VA Audiophile Love Songs 2009
Vida Hubbert
Music is our link and Roon has a lot of them. I initially just wanted to see and hear my database well edited for once in my life and find cross connections to music services. My old ears would not be good enough for audiophile enjoyment. My love of music remains in old age, as do many devices I have used for decades. Without investment, buying or tinkering, however, no one gets ahead online with their old analog technology.
This works best when we see another point of view not as a provocation, but only as a different experience and point of view. We are all allowed to be happy about our decisions, everyone makes it right for himself and is allowed to share this experience.
Hey. I have a variety of non-audiophiles that come to my place and I am trying to find songs that are (1) popular/readily recognizable AND (2) are well recorded. I find many great artists have crappy recordings. It seems like the more popular the song the higher the likelihood of a crappy recording. For example I bought an Adele record and it just sucks with respect to dynamics and soundstage. Totally compressed.
Jeff Buckley - Grace - ORG
Rage Against The Machine - S/T - AF
Bread - Best of - AF
James Taylor - JT - MFSL
Supertramp - Bfast in America - MFSL
Bob Dylan - Blonde on Blonde - MFSL
The Cars - Heartbeat City - MFSL
Sinatra - Where Are You? - MFSL
Pixies - Surfer Rosa - MFSL
Doobies - Takin It The Streets - MFSL
Pretenders - Learning To Crawl - MFSL
Carly Simon - No Secrets - MFSL
Rickie Lee Jones - Pirates - MFSL
Joe Jackson - Body And Soul - IR
Run DMC - Raising Hell - MFSL
Billy Joel - An Innocent Man - MFSL
We began the evening with him playing a track or two from each of the 10 discs. After that, he briefly and efficiently spoke about how recording and mastering practices produced vastly different listening experiences. Then he played hours of tracks from his best sounding CDs.
I'm a huge fan of Red Hot Chili Peppers. I love everything about the band and its music. From Anthony and Flea who let their freak flags fly, to drummer Chad Smith who seems like the average dad at a little league game. Then there's guitarist John Frusciante. He is the Keith Richards of RHCP. The uninitiated look at Flea and Anthony as the driving forces of the band, while the diehards view Frusciante as the catalyst of its best music. Much like Richards, Frusciante has battled drug addiction, been on death's doorstep several times, and turned things around to produce incredible music.
My three favorite RHCP albums are Blood Sugar Sex Magik, Californication, and the just-release Unlimited Love. It's no coincidence that John Frusciante was heavily involved in all three. Also heavily involved was Rick Rubin, who produced all three albums. In years past, I've been critical of Rubin for producing some of the most dynamically compressed albums I've ever heard. I've come to realize my criticism is that of an uninformed outsider, armchair engineer, and wishful audiophile. The view from the top is always the best. My view of albums is usually from the bottom, pressing play and hearing the final result.
Dynamic range compression is an artistic choice. Rubin understands, as much as any audiophile, the results of this compression on the sound of an album. When he, the band, and mastering engineer elect to compress the music beyond what I consider acceptable, they do this as a creative choice. Nobody at any record label is going to tell Rick Rubin to juice the sound of an album a bit with more compression. Based on his commercial success, he and the bands he works with, can do what they like.
What did RHCP and Rubin like, with respect to dynamic range and sound quality, on Unlimited Love? According to RHCP bassist Flea, "For you audiophiles out there, the new rhcp record is mastered directly from the tape we recorded it on, no computers, no lame compression or limiters." Based on the roughly 35 times I've listened to the entire album, start to finish, I absolutely love what they've done musically and sonically. Right now I'm on a new album high, and rate Unlimited Love as the best album the band has ever done. However, I fully expect to come back down and settle this album into one of the first three positions in the RHCP catalog.
Audiophiles should keep in mind that dynamic range on its own is not an indicator of sound quality. It's one objective metric we can use to look at music with our eyes. That said, I much prefer to listen and feel the music. I'd take the most dynamically compressed RHCP music playing on an AM radio, over the ultimate in high dynamic range, high resolution, perfect pitch, singer without heart and music I can feel.
