InRepublican-era China, Master Kau makes a living as a Taoist priest who performs magic that maintains control over spirits and irrepressible vampires. Together with his inept students, Man-choi and Chau-sang, he resides in a large house protected from the spiritual world with talismans and amulets.
One day, he accepts an assignment from a wealthy businessman, Yam, to remove Yam's deceased father from his grave and rebury him, with the hopes that doing so will bring more prosperity to the Yam family. However, during the raising of the coffin, Kau notices the body, instead of in a decomposed state, is still intact. Knowing it has become a vampire, he has it moved to his house for further study.
Once in the house, Choi and Sang line the coffin with enchanted ink to safeguard the body, but forget to line the bottom of the coffin, causing the vampire to break out. It heads straight for Yam's home and savagely kills his son before going into hiding by dawn.
Wai, an incompetent police inspector who is smitten with Yam's daughter Ting, blames Kau for murdering Yam and arrests him. Kau is imprisoned and Yam's body is placed in a makeshift morgue near the jailhouse. Choi stays at Yam's house to protect Ting while Sang frees his master, only to witness Yam reawakening as a vampire. Kau and Sang manage to kill it after engaging it in battle. Wai realizes his mistake in framing Kau earlier and accepts the fact that another vampire is on the loose.
The vampire again invades Yam's house. Kau and Sang arrive in time to wound it and forcing it to flee, but not before it critically wounds Choi. Kau invites Ting to stay at his house for safety. The next morning, after examining Choi's wounds, Kau claims he too may become a vampire. He orders Sang to feed Choi glutinous rice, claiming it may decrease the vampire's venom in Choi's body and bring him back to his normal state. While purchasing the rice, however, the shady merchant deliberately mixes different kinds of rice in the bag, and an unwitting Sang accepts it. Before Sang can get home, he is lured by a mysterious woman into her house. He soon deduces she is a spirit, but she uses her supernatural power to seduce him. They sleep together for the night.
When Sang returns to Kau's house, the priest is quick to notice his student's predicament. That night, he silently follows Sang to the spirit's house. The spirit transforms into a hideous ghoul and attempts to kill Kau, but fails at the hands of his talismans. She bewitches Sang to turn on his master, but after a brief fight, Kau breaks the spell and she escapes.
The next night, Kau ties Sang to a chair and prepares to capture and eliminate the spirit. Sure enough, she arrives at their house and Kau chases her throughout. As Sang tries to free himself, Choi turns into a vampire and attacks him. Amidst the chaos, Kau restrains Choi and almost terminates the spirit, but stops when Sang begs him to let her go. Saddened she can no longer be with Sang, the spirit flies away.
Over the next few days, Kau restores Choi's health and turns him back to human. Wai brings in news that the vampire is now active again. When Kau leaves to investigate, the vampire, now in an almost demonic form, invades Kau's place. After pushing Choi off a balcony, it turns its attention to Ting and Wai, but Kau and Sang again divert its attention. Finally, Kau's fellow Taoist priest, Four Eyes, shows up by coincidence, and they manage to destroy the vampire by burning it alive.
