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For this reason, there have been no movie appearances for nearly five years since 2005, except for that [Where the Himalayan Wind Stays]. It was a regrettable move for the fans, as they showed a lot of interest in the future of actor Choi Min-sik, both domestically and abroad, by showing off the best acting in a work called Old Boy. As introduced above, it is unknown whether he rejected it first or the offer to appear was cut off because he had a difficult relationship with the film industry. However, in the case of the latter, the weight is on the image of a movie star due to the appearance of a private loan advertisement, so the offer was almost cut off in Chungmuro for a while. It cannot be denied that he was an outcast in Chungmuro, which occupies key positions. However, he made a comeback in the 2010 movie 《I Saw the Devil》, playing the role of killer Jang Gyeong-cheol and receiving favorable reviews for his immersive acting. There was an opinion that the movie would fail at the box office because it was so brutal, but Choi Min-sik's performance must have played a significant role in recording a high score compared to the brutality, and Choi Min-sik successfully settled again in the film industry.
2.1. Acting skills[edit]
With strong emotional expression based on method acting and unique charisma and ability to create an atmosphere, not only heavy characters in the noir and thriller genres, but also intelligent teachers, psychopaths, powerless petit bourgeois, mean-spirited criminals, stupid comic characters, politicians, As you can see from the filmography under the general, it is an acting ability that can handle virtually all roles, and it is not an exaggeration to say that the character Choi Min-sik played has reached the level of acting, even if the movie fails in box office or critically. Choi Min-sik took Dongguk University's Department of Theater and Film → Theater → Broadcast Drama → Film Tech Tree. It is a story that he has experienced all major stages as an actor. Not to mention, Choi Min-sik has a very wide range of acting, capable of digesting not only positive plays but also light comedies. It is really hard to find an elite course actor with such a three-dimensional career as an actor. However, recently, there is a tendency to avoid such bold character acting, perhaps because the acting image that the public remembers is too strong.

The great thing about Choi Min-sik is that he is an actor who has consistently been in the center of the crowd and has been attracting attention from his college days, when he was an aspiring actor, to the present day, while pursuing a standard tech tree as an actor, and at the same time not experiencing obscurity. In fact, during his time at Dongguk University, he was considered one of the best acting aces in the Department of Yeonyoung, and in the 1980s, when he was immersed in theater, he was already recognized as a monster newcomer in the Korean theater world through a work called 'Equus'. He also made the greatest hits of the time, including The Moon in Seoul, in dramas, and in the movie version, needless to say, he became the main character. Although there may have been personal ups and downs in the middle, Choi Min-sik has been consistently recognized as an acting monster or an actor who has reached the stage. For example, in the case of Jeon Do-yeon and Lee Byung-hun, who are regarded as great actors as much as Choi Min-sik, they made their debut on the broadcasting stage without going through theater and film departments and theatrical stage, and for a while, they were recognized as 'young stars with no skills and only good visuals', and Song Kang-ho has never appeared in a drama. He had never appeared in the film industry and had to go through starving days as an unknown theater actor before becoming a scene stealer in the film industry. It is rare to find an actor who has consistently received attention without going through obscurity and has experienced all of the classic tech trees.

Lee Byung-hun, who does the same authentic method acting, also shows tremendous method acting, but it is unreasonable to say that he has reached the status of Choi Min-sik yet in terms of big characters or impact left in film history.[19] Song Kang-ho, who can be said to be a rival, competes with a daily life method that is a little far from method acting, so Choi Min-sik is the best in Korea for simple method acting. In fact, this is also the reason Choi Min-sik and Song Kang-ho are rivals. Both of them have the best acting skills and filmography of all time, but they act in completely different styles, so it is impossible to distinguish between them. If Choi Min-shik's strength is in his hot acting that burns endlessly, Song Kang-ho's perfectly restrained and accurate acting is unrivaled. Conversely, if Song Kang-ho has a good understanding of natural emotional delivery and daily acting, Choi Min-sik is very good at digesting various types of characters. Overseas, the relationship between Tom Hanks and Daniel Day-Lewis is comparable to Song Kang-ho and Choi Min-sik. In fact, in terms of the acting style that the audience feels, the relationship between the older actors Al Pacino and Robert De Niro is more similar. In this case, the course of an actor's career also fits to some extent. Director Park Chan-wook evaluated that classicist Choi Min-shik and naturalist Song Kang-ho are two strong pillars of the Korean film industry.