The Passion Trilogy Movie Watch Online Free

[Marquez Feliciano]

Irecently decided to purchase a television. I don't know what brand or how many inches wide it is, but trust me, you wouldn't be impressed if I told you. It's one of those tiny models with mono sound and a built-in VCR. My daughter can use it to watch tapes of Snow White and Kiki's Delivery Service; I can indulge my quasi-Jacobite passion for the original unaltered Star Wars trilogy (in widescreen!). In a few years the whole family will be able to enjoy E.T. and Raiders of the Lost Ark.

Matthew Walther is a national correspondent at The Week. His work has also appeared in First Things, The Spectator of London, The Catholic Herald, National Review, and other publications. He is currently writing a biography of the Rev. Montague Summers. He is also a Robert Novak Journalism Fellow."}), " -0-10/js/authorBio.js"); } else console.error('%c FTE ','background: #9306F9; color: #ffffff','no lazy slice hydration function available'); Matthew WaltherSocial Links NavigationMatthew Walther is a national correspondent at The Week. His work has also appeared in First Things, The Spectator of London, The Catholic Herald, National Review, and other publications. He is currently writing a biography of the Rev. Montague Summers. He is also a Robert Novak Journalism Fellow.

When I look back at how my love for short film first began, in the years before I even started writing for S/W, there are a handful of titles that proved truly inspirational in helping to transition this burgeoning fascination into full-on obsession, and eventually a full-time job. With a passion for dark and twisted cinema, I always enjoyed hunting out the niche films in this area and discovering something weird to show to friends who shared my interests. One such film, and one of the short films that opened my eyes to the possibilities of the format, was Jona/Tomberry by Dutch filmmaker Rosto.

A nightmarish film with haunting visuals, it was my first introduction to the work of Rosto and proved influential in not only nourishing my passion for short film, but my interest in the work of this distinctly original director. Unfortunately, at the time, his work was never easy to track down, so it was years until I encountered it again, but after seeing the Monster of Nix screen at a BFI London Film Festival screening in 2011, I was convinced he was one of the most unmistakable voices in the short film arena.

After over fifteen years of collaboration in distribution and production, wandering together at festivals, discussing the world and films over one or more bottles of red wine, Rosto had become not only a loyal and regular partner in work and creativity but also a close friend (I would stay at his place when traveling to the Netherlands, and he would do the same when coming to France). He was disarmingly sincere and had an unwavering sense of humor. Our professional and friendly relationship was almost daily, despite the distance between Paris and Amsterdam. Discussing the latest films or series to watch was one of the hundreds of little details I miss today.

With a career in filmmaking spanning 20-years, Rosto would often return to the same universe (or alternate universe, in some cases) in his shorts, creating a unique body of work that could be enjoyed individually, but was even more mind-blowing when watched together. Creating both a trilogy and a tetralogy in his time working in short film (he was also a musician, graphic artist and much more), his work played festivals worldwide, blowing minds all over the planet.

The Passion of the Christ is a 2004 American epic biblical drama film co-written, co-produced, and directed by Mel Gibson. It stars Jim Caviezel as Jesus of Nazareth, Maia Morgenstern as Mary, mother of Jesus, and Monica Bellucci as Mary Magdalene. It depicts the Passion of Jesus largely according to the gospels of Matthew, Mark, Luke, and John. It also draws on pious accounts such as the Friday of Sorrows, along with other devotional writings, such as the reputed visions attributed to Blessed Anne Catherine Emmerich.[3][4][5][6]

As per the title, the film primarily covers the final 12 hours before Jesus Christ's death, known as "the Passion". It begins with the Agony in the Garden of Olives (i.e., Gethsemane), continues with the betrayal of Judas Iscariot, the brutal Scourging at the Pillar, the suffering of Mary as prophesied by Simeon, the crucifixion and death of Jesus, and ends with a brief depiction of his resurrection. The narrative is interspersed with moments in Jesus's life, such as The Last Supper and The Sermon on the Mount, and moments of Jesus' early life. The film was mostly shot in Italy.[7] The dialogue is entirely in reconstructed Aramaic, Hebrew, and Latin. Although Gibson was initially against it, the film is subtitled.

