Instrumental Questions

[Shameka Roessler]

Itsounds very much like, and may have a similar intended purpose, to the material he was working on at the time for potential use in the film, including the re-recording of 'Possessed', 'Traffic Jam', and also 'When Doves Cry'.

It appears to borrow a few ideas from 'Lust U Always', the extended sections of 'Computer Blue', some riffs from misc. Revolution 1983/1984 rehearsal jams, and the additions to 'Jungle Love' between the 1983 basic tracking and its final release.

'Divinity' may well be its formal name, although we should not rely on one or two isolated photographs from the Vault with no meaningful information about the contents/date of the box, for such a generic and Princely song title.

I'm curious how the title wouldn't be listed on the original tapes it was taken from. I wonder who the source was for this particular leak? Probably lost to time/unknown at this point. Still very surprised neither of these songs are included in Duane's book - surely he ran across the documentation for them at some point. How could he not when both Sunset Sound and WB sent him their call sheets and work orders, etc.

I'm deviating slightly from the original topic, but on one of the extended sets of rehearsals for the First Avenue '83 show, he plays what appears to be a brief rendition on the piano of [what would become] the 'Paisley Park' (March 1984) instrumental.

I don't legitimately trust that this is the case (since we have no confirmation that this is a 'Lust U Always #2'), but to play devil's advocate, it could just as well be absent from the 1983-84 documentation due to being pulled and used as a reworked master for Robert Palmer ca. 1987.

Personally, I can't imagine him sending the 1982 version (cute, but seems sub-release grade material, more than other outtakes could be characterized as; and this is for Palmer, not one of his starlets; and also very dated for an album that wouldn't be released until 1988 with the other tracks boasting that 'Power Station' sound).

I believe he goes through 'Lisa' a few times during maybe during the same Revolution rehearsal we have circulating that features 'The Get Down' and 'Katrina's Paper Dolls'? Perhaps he reviewed this again in 1983?

To me, there's substantial enough similarity to the leadline (and also guitar motif) and structure of LUA and 'Divinity', although highly remote in production styling, as if he's trying to make a much harder-hitting version. spoken section. . . 'I lust U always, I lust u always. . . U're all I want to to do (I lust U always)'. . . break into spoken section. . .

'LUA2' or anything else, its run-length shouldn't be held as conclusive evidence that it was meant strictly to be an instrumental (although it may have ended up that way), as ten minutes would not be unusual for an unedited piece in this era.

Auditions take place on Sunday of Getting Started Weekend, beginning at 1 p.m. Ask questions and sign up at the department table on Friday or Saturday during Getting Started or sign up at DMC 125. Refer to your Getting Started Arrival Guide for more information.

Auditions are intentionally casual and relaxed. For string instruments, have a prepared piece of your choice ready (you may use a hymn or chorus). For all wind or percussion instruments, email Dr. Chet Jenkins for audition excerpts. You may also be asked to play several major scales and to do some sight reading to demonstrate how well you read music. There will also be a short interview to get to know you. An audition is approximately 10 minutes.

Selected music is challenging and reflects variety. Due to the maturity of the players, music is learned faster in University ensembles than you're probably accustomed to in high school. Each group plays an exciting schedule of on- and off- campus concerts.

If you have any further questions, please contact Prof. Chet Jenkins by e-mail. We hope you will consider membership in at least one of Cedarville's fine instrumental ensembles! It is great way to meet people and use your God-given talent.

Currently we are trying to build 12 lead ECG circuit, so we just need to know the answers to couple of questions. Why do instrumental amplifiers on given circuit have two outputs? How are they connected to ADCs?

So that they can send fully differential signals to the ADCs. This allows for the InAmps and the ADCs to be on different boards, and tolerate some common mode difference between them. Even on the same board, you would generally get a better signal and lower noise with a fully differential connection.

At the block diagram level shown, they are directly connected. That's not a schematic however, there are many components not shown. It might be the case that they are connected directly on the actual circuit, it will certainly function like that. They might be connected with series resistors and a small capacitor across the ADC input to give a bit of lowpass filtering and RF immunity. You might find yourself needing to add such a filter there if you are troubled by RF pickup.

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