Download Luigi 39;s Mansion Dark Moon _BEST_
Samatha Zwiefelhofer
King Boo, who escaped his painting after the events of the first game, shatters the Dark Moon, a large crystalline object which has a pacifying effect on the ghosts that inhabit Evershade Valley, using the magical jewel embedded in his crown. This causes the ghosts to suddenly become hostile, forcing the Professor to take shelter in a bunker while a dark, eerie fog covers the valley. The Professor immediately contacts Luigi and sends him to the bunker. He tells Luigi to collect the five pieces of the Dark Moon, which have been scattered to different mansions, to clear out the fog and restore peace to Evershade Valley[7] and capture and contain the ghosts before they leave the valley and wreak havoc on the rest of the world. To help Luigi, he provides him with several gadgets: a flashlight; the Poltergust 5000, an upgraded version of the Poltergust 3000; the Dual Scream, a DS-like device used for communication purposes; and the Dark-Light Device, a special lens used for uncovering hidden objects.
I lov both games, the original seemed more "dark" and creepy...and quiet...loved the portrait ghosts. While Dark Moon has more mansions, a longer story mode...and I love the bosses, and how they possess whatever and attack you with it. (I love the clock for some reason, maybe its the music. xD)
Also love DM's humor with Luigi, lots of funny scenes. (one of my favorites is when he finds the portals, and starts waving to himself, lol)
I still like the original better because of that lovely atmosphere, luigi's comments on everything, the secrets, and of course, the outstanding bosses. Sure, Dark Moon had bosses, but to be honest, they really weren't that special, excluding the treacherous mansion boss, and of course the final boss.
Luigi is a reluctant hero, more or less forced into once again taking up the mantle of ghost wrangler by professor E. Gadd. The kooky professor's docile spectral assistants turn hostile when the magical dark moon vanishes from the sky over Evershade Valley, and old Elvin Gadd conscripts Luigi into service, sending him into the valley's creepy old domiciles to retrieve the artifact's scattered pieces. The professor's idea of humor is so groan-worthy that it may elicit a few reluctant chuckles--in a self-proclaimed moment of genius, for instance, he decides to start referring to the modified DS he gives Luigi as the Dual Scream--but for the most part, the game's humor comes not from its writing, but from its animation. You observe ghosts getting up to all sorts of amusing mischief, and Luigi's encounters with traps often result in him getting knocked about in ways that Buster Keaton might have approved of. The sound design supports the game's silly spookiness, as Luigi often inexplicably hums along with the gently foreboding music.
With the aid of his not-so-trusty pixelator device, E. Gadd transports Luigi into the game's mansions, always with a specific goal or set of goals to accomplish. Whether these goals involve recovering pieces of a machine ghosts have made off with or rescuing one of E. Gadd's familiar-looking assistants, accomplishing your task always involves a combination of solving puzzles and catching ghosts. Any lever, painting, fountain, plant, or other object might be crucial to your progress, so solving puzzles often requires both careful observation and the use of your darklight, which can reveal objects that pesky ghosts have turned invisible, as well as do things like illuminate the paw prints of playful ghost pooches, called polterpups. The layouts of the mansions can make it tricky to figure out how to get from where you are to where you need to be, and working out the solution often brings with it a pleasant "aha!" moment as things click into place.
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