Dear Digital Humanities Japan members,
The National Museum of Asian Art (formerly Freer|Sackler) has a wonderful collection of (mostly) Edo period Japanese books, formerly in the collection of Gerhard Pulverer. This collection can be explored at our online catalogue The World of the Japanese Illustrated Book (https://pulverer.si.edu/).
My role in the production of this resource was in developing the underlying data, and for the past few months I’ve been investigating how best to structure a network analysis of the publishers and artisans who produced the 880 titles in the online catalogue. To understand how to accurately associate those who worked on the same titles, I’ve been doing preliminary modeling in Gephi (see the attached graph snapshots), and have practical research and data questions. Centering clusters around publishers seems to make the most sense, but brings up a number of methodological issues, and is as yet not guided by a set of research questions.
I’m curious if anyone else has experience modeling print production networks like this, and would be interested in discussing various approaches. I would be pleased to learn any insights or work practices you might have to share.
This project is very much in its infancy, but has great potential to become an interface to investigate the communities of book production within NMAA’s Pulverer collection.
Thanks very much,
Jeffrey Smith
Assistant Registrar for Collections Information
Collections Department
National Museum of Asian Art, Smithsonian Institution
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