By the time that the Regina Elenas had been built in the early 1900s, the British battleship HMS Dreadnought had been completed, a revolutionary design that rendered all previous battleships obsolete. Therefore, a new dreadnought-type battleship was needed. The new ship was Dante Alighieri, and was designed by Rear Admiral Edoardo Masdea.[4] The Italian Navy built five further battleships to two similar designs: the Conte di Cavour and Andrea Doria classes. These six dreadnoughts formed the core of the Italian fleet during World War I, as a further four-ship class was cancelled.[5] Both the Italian and Austro-Hungarian navies adopted cautious fleet policies and neither chose to risk their capital ships in a major engagement; as a result, the Italian battle line spent the war in harbor and did not see combat.[6] Nevertheless, the dreadnought Leonardo da Vinci was destroyed by a magazine explosion in August 1916.[7] The pre-dreadnought Benedetto Brin was also destroyed by an internal explosion in September 1915, and her sister Regina Margherita was sunk by a German mine in December 1916.[8] The remaining battleships of the Ammiraglio di Saint Bon and Regina Elena classes were discarded after the end of the war.[1]
The first of the Italian Navy's modern battleships, the Ammiraglio di Saint Bon class were smaller than their contemporaries due to limitations imposed by the Italian government and indecision in the naval design staff over what kind of battleship should be built. They were designed under the supervision of Admiral Simone di Pacoret Saint Bon, the namesake of the lead ship, and Benedetto Brin. Ultimately, the ships' small size, weak main battery, and slow speed made them ineffective capital ships, since they were not strong enough to engage foreign battleships, and too slow to catch cruisers.[15][16]
The pattern of experimentation in Italian capital ship construction continued with the Regina Margherita class. The negative experience with the Ammiraglio di Saint Bon class convinced the constructors, led by Benedetto Brin, to design a larger battleship that could engage its foreign counterparts. The new class was designed specifically to counter the new Habsburg-class battleships of the Austro-Hungarian Navy. For this purpose, the ships were armed with the 12-inch (305 mm) gun that had become standard for most pre-dreadnought battleships of the day. As was typical for Italian capital ships of the period, armor protection was reduced in order to secure high speed.[18] Brin died during the construction process, and the Italian Navy named the second vessel after him.[15]
Dante Alighieri was the first dreadnought battleship built by the Italian Navy, and was designed by Rear Admiral Edoardo Masdea. Cuniberti's call for heavy artillery arranged to emphasize broadside fire led to the placement of four triple 12-inch gun turrets along the centerline.[4] This allowed a broadside of all twelve guns, while the first generation of British dreadnoughts could only fire eight of their guns on the broadside.[25] Dante Alighieri was the first battleship to mount her main battery in triple turrets, though the Austro-Hungarian SMS Viribus Unitis was completed first.[26]
The ship had a very limited service life. At the outbreak of World War I, she was the flagship of the 1st Battle Squadron, based in Taranto. But due to the policy of restraint adopted by the Italian Navy, Dante Alighieri and the other battleships of the Italian fleet saw no action.[4] Financial limitations in the post-war period forced the navy to scrap the ship to reduce the naval budget.[13] The ship was accordingly stricken on 1 July 1928 and sold for scrap.[12]
The first design in the second generation of Italian dreadnoughts, the Conte di Cavour class was also designed by Edoardo Masdea. They were ordered in response to the French Courbet-class battleships. They remedied many of the deficiencies of the previous design; the most significant improvement was a dramatically more effective arrangement of the main battery. Ten guns were arranged in twin turrets superfiring over triple turrets forward and aft, and a third triple turret was placed amidships.[27] All thirteen guns could fire on the broadside, but the firing arcs for most of the guns were significantly improved.[12]
The two ships entered service in 1916, and were based in Taranto with the rest of the main fleet for the duration of World War I. Both ships were involved in the Corfu incident in 1923. The ships' modernization work was completed after Italy entered World War II. Duilio was damaged at the Battle of Taranto, while Andrea Doria was not hit. Both ships were present at the First Battle of Sirte, though only Andrea Doria engaged British forces. The two ships survived the war, and were the only battleships the Allies permitted Italy to retain after the conclusion of hostilities. They served in the Italian Navy for another decade until they were discarded in the mid-1950s.[37]
