Zoo Kpop Song Download
Leticia Troung
"K-pop" is a song by American rapper and singer Travis Scott, Puerto Rican rapper and singer Bad Bunny, and Canadian singer-songwriter the Weeknd. It was released through Cactus Jack and Epic Records as the lead single from the former's fourth studio album, Utopia, on July 21, 2023.[1] It was written alongside producers Illangelo, Bnyx, Boi-1da, and Jahaan Sweet, and co-producer DVLP.[2]
"K-pop" is a "bouncy" trap song,[5][6] with elements of Afrobeats and baile funk.[7] Billboard's Mackenzie Cummings-Grady argued that it is "the lightest song on Utopia", and felt that it was a "joyful" intermission that "gives Bad Bunny and the Weeknd the space to highlight their talents".[8] It is performed in the key of F Dorian in common time with a tempo of 122 beats per minute.
In the United States "K-pop" debuted at number seven on the Billboard Hot 100, becoming Scott's 12th top-ten single and his first as a lead artist since 2020 single's "Franchise". It also became Bad Bunny's second song in the top 10 in 2023 and the 11th in his career, as well as The Weeknd's third top 10 in 2023 and 17th overall. The song also reached number two on the Hot R&B/Hip-Hop Songs, becoming Scott's 21st, Bad Bunny's second and The Weeknd's 24th song to appear on the top-ten of the chart.[13]
Modern K-pop is marked by its use of English phrases. Jin Dal Yong of Popular Music and Society wrote that the usage may be influenced by "Korean-Americans and/or Koreans who studied in the U.S. [who] take full advantage of their English fluency and cultural resources that are not found commonly among those who were raised and educated in Korea."[24] Korean pop music from singers or groups who are Korean-American such as Fly to the Sky, g.o.d, Rich, Yoo Seung-jun, and Drunken Tiger has both American style and English lyrics. These Korean-American singers' music has a different style from common Korean music, which attracts the interest of young people.[24] Increasingly, foreign songwriters and producers are employed to work on songs for K-pop idols, such as will.i.am and Sean Garrett.[25] Foreign musicians, including rappers such as Akon, Kanye West, Ludacris, and Snoop Dogg, have also featured on K-pop songs.[26][27]
Entertainment companies help to expand K-pop to other parts of the world through a number of different methods. Singers need to use English since the companies want to occupy markets in the other parts of Asia, which enables them to open the Western market in the end. Most K-pop singers learn English because it is a common language in the world of music, but some singers also learn other foreign languages such as Japanese to approach the Japanese market.[24] Similarly, increasing numbers of K-pop bands use English names rather than Korean ones. This allows songs and artists to be marketed to a wider audience around the world.[24]
Artist names, song titles, and lyrics have exhibited significant growth in the usage of English words. No singers in the top fifty charts in 1990 had English in their names: people who worked in the Korean music industry viewed using Korean names as standard. In 1995, most popular singers such as Kim Gun-mo, Park Mi-kyung, Park Jin-young, Lee Seung-chul, and Byun Jin-sub still used Korean names, but fourteen of the singers and groups in the top fifty used English names, including DJ DOC, 015B, Piano, and Solid. After the 1997 financial crisis, the government stopped censoring English lyrics and Korea started to have a boom in English. Since the late 1990s, English usage in singers' names, song titles, and lyrics has grown quickly. Seventeen singers in the top fifty charts used English names in 2000, and thirty-one did so in 2005. In 2010, forty-one singers used English names among the top fifty songs, but usually, three or four singers and groups had more than one or two songs on the chart simultaneously. Korean names (e.g. Baek Ji-young, Seo In-young, and Huh Gak) are seen less frequently, and many K-pop singers have English names (e.g. IU, Sistar, T-ara, GD & TOP, Beast, and After School). Notably, until the early 1990s, musicians with English names would transliterate them into hangul, but now singers would use English names written with the Roman alphabet.[24] In 1995, the percentage of song titles using English in the top 50 charts was 8%. This fluctuated between 30% in 2000, 18% in 2005, and 44% in 2010. An example of a Korean song with a large proportion of English lyrics is Kara's "Jumping," which was released at the same time in both Korea and Japan to much success.[24]
Dance is an integral part of K-pop. When combining multiple singers, the singers often switch their positions while singing and dancing by making prompt movements in synchrony, a strategy called "formation changing" (자리바꿈; jaribakkum).[47] The K-pop choreography (안무; 按舞; anmu) often includes the so-called "point dance" (포인트 안무; pointeu anmu), referring to a dance made up of hooking and repetitive movements within the choreography that matches the characteristics of the lyrics of the song.[48][49] Super Junior's "Sorry Sorry" and Brown Eyed Girls' "Abracadabra" are examples of songs with notable "point" choreography. To choreograph a dance for a song requires the writers to take the tempo into account.[50] According to Ellen Kim, a Los Angeles dancer and choreographer, a fan's ability to do the same steps must also be considered. Consequently, K-pop choreographers have to simplify movements.[50]
