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Slice of life is a depiction of mundane experiences in art and entertainment.[1] In theater, slice of life refers to naturalism, while in literary parlance it is a narrative technique in which a seemingly arbitrary sequence of events in a character's life is presented, often lacking plot development, conflict and exposition, as well as often having an open ending.
The Serenade was introduced by the Théâtre Libre in 1887. It is a prime example of rosserie, that is, plays dealing with corrupt, morally bankrupt characters who seem to be respectable, "smiling, smiling, damned villains..." Jullien gave us the famous apothegm defining naturalism in his The Living Theatre (1892): "A play is a slice of life put onstage with art." He goes on to say that "...our purpose is not to create laughter, but thought." He felt that the story of a play does not end with the curtain, which is "only an arbitrary interruption of the action which leaves the spectator free to speculate about what goes on beyond your expectation..."[3]
In 2017, screenwriter and scholar Eric R. Williams identified slice-of-life films as one of eleven super-genres in his screenwriters' taxonomy, claiming that all feature-length narrative films can be classified by these super-genres. The other ten super-genres are: action, crime, fantasy, horror, romance, science fiction, sports, thriller, war and western.[6] Williams identifies the following films as some examples of films in the slice-of-life super-genre: The Station Agent, Boyhood, Captain Fantastic, Fences, Moonlight and Waitress.[7] According to his taxonomy, drama and comedy are identified as film "types", not super-genres.[7]
In literary parlance, the term "slice of life" refers to a storytelling technique that presents a seemingly arbitrary sample of a character's life, which often lacks a coherent plot, conflict, or ending.[8] The story may have little plot progress and often has no exposition, conflict, or dénouement, but rather has an open ending. A work that focuses on a minute and faithful reproduction of some bit of reality, without selection, organization, or judgment, and where every small detail is presented with scientific fidelity, is an example of the "slice of life" novel.[9] This is demonstrated in the case of Guy de Maupassant's novel A Woman's Life, which told the story of a woman who transformed an unrequited love for her husband into a pathological affection towards her son.[10]
In the United States, slice of life stories were given particular emphasis by the Chicago school at the end of the 19th century, a period when the novel and social sciences became different systems of discourse.[11] These produced literary texts by researcher-authors that were written to represent the subject's stories and sentiment-free social realism using the language of ordinary people.[11] It formed part of the late 19th- and early 20th-century naturalism movement in literature, which was inspired by the adaptation of principles and methods of social sciences such as the Darwinian view of nature.[12] The movement was an extension of realism, presenting the faithful representation of reality without moral judgment.[12] Some authors, particularly playwrights, used it by focusing on the "underbelly of life" to expose social ills and repressive social codes with the aim of shocking the audience and motivating them towards social reform.[13]
One subgenre of slice of life in anime and manga is kūki-kei (空気系, "air type"), also called nichijō-kei (日常系, "everyday type"). In this genre, "descriptions of deep personal relationships or fully fledged romantic relationships are deliberately eliminated from the story in order to tell a light, non-serious story that focuses on the everyday lives and conversations of the bishōjo characters."[18] This relies on a "specificity of place," as well as a "peaceful, heartwarming sense of daily life."[19] The nichijō-kei genre developed from yonkoma manga, and includes works like Azumanga Daioh, K-On!, and Hidamari Sketch.[20] Takayoshi Yamamura argues that the rise in popularity of this subgenre in the mid-2000s enabled the increasing popularity of media tourism to locations featured in anime.[18]
Stevie Suan writes that slice of life anime such as Azumanga Daioh often involve exaggerated versions of the "conventionalized expressions" of the medium, such as "white circles for eyes in times of trouble, shining, vibrant big eyes to depict overflowing emotion, sweat drops, animal teeth, and simplistic human rendering."[21]
I have been an NFL fan my whole life and a Packer season ticket holder for nearly 30 years. I have gladly sat through games so hot my left arm stuck to my sister's right as we held our own in Section 117, and so cold only our eyes peaked out of our double-scarfed up [...]
What is slice of life? It is a storytelling genre defined by the tone, scope, and subject matter it chooses to focus on. In this post, we will be breaking down and defining the Slice of life genre, taking a look at the differences between high and low concept stories, and offering examples of the best films that the genre has to offer.
Slice of Life is the ninth episode of the fifth season of My Little Pony Friendship is Magic and the show's one-hundredth episode overall, celebrated as a milestone episode. The phrase "slice of life" refers to works of fiction that depict mundane everyday events.
What separates slice of life as a genre from the literal meaning of the phrase (which would encompass nearly all fiction) is the emphasis on the very moment, with the intent of focusing the audience on that moment rather than using that moment as part of a narrative. For example, a story about hilarious roommate hi-jinx may depict the mundane life of roommates, but these mundane events are usually the setups and punchlines of jokes or part of the conflict between the characters, which takes away their slice-of-life-ness and cements them firmly in the realm of comedy or drama.
Slice of Life series don't usually have much of a plot or, if taken to extreme, even the omnipresent Conflict, but they don't really need one, and many Slice of Life stories use a lack of conflict to serve peaceful escapism rather than realism. An example of this would be how in many slice of life school stories, parents are nearly non-existent. Most American newspaper comics that aren't simply gag a day strips are stories like this due to the simple fact that most people do not read newspapers every day and archives of comic strips are rare, so they need to be able to jump into the comic's world at any time and be able to appreciate it.
Slice of life also doesn't have to be set in the world as we know it. When it is, the TV industry in particular calls it "low concept" (in contrast to High Concept). Several Webcomics are Slice of Life, while the ones labeled "Real Life" are usually not real life at all, but tend to fall into some brand of Speculative Fiction, or at the least Life Embellished. Not to be confused with the Journal Comic, although they may overlap. For a complete index, see Slice-of-Life Webcomics.
Kitchen Sink Drama uses the "slice of life" approach to show a typical day in a working-class character's life: getting up early in a grungy little apartment, working all day at a factory, and coming home to make an inexpensive dinner, all while dealing with the trials and tribulations of being in a lower income category (unemployment, living paycheck-to-paycheck, depression, etc).
Art films and indie/experimental films also often use the "slice of life" approach, as these films tend to have a looser, more open-ended structure and they are not goal-directed like Hollywood blockbusters (where the hero is always chasing a MacGuffin or trying to achieve a Plot Coupon). The art/experimental films would rather show the slow-moving textures and interactions of everyday life in a meditative fashion. note Newbies to art/experimental films may walk out of the movie theater in annoyance after sitting through 45 minutes of focusing on some Norwegian guy's expressions (or other Scandinavian nationality or German) as he washes his clothes or takes a bus to work.
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