Lets dig into Unlimited Love. After listening a few times to the album via Qobuz streaming, I purchased the 24 bit / 96 kHz download. I like the album so much that I just had to own it. The opener, Black Summer is simply fantastic. Frusciante's guitar is unmistakable. Listening to it gives me a warm fuzzy feeling. The way he plays and his tone are sonic treats for the ears. I also love the phrasing Anthony Kiedis uses with the lyrics on this track. Black Summer has dynamic range "scores" of 10.8 LU (R128) and 6 DR.
I focus a lot on Frusciante's contribution to this album, but it isn't lost on me how much Flea's masterful musicianship plays in ever song. Flea reminds me of an accomplished jazz bassist with endless control on this album. The track Aquatic Mouth Dance is full of super tight bass lines and even features Flea on Trumpet. Someday I wish Flea would play Chet Baker in a movie. I don't know why, it's just something I'd love to see.
My favorite performance by Flea on the album is the track named It's Only Natural. I crank this one on my Wilson Alexias at home and on the stock radio in my Subaru. I can't get enough of it. The backing vocals on this track are also lovely. They float in the air, adding another dimension to this track. The vocals juxtaposed to Flea's bass, and Frusciante's ethereal guitar solo, make this track the hidden gem / deep cut that everyone should have on their playlists. That said, I'm not a playlist type of guy, I listen to entire albums. Listening to this entire album is a feel-good experience to say the least.
Switching back to John Frusciante for a minute, I couldn't believe my ears when I heard his vocals on the chorus in the track The Heavy Wing. He sings the chorus solo. Wow, his voice immediately grabbed my attention. I'd never noticed how unique and solid his voice is, on any previous RHCP release. I'm sure that's my own inattention, but man, I'm now listening for him on other tracks and albums.
The other half of the RHCP rhythm section mustn't go without accolades. Chad Smith manages to make me love his drumming on this album, without really standing out. Listening to every track, I love the groove and the signature Smith beats, but he doesn't shout "Hey, look at me!" In a band with a bassist named Flea, perhaps the guy with the ultra-generic birth name of Chad Smith, is perfectly comfortable in the pocket, laying down the right drum tracks for each song. In a way Smith reminds me of Ringo Star in that he just lays down what's right for the song. But, at the same time he reminds me of a lighter-handed John Bonham rolling through his drum kit on the track The Heavy Wing. I'm certainly no music historian or percussion expert, but these are the musical connections I make when listening to Smith throughout Unlimited Love.
Unlimited Love is full of what some may call hits, Black Summer, Aquatic Mouth Dance, The Great Apes, These Are The Ways, Bastards Of Light, One Way Traffic, and The Heavy Wing. However, as much or more musical satisfaction can be derived from the deep cuts, of which I'll only name It's Only Natural. The rest are for each person to discover, while listening to this new classic Chili Peppers' album, Unlimited Love.
Uh-oh. So with a notch hi-fi system circa 2022, the local file STILL sounds better than the equivalent file streamed from Quboz / Tidal? This remains my experience as well - a small but perceivable difference - though I am open to the possibility of expectation bias. Wish there was some way to measure this difference- more difficult to cure a problem that cannot be objectively characterized.
Some of us buy music because it's a better way to financially support the artist. And because buying means we will always have access to the music (unlike with streaming). Not necessarily b/c we think it sounds better.
Thanks for the review! I am so exited the sound quality lives up to Flea's proclamation and they are promoting this. Hopefully starting a new market or industry trend. Wouldn't it be cool if sound quality was hip in the major markets. I watched Flea's video promotion (on Insta) and you could see in his room a wall of vinyl in the background, tt and a couple of small tube mono blocks. I love it.
Reading the article got me thinking about when I first went to see them live. A quick think about who I went with and why, and I worked out that it would have been 1990. A quick check on line and I find that there is a record of the exact gig I attended, complete with photographs, amazing!
7fc3f7cf58