Hi Folks, Roy here :-)
Thanks for all of the interest. I am studying a symmetrical
understanding of music. It's a formulation of harmony using the three
diminished arpeggios to organize everything else. It's unbelievably
powerful. It's also really hard to learn on the conventional
keyboard, but becomes very clear on my keyboard. The color scheme I
use emphasizes families of dominants, and the scales I use include for
example in the Major, a dominant on the 5th and a dominant on the
3rd... one for the Major, and one for the relative minor... it's very
powerful. I need to make more music video demos showing this, because
transposition is just one thing, but the understanding of theory that
comes from my system is really strong.
The names of the 12 notes going up chromatically from F, are Bae, Ree,
Wie, Boe, Ray, Wee, Bie, Roe, Way, Bee, Rie, Woe, and back to Bae.
These are pronounced so that they rhyme with the vowel names A, E, I,
and O (there is no U :-)
The concept is the first letter rotates through 3: B, R, and W for
Black, Red, and White, my colors. The vowel sound rotates through 4
choices, ae, ee, ie, and oe. Combining the 3 initial letters with the
4 vowel sounds yields 12 permutations, one for each note. The neat
thing is, there is complete symmetry of the mnemonics in every key.
For example, the vowel of the 1st and Maj3rd is always the same, the
first letter of the 1st and 3rd always moves through the rotation from
dark to light (black to red, red to white, white to black...) and so
forth for any property you observe,.. symmetry is maintained in every
key.
For those interested, I can forward a paper I have written with in
depth descriptions of the system. Many of you will fine a lot of the
into info completely familiar, but the description of my designs may
be of interest.
Does this group site have a place to upload documents?
Cheers