Guitar Pro 8 Review

[Anthony Small]

PeteMadsen is an acoustic blues, ragtime and slide guitarist from the San Francisco Bay Area. He's the author of Play the Blues Like..., an essential guide for playing fingerstyle blues in open tunings.

You begin by being berated by Satchel, lead guitarist for the rock band Steel Panther. While I appreciate having a talented rock guitarist as my guide, Satchel comes across far more annoying than fun. Outdated quips about nerds and the rock and roll lifestyle grew tiresome quickly and only made me think of how immature the whole attitude of the game was. Unplugged would have benefited immensely by not allowing the narrator to devolve into sex, drugs, and rock and roll cliches at every turn.

Richard Allen is a freelance writer and contributing editor for various publications. While he enjoys modern gaming, he is a retro gamer at heart, having been raised on a steady diet of Contra, Mario, and Dragon's Lair. Chat with him via @thricetheartist on Twitter.

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Then came the big wow. He ended the show with a combination of electric guitars with the final one being a midi guitar that was tied into a roughly 15 foot long set of three shelving units. Each unit with three shelves. These shelves were filled with handheld percussion instruments that you might see in a 4th grade music room. Xylophones, marimbas, spoons, shakers, etc. All at once, they all began activating as well as being lit up based on his midi guitar strings and what he played. The lights of course were also timed to the music.

Several of the guitars he used were covered in a black cloth or sheet. Just like a magician would do, throughout the performance he would unveil one after another and add it to the mix of sounds he was making.

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The tops are Sitka spruce, which I tend to prefer over more expensive species for its gold hue and bright-but-warm tone. Rosettes and top binding are trimmed with herringbone, coupled with black binding, to create a nice contrast against the lighter-colored woods. The tops feature a full-gloss finish, which not only looks great and protects the wood, but also helps make the guitar a little quieter in the studio (microphones are less likely to pick up the sound of picks or sleeves brushing across the grain).

The Dreadnaught model has the authoritative bass and power you expect from a traditional, square-shouldered instrument. Far from rumbling, it offers a balance across the full range (like mahogany) that makes this guitar great for vocal accompaniment either live or in the studio. The rosewood boom is missing, but engineers will thank you every time you plug in or play into a mic.

Originally released on the Meta Quest, Unplugged: Air Guitar is a rhythm game where you, well, play an air guitar. You strum with one hand and move the other to different parts of the neck according to a note chart similar to games like Rock Band or Guitar Hero.

With a core track list of 20 plus tracks from across the history of rock music and another 20 tracks unlocked along the way, the game provides a nice, varied list of tunes. However, while the campaign mode doles the tracks out slowly, it does so with no sense of cohesion. All of the tracks are grouped into tiers with seemingly no real rhyme or reason, solely serving as an obstacle to unlocking the next admittedly impressive venues. We did encounter some issues with the progression where we'd miss out on crucial tutorials, so things can feels a little slapdash in places.

For over a decade, Graham has been writing reviews for Push Square. In that period, he's encountered an innumerable amount of high-quality experiences, and yes, several duds. With an encyclopedic knowledge of games and studios, it should come as no surprise that he's comfortable playing any genre. However, when it comes time to write a review, you'll probably find that he gravitates towards music/rhythm games, and in more recent years, VR. If you let him talk about games long enough, he'll definitely let you know that his favorite game is Kentucky Route Zero.

This is a game I wish I could get to terms with because the feel is AMAZING. BUT I think I ran a foul of tutorials. I just go to a song, satchel appears and tells me some new technique and then it just starts at full speed and I never even learned what to do with a thing and wind up frantically strumming kind of like the pistol whip fish on floor phenomenon. Maybe i should really go back and try again, maybe deleting my save. Because it really gives such a real feel of holding a guitar and just looks great, which is something if a feat for a rhythm game!