The next Italian battleship design represented a major qualitative step forward. The design was prepared by Rear Admiral Edgardo Ferrati, and was intended to match the latest foreign battleships, such as the British Queen Elizabeth class. The new ships were to be armed with a main battery of eight 15 in (381 mm) guns and had a top speed of 28 knots (52 km/h; 32 mph), much faster than any contemporary design. The Francesco Caracciolo class was ordered in 1914; the lead ship was laid down that year, and the other three vessels were laid down in 1915. After Italy entered World War I in May 1915, work slowed dramatically, as resources were diverted to more pressing needs. Work on the ships stopped completely by March 1916, and the three ships begun in 1915 were scrapped shortly after the end of the war.[38] In 1919, the Italian Navy considered completing Francesco Caracciolo as an aircraft carrier similar to the British HMS Argus or as a floatplane carrier, but both proposals were too expensive for the cash-strapped navy. Ultimately, she was broken up for scrap in 1926.[39]
The final group of Italian battleships was the Littorio class. These ships, which weighed in excess of 40,000 long tons (41,000 t) standard displacement, violated the naval arms limitation system created by the Washington Naval Treaty of 1922.[40][41] The ships were armed with a battery of nine 15-inch guns in three triple turrets, and they incorporated a novel underwater protection system designed by Umberto Pugliese. Littorio and Vittorio Veneto were laid down in 1934 and completed in early 1940; a second pair, Roma and Impero, were laid down in 1938. Roma was finished in mid-1942, while Impero was not completed.[42]
At 1533 the first aircraft attacked. It dropped its bomb at the same 60-degree angle as the earlier one had. But as it came down, they noticed that instead of simply falling downward, it came at them as if it were being steered. It splashed into the water, narrowly missing the stern of the battleship Italia by just a few feet. Then it exploded. A few seconds later, the Italia reported that the explosion had jammed its rudder and that it could no longer steer.
An Italian battleship which sank during World War II off the coast of Sardinia after it was bombed by a German warplane has been found, Italy's navy said in a statement on Thursday. googletag.cmd.push(function() googletag.display('div-gpt-ad-1449240174198-2'); ); "The battleship Roma was sunk on September 9, 1943, by a German plane, in an attack which killed 1,352 sailors. Only 622 people survived," it said.The wreck was found by an underwater robot named Pluto Palla, designed by Italian engineer Guido Gay. It was discovered around 16 nautical miles (30 kilometres) off the northern coast of Sardinia at a depth of around 1,000 metres (3,300 feet).The Roma was one of the Italian navy's most modern vessels in the period, with cannons with a range of 42.8 kilometres, greater even than those on Japanese battleships, which had a range of 42 kilometres.The ship, launched just 15 months previously, was sunk soon after Italy announced it had gone over to the Allies following the fall of fascist leader Benito Mussolini. (c) 2012 AFP
Commissioned in May 1940, the Italian battleship Littorio was the lead ship of her class and was renamed Italia in July 1943 following the fall of Italian dictator Benito Mussolini's government. Due to fuel shortages, she was moved to La Spezia, Italy. After the armistic on September 3, Italia was eventually moved to the Great Bitter Lake in the Suez Canal. She was awarded to the United States as a war prize in 1947, where she was broken-up a year later.
Image: 80-CF-Italian-Battleship-2: Italian battleship Littorio, July 1940. Littorio, with cruisers, is shown in action at the Battle of Punto Stilo, July 9, 1940. Official U.S. Navy Photograph, now in the collections of the National Archives.
During the struggle for the Mediterranean in World War II, British and Italian battleships entered combat on three occasions in 1940 and 1941. In this fully illustrated account of these battles, historian Mark Stille assesses the technology, crews, doctrine, and combat record of the capital ships that took part.
During World War II's battle for control of the Mediterranean, both the British and Italian navies planned to bring their battle fleets into play. At the center of both of these fleets was a core of battleships which both sides expected to play a decisive role in the conflict.
On July 9, 1940, the two navies met in the central Mediterranean, as two Italian battleships faced off against three of their British counterparts. Christened the Battle of Calabria, the action allowed the ships to play to their strengths, engaging in a long-range gunnery duel, the very thing they had been designed for. Though both sides shot well, the only hit was scored by Warspite on the Italian battleship Giulio Cesare. The Italians were forced to withdraw, and the action ended up being indecisive, but it was the largest fleet action fought in the Mediterranean during the war. As well as this battle, there were other occasions during the war when both British and Italian battleships were present and influential, but during which they never engaged each other directly--the Battle of Spartivento on November 27, 1940, and the Battle of Cape Matapan on March 28--29, 1941.
Packed with full-color artwork, carefully selected archive photographs, and expert analysis, this title explores in detail the role played by British and Italian battleships in these encounters and their influence in the Mediterranean theater of World War II.