Re: Zynaptiq Morph 2 Crack Head
Exuperancio Paquin
Here comes a rather epic demo using two new patches from Aureus Ventus. The gong patch uses samples I made by scanning my wind gong with a S57 very closely after attacking it with a soft beater capturing all these amazing overtones, the mono signal was processed with a slow Uhbik stereo tremolator so the drone moves around your head. A U87 and a Sure KSM 141 both running in omnidirectional mode are picking up the stereo image from about 60 cm distance. There are 2 key-switchable versions, one using 4 velocities and the other one using 3x round robins with soft attacks only, the sustained drones are crossfade-loope so you can bathe in them for hours
Combining the reverb routing options with the blending options further increases the wide range of effects on offer. You can achieve a sound that resembles the pumping of a compressor for example, as at the beginning of this demo, or you can use the tail of the reverb processed through the morphing section as a means to add another type of mangling to your vocals etc.
I love this compressor, it's not like anything else. Works like a standard compressor but has a sweet feature called spectral-dynamic compression. Once you wrap your head around what it's doing (think of it as a multiband compressor with thousands of bands) it works amazing!
It seems to me that it should be possible to use Fourier analysis to decompose the head and tail wave forms into component sine waves, then analyze those to find a way to synchronize the frequencies and smoothly fade the tail into the head without either phasing or artifacts. Maybe some AI could be used in this analysis as well.
I have tracked down a couple of experimental tools that purport to "morph" one sound into another using Fourier analysis, but they are not mainstream and I haven't been able to get them to work successfully. (I'm aware of Zynaptiq's "MORPH" plugin but haven't been able to get it to work in this way either.)
TRIUMPH 3 is a massive upgrade to this powerful sound design & productivity-focused editor, and adds more than 100 new features and enhancements, including tons of workflow enhancements and advanced DSP processing like morphing, vocoding, high-end granular processing, and Zynaptiq's premium ZTX Pro time-stretching & pitch-shifting technology.
TRIUMPH supports literally any sampling rate and channel count, and any combination simultaneously, too. Want to combine a 96kHz sampled 5.1 file with a 1234 Hz sampled mono sound, and a 13-channel, 2mHz recording? TRIUMPH will do that. Each layer can have its own channel layout and sampling rate, and will accept all standard rates and layouts as well as arbitrary values, so you can mix and match while your master will always have the optimal resolution without any intermediate resampling or head-ache inducing file management hassles.
TRIUMPH's unique & patented audio layers have more up their sleeves than individual sampling rates and channel counts, though. You can think of a layer as an audio track with benefits. Similar to layers in an image editor, audio layers are combined sequentially using a blend mode, which can be a simple mixer...or a wildly creative and exciting processor: in TRIUMPH, morphing, vocoding and ring-modulation are always just a click away. Also, Layers can be moved in time as a whole, including their automation, making it much easier to re-arrange your content.
The ideal balance can be found by sweeping around the XY pad, which shifts the blend between the two pairs of rhythm engines on each side of the GUI. You can also assign the 8 available effects to the XY pad, opening up some very cool possibilities for morphing through complex shifts in the sound with a single stroke of the mouse (also great for quick automation).
It is based around 4 independent Voice modules, which can be combined or sent to modulate each other in a number of very flexible ways. While not the most intuitive processor to get going with straight away, there are a lot of great presets to get you going quickly, and once you do get your head around how the Voices can be stacked, separated, or fed into each other, its power and potential become very apparent.
Amalgame is designed to make it easy to create morphing, complex-sounding effects with a relatively simple and intuitive approach. Simply drag and drop one of the colour-coded effects blocks from the top menu grid down onto one of the 6 effects slots.
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