Director Ricky Lau wanted a fresh-faced girl whom people were unfamiliar with to play the role of Mr Yam's daughter so he avoided choosing a well-known actress. He spotted dancer Moon Lee at a performance and approached her and asked "Are you interested in acting as you'd fit into a part I have?"[2][3][4]
Lam Ching-ying was recommend to the director by Sammo Hung to play the main role. The director had seen Lam before on The Prodigal Son which the director had worked on.[5][6] The director noted in an interview that "He seems cold but actually he is with a good heart" that was why he was suitable for the role.[5]
The director had still not settled on an actress to play the ghost's role. The role ended up going to Wong Siu-fung, who impressed Ricky Lau in her previous film Person at the End.[5] Chin Siu-ho was chosen because he knew Kung Fu and all about action scenes.[5][6] The director noted in an interview "he was serious and used no stuntman."[5]
According to the producer Sammo Hung, the idea for Mr. Vampire originated through childhood stories he heard from his mother who was also an actress.[6] One of the major sources of inspiration for the film Mr. Vampire came from a collection of supernatural tales called Strange Stories from a Chinese Studio by Qing dynasty writer Pu Songling. Mr. Vampire is based on a story of a resurrected corpse.[6][7] The script was not written by Ricky Lau alone. It was written by many script writers,[5] including Roy Szeto (Chak Han), Wong Ying and Barry Wong (Ping-Yiu).[6] When the script was finished, Eric Tsang reviewed it. Sammo Hung also reviewed it and gave Lau some ideas.[5]
In an interview the director mentioned "Compared with nowadays, the situation was different because now they often use less time to finish the script."[5] In the original script, the ghost (Jade) was written to die during the film but during filming, Lau decided to change the ending and keep her alive so that could it would be more romantic.[5]
Filming lasted more than five months to almost half a year.[6][8] On the set, the actors would sometimes crack jokes, and if director Ricky Lau liked them, he would retain those scenes in the film.[6][8] The love scene that contained no violence took two weeks to complete, in addition to a further three weeks of shooting in Taiwan.[6][8]
The production team built a village that appeared in the opening and ending scenes of the film, while a few scenes were shot on a standing set near Taipei because they lacked a good studio set of a long street running into the distance, which could be done by CGI in more recent times. The scene in which a dead body was found was shot in Taiwan on a set with stone arches. In that set, a real street was constructed from stone, and has been reused for other films and television series. In Hong Kong, most studios could not afford a standing set.[7] It took one week in Taiwan to set up the sets mentioned above.[7] The Golden Harvest studios were used as the set for the scene where Master Kau is in jail.[7]
The scene where the body is being exhumed was filmed just out of the New Territories in Hong Kong.[6][7] The background has been used in movies such as The Young Master and the end fight in The 36th Chamber of Shaolin.[7] Also filmed in the New Territories were scenes where the police went to find the vampire in the cave and the scene in which a body is being burnt.[7]
Producer Sammo Hung visited the set less frequently to promote a relaxed atmosphere as he was aware that his presence may make the cast and crew nervous.[6] Hung took a hands-off role on the film and entrusted Mr Vampire to protg director Ricky Lau.[5]
A real snake was used in the scene which showed one being cut, and was later used to make snake soup. This was because the production team could not afford a fake snake. This was also the case in a scene where a chicken's blood is needed and its throat is cut and a bowl is held under its neck to collect the blood.[7]
Mr. Vampire is set in the Early Republic, as can be seen from the five-coloured-star cap emblems on the "modern" uniforms, but the vampire's costume belonged to the previous dynasty, the Qing dynasty, contrary to a commentator's notes.[7] Oddly in one scene after Chau-sang woke up, Ting-ting had a white flower in her hair which signifies morning but it is night time in the film.[7]
Action scenes in the movie were designed by both the director and Chiny-Ying, who was an action director as well. There wasn't much time for the director and actors to sleep.[5] The director and actors had 2 shifts (12 hours per shift). The Day shift is from seven in the morning until seven in the evening.[5] The Night shift is from seven in the evening work until seven in the morning and many actors didn't really sleep for maybe two weeks.[5]
During filming in the extremely hot summer months, Yuen Wah suffered as he was not allowed to remove the plastic from his face.[5][6] After several hours in the make-up chair, he would spend the working day unable to move, talk or eat properly. Ironically, Ricky Lau cut out many of Yuen's footage from the finished film, as he felt that too many vampire hopping would slow down the pace.[6]
Moon Lee recalls the Mr. Vampire shoot as a largely enjoyable experience. Lam Ching Ying always looked serious during filming. He was dedicated and professional, although friends have brought up his sense of humour.[6]
It is long been rumoured that Hung effectively directed Mr Vampire on his own with the inexperienced Ricky Lau serving as his assistant.[6] Hung has always denied the story and Chin Siu Ho has confirmed Ricky Lau as the true director of Mr. Vampire.[6]
At different parts of the movie, wires were used. The production staff had to take care of the wires. To ensure they do not show on screen, they would spray the wires in the same colour as the set background. If the wires were shown, they would have to take it overseas for editing which was not popular at that time.[5] However, no wires were used in the scene where actor Chin Siu-ho performed a back-flip up the door.[7]
Mr. Vampire was originally given a budget of HKD 4.5 million, but halfway through production, it was already depleted.[5] The director then had to ask for more money and was given a further HKD 1 million to finish the film. After one week, the money was also spent. When the film was finally finished, it cost HKD 8.5 million. Sammo estimated the film would cost a HKD 2 to 3 million loss to Golden Harvest[5]
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