In addition to supporting authors, Hardy is eager to see more Black women fill traditional publishing roles but noted how challenging that is because of the way publishing relies on apprenticeships and internships.
Jeryl Brunner profiles people who are guided by a deep and unshakable passion for what they do. Following their joy inspires them to think outside the box, take risks and triumph. Her publishing credits includes O, the Oprah Magazine, Parade, The Wall Street Journal, InStyle, Travel Leisure and more. She is also the author of the book My City, My New York: Famous New Yorkers Share Their Favorite Places where hundreds of famous New Yorkers, including Tina Fey, Anthony Malkin, Matthew Broderick and Will Shortz share their favorite locales and things to do. She has been featured on TV and radio. Follow Jeryl on Twitter, @jerylbrunner or visit her website, jerylbrunner.com
With this theme in mind, IBPA is excited to announce that one of the three keynote presentations at the conference taking place May 4-6 in San Diego, CA, will feature a panel of highly respected industry leaders whose publishing businesses have spanned decades and have overcome every type of challenges along the way.
Founded in 1983 to support independent publishers nationwide, the Independent Book Publishers Association (IBPA) leads and serves the independent publishing community through advocacy, education, and tools for success. With over 4,000 members, IBPA is the largest publishing association in the U.S. Its vision is a world where every independent publisher has the access, knowledge, and tools needed to professionally engage in all aspects of an inclusive publishing industry. For more information, visit ibpa-online.org.
The list at the core of this site consists of over 575 books, broadsides, pamphlets, and more by more than 250 black authors that were likely self-published. The American Antiquarian Society holds an excellent collection of works published in early North America by black authors, so the list presented here started with the Society's holdings and the scope has been defined by the chronological limits of AAS's pre-twentieth century collecting policy. However, the list has already been greatly expanded so that more than half of the titles listed here are only held at other institutions (indicated with the tag "Not at AAS"). Further information is available about the methodology used to generate this list and the statistical findings thus far.
Many nineteenth-century authors were self-published. Rather than going through an established commercial publisher, the author made arrangements with a printer (often the local newspaper office) to print their pamphlet or sermon or work of history. Self-publishing is an interesting phenomenon to study because it removes one layer of mediation between an author and their published work - that of finding a commercial publisher willing to take on the financial risk of all the upfront printing costs. This may have been especially appealing to black authors who faced many racist obstacles limiting their access to print networks.
The core list of titles presented here is just the beginning. It is a place where scraps of additional publication information can be gathered and examined in relationship with one another. (See for instance the featured item: printing receipts for Rev. Offley's Narrative.) Both the lives of people of color and the practical logistics of publishing are underdocumented in archives. This makes studying black authors' access to print doubly difficult and each piece of evidence is all the more precious. We hope you will help us gather more!
Urban Books is a well-known, mainstream indie book publisher that specializes in urban novels that focus on African American themes. The New York-based publishing company was established by Carl Weber in 2002 and features Urban Renaissance Books, Urban Soul, and Urban Christian Books. Featured books include The Black Diamond Trilogy, Trapped Between Heaven and Hell and Testify.
Chicago Review Press is a publishing company that was founded in 1973. Currently, they have six imprints including Lawrence Hill Books, Ball Publishing, Chicago Review Press, Zephyr Press, Parenting Press and Academy Chicago.
Chicago Review Press is interested in publishing high-quality non-fiction. They are looking for African American non-fiction, autobiography/biography, food and drink (but not cookbooks), DIY, history, film, and more as specified on their website. Before sending a proposal, an email with a brief query to one of the editors is mandatory. Chicago Review Press is currently accepting only non-fiction manuscripts and you can find more details about their submission process here.
This is one of the oldest publishing companies in Chicago and is still in operation. Third World Press was founded by Haki R. Madhubuti in 1967 and offers a range of fiction and poetry, nonfiction, criticism and young adult and children books. Their publications include The Classroom and the Cell, By Any Necessary Means, and The Magic of Juju. Their quality literature focuses primarily on critique, issues, and themes related to the African American public. The publisher has a mission to avail this literature to many individuals including African American readers who are the primary target.
BearManor Media was established in 2001 by Ben Ohmart, its founder. Located in Albany, BearManor Media is a publishing house that focuses on a unique genre, publishing books about theater, films, TV, historical, radio and animation. Their catalog features over 900 subjects.
Some of the rare autobiographies that BearManor Media publishes include showbiz legends, famous voice actors, writers, directors and African American showbiz legends. The publishing house has received content from known authors such as Kathy Gaver, Christopher Knoph, and Tom Sawyer. For fiction and non-film submissions, the company only accepts eBooks. To find out how to submit, click this link.
2Leaf Press is a New York based publisher promoting multicultural literature. Since their inception, the company has been driven to challenge the prevalent status quo by publishing quality titles in alternative fiction, poetry, and non-fiction. They also publish titles by activists and scholars. Some of their best work includes Black Lives Have Always Mattered which is a collection of essays, anthologies, and poems by black authors in America. While the company is currently closed to submissions, you can keep checking this page for details about their open submission period.
Many publishing companies have a genre specialization they excel in, and it is imperative that you research well to find one that suits your niche before approaching them. Once you have submitted your manuscript, be patient and give them time to come back to you. Getting a book published takes time, and you should remember that. Most publishers specify on the time it will take them to give you feedback. You should also know that traditional publishing works differently from self-publishing regarding timeline, you cannot, therefore, compare the two.
Commonword is a Manchester-based initiative that has helped new writers develop their potential since 1977. Through competitions, workshops and events, they work to improve representation and diversity both locally (Commonword is the largest organisation dedicated to publishing and community writing in the North West) and on a national and international basis. Subscribe to their newsletter here.
Literary Natives is a UK-based platform for writers of colour in London and beyond, producing events and workshops in a bid to connect aspiring writers to the publishing industry. But since the coronavirus outbreak, the non-profit has teamed up with @HomeGirlsUnite to publish a one-off digital magazine called Creating in Quarantine to promote the poetry, short stories, essays, photography and art of immigrant daughters in lockdown. They are taking submissions until 15 June.
The winner of the manuscript prize is to receive a publishing contract with Cassava Republic Press and a US$20,000 advance. Acknowledging the strengths of the top shortlisted writers, two runners-up will each receive a $5,000 advance and a publishing deal.
AS a writer, Mothobi Mutloatse has due respect for ''Shakespeare and people like that.'' But as a black South African, Mutloatse expresses an almost universal feeling among blacks here when he says he would like to break free of what he feels has been an imposed European tradition - in literature as well as in other fields.
Thanks to the efforts of Mutloatse and a small group of other writers, South Africa's black literary community has taken an important step toward greater black self-awareness. Mutloatse and the others in late 1982 founded Skotaville Publishing, the country's only independent black publishing house. Skotaville is now well established, if not yet commercially self-sustaining.
Blacks in South Africa are struggling to develop their own literary voice amid discrimination, overt censorship, and a white-run education system that blacks feel is designed to mold their minds into an acquiescence with apartheid. One strong criticism of the government-controlled schools is that they overemphasize a white, European tradition and outlook and give short shrift to what is indigenous and African.
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