashima and based on author Kanae Minato's 2008 debut mystery novel, which won the 2009 Honya Taisho award (Japan Booksellers Award).[2] The film was both a commercial and critical success. It was awarded Best Picture at the 34th Japan Academy Prize and 53rd Blue Ribbon Awards and was shortlisted at the 83rd Academy Awards for Best Foreign Language Film.

Junior high school teacher Yuko Moriguchi (Takako Matsu) announces to her rowdy, disrespectful class that she will resign before spring break. She explains that because the HIV-positive father of her four-year-old daughter Manami was ill, she used to bring the girl to school with her. One day, Manami was found drowned in the school swimming pool. She explains that two students in her class, whom she dubs "Student A" and "Student B", had murdered her daughter. Yuko had found a small bunny purse among Manami's belongings which did not belong there, which led her to question Shuya Watanabe, one of her students. Shuya, Student A, admits to killing Manami, and rushes towards the window, feigning that he is about to jump out of regret. He then mocks her compassionate reaction with, "Just kidding."

Having revealed their identities, Yuko explains that because the killers, as minors, are protected by the Juvenile Law of 1947, turning them in wouldn't make a difference. As a teacher, she believes she must teach them a lesson by making them amend for their mistakes. She reveals she injected Manami's father's HIV-contaminated blood in the milk cartons of the two students who murdered Manami. The rest of the film switches between the aftermath of Yuko's confession and the events before the confession through first-person narratives from Yuko and three of her students.

Naoki Shimomura, Student B, becomes a shut-in because he believes he has contracted AIDS from drinking the contaminated milk. His mother realizes her son was involved in Manami's death and decides to commit murder-suicide to free both of them from their torment. However, in the ensuing struggle, Naoki kills his mother and the police arrest him. Meanwhile, Shuya explains that his mother abused him before leaving to pursue her scientific career. Her abandonment drove him to thrive in science, from making small inventions to recording his killing and dissecting of animals.

Shuya's first public invention, an electric anti-mugger wallet, earned him a science fair award, but failed to make headlines as the media was distracted by the "Lunacy Murder" case. He upgraded the anti-mugger wallet, decided to try it out on someone, and roped Naoki in to help. They decided to test the wallet on Yuko's daughter, but when they did so, the girl was rendered unconscious. Shuya mistook this as death. Enraged, Naoki threw Manami into the pool where she drowned, proving that he was the real killer. Classmate Mizuki Kitahara tells Shuya that she believes Yuko lied about the contaminated milk as it was an implausible method of transmission. Mizuki confesses to him that she identifies with the girl in the "Lunacy Murder" case, who poisoned her parents. The two become romantically involved, but Shuya kills Mizuki after a confrontation over his abandonment complex.

Shuya visits the university where his mother works, expecting to reunite with her, but discovers she has remarried. Believing she has forgotten him, he plants a bomb in his school where the graduation ceremony is to be held and he is to give a speech. To his surprise, the bomb does not go off. Shuya receives a call from Yuko, who says that she relocated the bomb to his mother's office. She explains that it is her ultimate revenge, to let Shuya's mother die by his own hand, and claims that with her revenge completed, Shuya's path to redemption has begun. Yuko then chuckles and says, "Just kidding."

Soon after the film had started showing in 266 cinemas, it had already grossed 269,835,200 with 194,893 audiences, breaking the record previously held by I Give My First Love to You. It kept grossing and became the highest grossing film for 4 consecutive weeks in June. It grossed over 3.5 billion in the 8th screening week.[citation needed] The gross revenue finally reached a total of 3.85 billion in Japan.[3] It is ranked as the 7th highest-grossing Japanese film in 2010.[4] The film also grossed $2,625,175 overseas in other Asian countries, bringing the worldwide total to $45,203,103.[1]

The film received a widespread positive response globally, with critics praising a variety of factors including good adaptation from the book, the director's style, and the acting, particularly by the child actors. The film holds an 81% 'fresh' average score at Rotten Tomatoes.[5] Seongyong Cho of RogerEbert.com called it a "gut-chilling Japanese thriller".[6] One notable negative review came from Mark Kermode of the BBC, who said that its style made it 'virtually impenetrable on an emotional level'.[7]

The film was selected as the Japanese entry for the Best Foreign Language Film at the 83rd Academy Awards.[9] In January 2011, it made the January shortlist and advanced to the next round of voting.[10] In Japan, it firstly won Best Film and Best Supporting Actress at the 53rd Blue Ribbon Awards, which is one of the most prestigious national cinema awards in Japan. Then, it won the awards for Best Film, Best Director, Best Screenplay and Best Editor at the 34th Japan Academy Prize.[11][12] Also, it had six nominations in 5th Asian Film Awards, which is one of the films with most nominations (with Let the Bullets Fly).

In April, the film won Best Asian Film (similar to Best Foreign Language Film, though only Asian films which have been screened in Hong Kong are admitted to join) at the 30th Hong Kong Film Awards. At the 31st Hong Kong Film Awards, the category of Best Asian Film was replaced by a new category called Best Film of Mainland and Taiwan which means that only Mainland Chinese and Taiwanese films can remain to compete for such an award. Therefore, Confessions has become the last winner of Best Asian Film.

After choking and beating Stephany Flores Ramirez in the face, a drunken Joran van der Sloot killed the young Peruvian by smothering her with his bloodied shirt so she would not be able to go to the police, the Dutch murder suspect told investigators, according to a transcript of his confession.

When he explained that the message was a threat pertaining to his connection to Holloway's disappearance, Flores freaked out and lashed out at him, according to a transcript of his confession obtained by the Associated Press.

\"There was blood everywhere. What am I going to do now? I had blood on my shirt. There was also blood on the bed, so I took off my shirt and put it on her face, pressing hard, until I killed Stephany,\" he said.

Every sacrament imparts its own particular grace. The sacramental grace of confession is primarily the forgiveness of sins, but it is also, secondarily, the spiritual strengthening of the soul. This is why it is called a sacrament of healing. It heals (reconciles) our relationships with God and with the Church, which have been wounded or broken by personal sin, and at the same time strengthens those relationships. When we break a bone, the body will repair it with an extra dose of calcium, so that the bone is actually stronger at the break point after the healing than it was before the injury. Something similar happens with confession. God pours out his strengthening grace in a special way on the aspects of our spiritual organism, so to speak, that we present to him in confession.

Sam can't think of any sins to tell the priest at his first confession. He worries that he won't be a real Catholic if the priest doesn't absolve him of some misdeed. Jacob, Sam's friend, devises a solution in the form of a prank, but the result is tragic.

Quiet and sincere 9-year-old Sam is worried about making his first confession. His conscience is clear, therefore he cannot hope for any relief from the experience. He and his friend Jacob decide to remedy that situation, but their initially innocent prank turns unexpectedly tragic.

With their first confession looming large, two young lads - "Sam" (Lewis Howlett) and his best pal "Jacob" (Joe Eales) are quite apprehensive. They've no real need to be - it's not like they are axe-murderers or anything, but maybe that's the problem. They have done nothing, not even the slightest naughty thing. Moreover, they don't want to war a frock either... A rehearsal - yep, let's use a bag of crisps as the communion wafer then what might they actually say when it comes down to it? Methinks a prank is in order - otherwise the priest will be bored! Into the farmer's field they go to make s... read the rest.

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