Hello, and thank you in advance for your assistance! I am writing to request a schematic design review for my application circuit utilizing the TI PCM2912A. The intended use case is to interface an electric guitar with a PC workstation via USB. The overall design has been copied from the DEM-PCM2912A EVM Schematic with some noted modifications which I would like feedback on:

The input resistor is not actually going to give you a 1Mohm input impedance because the mic input only has a 20kOhm input impedance and for AC you have effectively placed it in parallel with this. If you want a higher input impedance, you need to use a buffer.

In general it's good practice to include protection components so it's good that you'e thinking of this. More often than not I see TVSs on a supply line and diode clamps to the supplies on the inputs, but that's certainly not the only way to protect the inputs. The main concern will be how you have selected your TVS, if the turn on is too early then you may have high leakage over some of your signal range and this could degrade linearity.

Zak- do you have any data on the output capability of any of the other power pins (other than MBIAS)? I would consider using Vcca, Vdd, Vccp for the supply to a JFET buffer circuit in front of Vin, as you suggested. However, I am limited to MBIAS as that is the only output current characterized (2mA spec'd). Thanks

I do not have any data on the sourcing capabilities of other pins, but I can say that these pins are provided purely for decoupling the internal regulators and are not intended to supply external circuits. MBIAS is the only pin that is designed for this purpose.

About 5 months ago I purchased a Cordoba C7. It came with Savarez Cristal Corum High Tension 500CJ strings. Sounds great. Plays great. However after just two weeks, I opened the case to find the D string had unraveled near the nut. I replaced the string and no further issues until yesterday. I opened the case and found that the E string unraveled near the nut, in the exact same manner that the D string had months ago. The instrument was just sitting in its case. I had played it in the morning, it was perfectly tuned and sounded great; it was fine when I closed the case, and yet when I opened the case in the evening I found the broken (unraveled) E string. This is the first classical guitar I have ever owned. I never experienced this issue with any other guitar, including steel string acoustics. Is this a normal occurrence that I should just ignore, replace the string, and play on? Is this caused by defective strings? Can there be an issue with the instrument that is causing this to occur? Very frustrating to be in the mood to play, only to open the case and find that a restring project lies in the way! Thank you.

I am currently using the savarez 500cj strings on cordoba c9 parlor guitar. Are there certain strings that can bring out the warmth and projection of the cedar top and Mahogany back and sides better with this wood combination?

Question: What is the consensus on ball end? I have been trying to buy the Savarez Classical Guitar Strings with Cantiga 510CR Cristal Trebles, Cantiga Basses, Normal Tension, but cannot find with ball end. I do not like the strings I just bought, the base D has a clanky sound, no matter what I do. Thanks.

Yes, you are correct. The higher the tension string the more to beware depending on your level of technique. But I have found that most carbon strings, even normal tension ones, are higher tension than nylon ones.

Very useful review! Thank you, Bradford.

Can you please recommend one brand/type of strings that are in your view the most soft, warm, mellow and quiet. I am going to replace Savarez High Tension strings on my new Cordoba C12.

I would like to see if you would review the Pepe Romero fluorocarbon strings. I tried them and they seemed pretty incredible, but pretty high tension for my old fingers. Wondering what you would think of them? Should I just get use to them?

*Note Although the two guitars are both dreadnought-size acoustics, the new version of the Taylor 110e now retails at almost twice the price of the sub-400 Yamaha, is US-built, has upgraded inbuilt electronics, and most importantly, a solid spruce top vs the solid mahogany of the Yamaha.

The action was sky-high when it arrived, and even after a saddle-sanding and truss-rod tweak I always get the feeling that the Yamaha should have had more attention in this area before it arrived. By contrast, the Taylor was pretty much perfect out of the box, close enough that I never needed or wanted to tweak it anyway.

The Yamaha has some gorgeous detailing in the abalone sound-hole surround and the headstock logo. The build is very clean and precise, with the white binding framing not only the show-stopping red-mahogany body and the fretboard, but also the (very pretty indeed) headstock, and bordered beautifully in contrasting black.

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