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[Fatima Teem]

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Be strong. Boldly state that you are different. Make decisions that reflect your true self. Express who you really are, without being overwhelmed of the fear of rejection. Understand that you are worthy, just as you are, no matter what you share on your timeline and no matter how manylikes it does or does not receive.

We get so caught up in the game of social media, we start believing we have to play by the rules given to us. Instagram is built to hold your attention for as long as possible and grab your eyeballs as often as possible. They want you coming back again and again, for longer and longer. They tell you in order to win this game, you just have to post more, get more likes, and get more followers. The more you sign in, the more you post, the more you get, and the more you win.

The challenge is to keep the upsides, but get rid of the downsides. We can stop letting social media lure us in and rule the game, and instead we can take charge. We can be in control. We can make our own rules.

Social media and I are already at odds on one major front: Social media does not like mistakes and imperfections. And I love mistakes and imperfections. Social media likes squeaky-clean-polished work, gallery-ready art, and magazine-photoshoot-ready desk shots. I like wandering process work, quick doodles, and my desk is always a mess.

So what do we do? Do we change our work to cater to the stranger-filled-mass of Instagram? Do we erase all the stray marks, clean up our desk, and obsess over photo editing every time we post a drawing? Do we change who we are to win the social media game?

We can so easily get caught up in the pursuit of pleasing others, and social media amplifies that tendency. We begin to see trends in what people like, and we begin to create for that random, ambiguous group of people, when we need to be creating only for one person: ourself.

Do what you have to do to make social media work for you. Find other outlets for sharing your work if you have to. I just want you to make more art. And I want you to share your art, because I want to see it.

I get stuck on database tables design for handling this functionality. Solution is trivial, if we can do this only for one type of thing (eg. photos). But I need to enable this for 5 different things (for now, but I also assume that this number can grow, as the whole service grows).

The question is, how to properly, efficiently and elastically design the database, so that it can store comments for different tables, likes for different tables and tags for them. Some design pattern as answer will be best ;)

Detailed description:I have a table User with some user data, and 3 more tables: Photo with photographs, Articles with articles, Places with places. I want to enable any logged user to:

I will create a table ElementType [idType, TypeName == some table name] which will be populated by the administrator (me) with the names of tables that can be liked, commented or tagged. Then I will create tables:

The most extensible solution is to have just one "base" table (connected to "likes", tags and comments), and "inherit" all other tables from it. Adding a new kind of entity involves just adding a new "inherited" table - it then automatically plugs into the whole like/tag/comment machinery.

Otherwise, learn to love your database. A well designed database simplifies programming, engineering the site, and smooths its continuing operation. Even an experienced d/b designer will not have complete and perfect foresight: some schema changes down the road will be needed as usage patterns emerge or requirements change.

If this is a one man project, program the database interface into simple operations using stored procedures: add_user, update_user, add_comment, add_like, upload_photo, list_comments, etc. Do not embed the schema into even one line of code. In this manner, the database schema can be changed without affecting any code: only the stored procedures should know about the schema.

You may have to refactor the schema several times. This is normal. Don't worry about getting it perfect the first time. Just make it functional enough to prototype an initial design. If you have the luxury of time, use it some, and then delete the schema and do it again. It is always better the second time.

Definitely go with the second approach where you have one table and store the element type for each row, it will give you a lot more flexibility. Basically when something can logically be done with fewer tables it is almost always better to go with fewer tables. One advantage that comes to my mind right now about your particular case, consider you want to delete all liked elements of a certain user, with your first approach you need to issue one query for each element type but with the second approach it can be done with only one query or consider when you want to add a new element type, with the first approach it involves creating a new table for each new type but with the second approach you shouldn't do anything...

We are likely to put some attention towards this in the not too distant future (and will seek more input about the design with regards to how not to count negative or neutral reactions as likes when we do).

But before we do that, I think we are likely to do this: Add ... option to Discourse Reactions, which is now unblocked since we have: Support more management to emoji reaction in chat? - #14 by mcwumbly

It would be great if the reactions had a score from -5 to +5. This would allow you to have more scenarios for using reactions. For example, convert points to points for other plugins, make comments with a negative number of points invisible,

improve or worsen reputation, etc.

I hate to say this aloud, but not whole world thinks american way what is appropiate and what is not. A bad example but up here on other side of big ocean something like t*ts is considered really childish but that is not situation world wide. Same thing how people react to reactions.

Not me either But perhaps an american way to be pseudo-overpositive (from my point of view, of course) but at same time be very conservative, authoritative and even using heavily double standards when dictating what is tolerable.

Is there any progress for this topic? I think that many Discourse communities which use reactions see more reactions used over likes. So the calculations or trust levels will be heavily affected already.

Note the ongoing discussion Enhance About page website statistics. Perhaps we can consider how we can enhance the statistics feature that is the subject of that discussion in order to offer convenient access to information that might help us with the issue of this discussion.

My tremendous gratitude for the insight of Work Appropriate producer Melody Rowell, the most knowledgeable Swiftie I know, who helped me think through several aspects of this piece. All mistakes in the gossip or T-Swift timeline are mine alone.

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Last week, I was off the internet save an occasional scroll of Instagram. There, the news reached me: Taylor Swift may or may not be dating a very good and handsome football player named Travis Kelce. We know this is true because she showed up in the luxury box to watch him play \u2014 and while there, she hugged his mom. I mean, this is great gossip. Wholesome, low-stakes, so many avenues for speculation \u2014 as always, Swift knows how to give her fans what they didn\u2019t even realize they wanted.

But let\u2019s fill in the blanks a little. First off, you should know that Swift is in a lull between dates on the most successful tour ever. The theater experience of that tour comes out next week, but that\u2019s already packaged and shipped. In November, she\u2019ll play three shows in Brazil, but then she\u2019s off until early February, when she heads to Tokyo to begin a sold-out worldwide swing through the summer, eventually heading back to the U.S. and Canada in Fall 2024. Swift is a person who likes to work. There\u2019s no judgment here; I like to work too. But right now, she\u2019s not.

The other important piece of information is that Swift recently ended her relationship with Joe Alwyn, who sportswriter Devin Gordon aptly describes as \u201Ca soft-spoken actor who was in stuff you haven\u2019t seen.\u201D In contrast to her previous, very public relationships (with Joe Jonas, Taylor Lautner, John Mayer, Jake Gyllenhaal, Conor Kennedy, Harry Styles, Calvin Harris, and Tom Hiddleston) Swift and Alwyn\u2019s romance was kept quiet. They dated in quasi-secrecy for a year before getting spotted together at an Ed Sheeran show. Over the course of their six year relationship, they were only very occasionally caught by the paparazzi; the most overt shows of affection were the appearance of Alwyn\u2019s name (under the pseudonym William Bowery) in the musical credits on Swift\u2019s albums.

You could attribute this relative secrecy to Alwyn\u2019s preferences, or the pandemic, or you could see it as a general retrenchment after overexposure. Swift \u2014 and/or Swift\u2019s publicity team \u2014 understood that there comes a certain point when the celebrity-consuming public grows weary of news of even its most beloved figures. Which is precisely what had happened to Swift in 2016, in the wake of the release of 1989, her breakup with Calvin Harris, and her fledging relationship with Tom Hiddleston, which began with footage of them dancing at the Met Gala and peaked with shots of Hiddleston wearing an \u201CI \u2665\uFE0F T.S.\u201D tank top at the beach with Swift\u2019s friends on the Fourth of July.

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