Gabin has a late scene when he's along backstage, sprawled exhausted in a big prop chair, hearing the orchestra and the applause from behind the curtain. He lifts his hands as if to conduct, and we realize this is as happy as he'll ever be in his life, or ever hope to be. It reminded me curiously of a scene he has in Jacques Backer's "Touchez pas au Grisbi," a film he also made in 1954. In that one, as a failing gang leader, he's alone in a room an has a monologue about an ungrateful pal who has let him down: "There's not a tooth in his head that hasn't cost me a bundle." One sign of a great actor is when he can be alone by himself on the screen, doing almost nothing, and producing one of a film's defining moments.