An interview with K-pop choreographer Rino Nakasone lends insight into the process of creating routines. According to Nakasone, her focus is to make dance routines that are flattering for the dancers but also complementary to the music.[52] Her ideas are submitted to the entertainment company as video recordings done by professional dancers.[52] Nakasone mentions that the company and the K-pop artists themselves have input on a song's choreography.[52] Choreographer May J. Lee gives another perspective, telling that her choreography often starts out as expressing the feeling or the meaning of the lyrics.[53] What starts out as small movements turns into a full dance that is better able to portray the message of the song.[53]
As K-pop "was born of post-Seo trends,"[56] many acts that followed Seo Taiji and Boys adopted the same fashion style. Deux and DJ DOC can also be seen wearing on-trend hip-hop fashions such as sagging baggy pants, sportswear, and bandanas in their performances.[citation needed] With Korean popular music transforming into youth-dominated media, manufactured teenage idol groups began debuting in the mid and late 1990s,[54] wearing coordinated costumes[57] that reflected the popular fashion trends among youth at the time. Hip-hop fashion, considered the most popular style in the late '90s,[58] remained, with idol groups H.O.T. and Sechs Kies wearing the style for their debut songs. The use of accessories elevated the idol's style from everyday fashion to performance costume, like ski goggles (worn either around the head or neck), headphones worn around the neck, and oversized gloves worn to accentuate choreography moves were widely used.[citation needed] H.O.T.'s 1996 hit "Candy" exemplifies the level of coordination taken into account for idol's costumes, as each member wore a designated color and accessorized with face paint, fuzzy oversized mittens, visors, bucket hats, and earmuffs, and used stuffed animals, backpacks, and messenger bags as props.
In the 1960s, the Korean artists such as Shin Joong-hyun, Pearl Sisters [ko] and Patti Kim who previously performed for the U.S. army clubs reached out to the Korean public. In the mid-1960s, due to the influence of the legendary British group The Beatles, there was a rise of "group sound" in South Korea, for example, Add4 and the Key Boys [ko]. Add4, Korea's first rock group, was formed by Shin Joong-hyun in 1962 and produced Korea's first rock song, "The Woman in the Rain," which is a form of light rock reminiscent of the early Beatles. Shin Joong-hyun was so instrumental in the development of Korean rock music that he is regarded as the "godfather of Korean rock" in South Korea.
In the 1990s, Korean pop musicians incorporated partially Europop and mostly American popular music styles such as hip hop, rock, jazz, and electronic dance in their music.[91] In 1992, the emergence of Seo Taiji and Boys marked a revolutionary moment in the history of K-pop. The trio debuted on MBC's talent show on April 11, 1992, with their song "I Know" and got the lowest rating from the jury;[92] however, the song and their self-titled debut album became so successful that it paved the way for other songs of the same format. The song's success was attributed to its new jack swing-inspired beats and memorable chorus, as well as innovative lyrics which dealt with the problems of Korean society. A wave of successful hip hop and R&B artists followed in their footsteps, including Yoo Seung-jun, Jinusean, Solid, Deux, 1TYM and Drunken Tiger.[92]
Elsewhere in the world, the genre has rapidly grown in success,[114] especially after Psy's "Gangnam Style" music video was the first YouTube video to reach one billion views, achieving widespread coverage in mainstream media.[115][116] As of December 2020, the video has 3.9 billion views.[117] Several failed attempts have been made by entertainment companies to break into the English-language market, including BoA, Wonder Girls, Girls' Generation, and CL.[118][119][120] BTS won Top Social Artist at the 2017 Billboard Music Awards in 2017, making them the first K-pop group to win a BBMA.[121] Their performance of the song "DNA" at the American Music Awards, the first AMA performance by a K-pop group, also led to the song peaking at number 67 on the Billboard Hot 100.[122] The following year, BTS became the first K-pop group to reach number one on the Billboard 200 with Love Yourself: Tear.[123] The K-pop industry is active in New York City, hosting numerous concerts in the city as well as being home to K-pop musicians. The musical KPOP opened off-Broadway in 2017 and moved to Broadway in 2022.[124][125]
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