The film was controversial and received polarized reviews from critics; some regarded the film a religious and holy experience, praising the performances of the cast, production values, and John Debney's musical score, while some found it to be antisemitic and the graphic violence to be extreme and emotionally draining. The film grossed over $612 million worldwide,[8] and became the fifth highest-grossing film of 2004 internationally at the end of its theatrical run.[2] It is the highest-grossing (inflation unadjusted) Christian film of all time, as well as the highest-grossing independent film of all time.[9][10] As of 2023, it is the highest-grossing R-rated film in the USA, with $370.8 million.[11] It received three nominations at the 77th Academy Awards in 2005, for Best Makeup, Best Cinematography, and Best Original Score.[12] A sequel centered on the resurrection of Jesus is in development.[13][14]

On the night of Passover in Gethsemane, Jesus prays beside his disciples Peter, James and John. Satan tries to tempt Jesus as his sweat turns into blood and a serpent emerges from Satan's guise; Jesus rebukes him by crushing the serpent's head. Meanwhile, Judas Iscariot, another of Jesus' disciples, is bribed by Caiaphas and the Pharisees with thirty pieces of silver, and leads a group of temple guards to the forest where he betrays Jesus' identity. As the guards arrest Jesus, a fight erupts wherein Peter draws his dagger and slashes the ear of Malchus, the commander of the guards. Jesus heals Malchus' injury and reprimands Peter. As the disciples flee, the guards secure Jesus and beat him on the way to the Sanhedrin.

Awoken from her sleep, Jesus' mother Mary senses something is wrong and speaks with Mary Magdalene. John informs them of the arrest, and they reunite with Peter who has followed Jesus and his captors. Caiaphas holds trial during which false accusations are made against Jesus. Some priests, who object to the trial and secretly support Jesus, are expelled from the court. When Jesus claims he is the Son of God, Caiaphas angrily tears his robes and Jesus is condemned to death for blasphemy. As Jesus is brutally beaten, Peter is confronted by the mob and he denies being a follower of Jesus. After cursing them during the third denial, Peter remembers Jesus' forewarning, then weeps bitterly and flees. Meanwhile, a guilt-ridden Judas attempts to return the money to have Jesus freed, but is refused by the priests. Haunted by demons, Judas uses a rope from a donkey's corpse to hang himself.

Caiaphas and the crowd bring Jesus before Pontius Pilate, the Roman governor of Judea, to be condemned to death. At the urging of his wife Claudia, who knows Jesus is holy, and after questioning Jesus and finding no fault, Pilate transfers him to the court of Herod Antipas since Jesus is from Antipas' domain of Galilee. Antipas deems him to be a harmless fool and returns him. Pilate then offers the crowd the choice of freeing Jesus or the criminal Barabbas. The crowd demands Barabbas be freed and Jesus crucified. Attempting to appease the crowd, Pilate orders that Jesus simply be flogged. The Roman guards brutally scourge him before taking him to a barn where they place a crown of thorns on his head and insult him. He is presented before Pilate and the crowd, but Caiaphas, supported by the crowd, continues demanding that he be crucified. Unwilling to instigate an uprising, Pilate orders his crucifixion, claiming no responsibility.

Jesus then carries a heavy wooden cross on the road to Golgotha while Satan observes his suffering with sadistic pleasure. Along the way, Jesus is constantly harassed by the guards and rampant mob, encounters his mother who comforts him for a short while before being pulled away by the guards, is helped by the unwilling Simon of Cyrene, and is replenished by a woman who wipes his bloodied face with her veil before also being dragged away by the guards. At the end of their journey, with Mary, Magdalene, John, and many others witnessing, Jesus is crucified. He prays to God to forgive his tormentors, provides salvation to a criminal crucified beside him for his strong faith and repentance, and comforts his mother. Succumbing to his wounds, Jesus surrenders his spirit and dies. A single droplet of rain then falls, triggering an earthquake which damages the Second Temple and rips the veil covering the Holy of Holies in two, while Satan screams in defeat from the depths of Hell. Jesus' body is taken down from the cross and entombed. Three days later, he rises from the dead and exits the tomb.

In The Passion: Photography from the Movie "The Passion of the Christ", director Mel Gibson says, "This is a movie about love, hope, faith and forgiveness. Jesus died for all mankind, suffered for all of us. It's time to get back to that basic message. The world has gone nuts. We could all use a little more love, faith, hope and forgiveness."

According to Mel Gibson, the primary source material for The Passion of the Christ is the four canonical Gospel narratives of Christ's passion. The film includes a trial of Jesus at Herod's court, which is only found in the Gospel of Luke. The film also draws from other parts of the New Testament. One line spoken by Jesus in the film, "I make all things new", is found in the Book of Revelation, Chapter 21, verse 5.[15]

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